956 resultados para Peru (Viceroyalty) -- History -- 18th century
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Publisher varies.
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Publisher varies.
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Vol. 13 has running title: Description generale de la Chine.
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"Books sold by Paul Vaillant ...": p. [1]-[3] at end.
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Tome 2 (a biographical dictionary) has half title: Mémoires pour servir à l'histoire de notre littérature depuis François premier jusqu'à nos jours.
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Mode of access: Internet.
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Engraved title vignette (monogram), head- and tail-pieces and pictorial initials by Gabriel François Louis Debrie.
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Mode of access: Internet.
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Edited by John Mason Good.
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Folded facsimile letter from the author to Archibald Constable tipped in following p. [xii]
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University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".
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Bound with: Ferro, Giovanni Battista, 18th cent. In Jo. Baptistam Zenum S.R.E. cardinalem anniversaria funebris .... Venetiis : [s.n, 1778?].
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University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".
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Henry Baker (1698–1774) was a typical 18th century polymath: natural historian, poet, translator of Molière, editor of a popular periodical and prolific correspondent. He was a cofounder of the Royal Society of Arts and a Fellow of the Royal Society of Antiquaries. Baker’s influence on the development and popularization of the microscope was considerable and he wrote three books; the first, The Microscope Made Easy, was a best seller. In 1741 Baker was elected a Fellow of the Royal Society and played a prominent role in its activities for 30 years. The Bakerian Lecture was founded as a result of a bequest in his will.
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The visual technique of fashion photography is examined which taught Australian women to look modern. Especially fashion photography intervenes ambivalently into the story of Australian modernism and modernity. During 1920s and 1930s within the fashion press there were synergies and differences between commercial fashion photography, celebrity and cinematic portraiture, and social set endorsement. However, modernism was widely acknowledged in Australia during the 1920s through women's spaces, their fashions and culture of department stores.