891 resultados para Motion in art


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Introduction: The aim of the present work was to evaluate the resistance to flexural fatigue of Reciproc R25 nickel-titanium files, 25 mm, used in continuous rotation motion or reciprocation motion, in dynamic assays device. Methods: Thirty-six Reciproc R25 files were divided into 2 groups (n = 18) according to kinematics applied, continuous rotary (group CR) and reciprocation motion (group RM). The files were submitted to dynamic assays device moved by an electric engine with 300 rpm of speed that permitted the reproduction of pecking motion. The files run on a ring's groove of temperate steel, simulating instrumentation of a curved root canal with 400 and 5 mm of curvature radius. The fracture of file was detected by sensor of device, and the time was marked. The data were analyzed statistically by Student's t test, with level of significance of 95%. Results: The instruments moved by reciprocating movement reached significantly higher numbers of cycles before fracture (mean, 1787.78 cycles) when compared with instruments moved by continuous rotary (mean, 816.39 cycles). Conclusions: The results showed that the reciprocation motion improves flexural fatigue resistance in nickel-titanium instrument Reciproc R25 when compared with continuous rotation movement. (J Endod 2012;38:684-687)

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Particle tracking of microbeads attached to the cytoskeleton (CSK) reveals an intermittent dynamic. The mean squared displacement (MSD) is subdiffusive for small Δt and superdiffusive for large Δt, which are associated with periods of traps and periods of jumps respectively. The analysis of the displacements has shown a non-Gaussian behavior, what is indicative of an active motion, classifying the cells as a far from equilibrium material. Using Langevin dynamics, we reconstruct the dynamic of the CSK. The model is based on the bundles of actin filaments that link themself with the bead RGD coating, trapping it in an harmonic potential. We consider a one- dimensional motion of a particle, neglecting inertial effects (over-damped Langevin dynamics). The resultant force is decomposed in friction force, elastic force and random force, which is used as white noise representing the effect due to molecular agitation. These description until now shows a static situation where the bead performed a random walk in an elastic potential. In order to modeling the active remodeling of the CSK, we vary the equilibrium position of the potential. Inserting a motion in the well center, we change the equilibrium position linearly with time with constant velocity. The result found exhibits a MSD versus time ’tau’ with three regimes. The first regime is when ‘tau’ < ‘tau IND 0’, where ‘tau IND 0’ is the relaxation time, representing the thermal motion. At this regime the particle can diffuse freely. The second regime is a plateau, ‘tau IND 0’ < ‘tau’ < ‘tau IND 1’, representing the particle caged in the potential. Here, ‘tau IND 1’ is a characteristic time that limit the confinement period. And the third regime, ‘tau’ > ‘tau IND 1’, is when the particles are in the superdiffusive behavior. This is where most of the experiments are performed, under 20 frames per second (FPS), thus there is no experimental evidence that support the first regime. We are currently performing experiments with high frequency, up to 100 FPS, attempting to visualize this diffusive behavior. Beside the first regime, our simple model can reproduce MSD curves similar to what has been found experimentally, which can be helpful to understanding CSK structure and properties.

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La presente tesi riguarda lo studio di procedimenti di ottimizzazione di sistemi smorzati. In particolare, i sistemi studiati sono strutture shear-type soggette ad azioni di tipo sismico impresse alla base. Per effettuare l’ottimizzazione dei sistemi in oggetto si agisce sulle rigidezze di piano e sui coefficienti di smorzamento effettuando una ridistribuzione delle quantità suddette nei piani della struttura. È interessante effettuare l’ottimizzazione di sistemi smorzati nell’ottica della progettazione antisismica, in modo da ridurre la deformata della struttura e, conseguentemente, anche le sollecitazioni che agiscono su di essa. Il lavoro consta di sei capitoli nei quali vengono affrontate tre procedure numerico-analitiche per effettuare l’ottimizzazione di sistemi shear-type. Nel primo capitolo si studia l’ottimizzazione di sistemi shear-type agendo su funzioni di trasferimento opportunamente vincolate. In particolare, le variabili di progetto sono le rigidezze di piano, mentre i coefficienti di smorzamento e le masse di piano risultano quantità note e costanti durante tutto il procedimento di calcolo iterativo; per effettuare il controllo dinamico della struttura si cerca di ottenere una deformata pressoché rettilinea. Tale condizione viene raggiunta ponendo le ampiezze delle funzioni di trasferimento degli spostamenti di interpiano pari all’ampiezza della funzione di trasferimento del primo piano. Al termine della procedura si ottiene una ridistribuzione della rigidezza complessiva nei vari piani della struttura. In particolare, si evince un aumento della rigidezza nei piani più bassi che risultano essere quelli più sollecitati da una azione impressa alla base e, conseguentemente, si assiste ad una progressiva riduzione della variabile di progetto nei piani più alti. L’applicazione numerica di tale procedura viene effettuata nel secondo capitolo mediante l’ausilio di un programma di calcolo in linguaggio Matlab. In particolare, si effettua lo studio di sistemi a tre e a cinque gradi di libertà. La seconda procedura numerico-analitica viene presentata nel terzo capitolo. Essa riguarda l’ottimizzazione di sistemi smorzati agendo simultaneamente sulla rigidezza e sullo smorzamento e consta di due fasi. La prima fase ricerca il progetto ottimale della struttura per uno specifico valore della rigidezza complessiva e dello smorzamento totale, mentre la seconda fase esamina una serie di progetti ottimali in funzione di diversi valori della rigidezza e dello smorzamento totale. Nella prima fase, per ottenere il controllo dinamico della struttura, viene minimizzata la somma degli scarti quadratici medi degli spostamenti di interpiano. Le variabili di progetto, aggiornate dopo ogni iterazione, sono le rigidezze di piano ed i coefficienti di smorzamento. Si pone, inoltre, un vincolo sulla quantità totale di rigidezza e di smorzamento, e i valori delle rigidezze e dei coefficienti di smorzamento di ogni piano non devono superare un limite superiore posto all’inizio della procedura. Anche in questo caso viene effettuata una ridistribuzione delle rigidezze e dei coefficienti di smorzamento nei vari piani della struttura fino ad ottenere la minimizzazione della funzione obiettivo. La prima fase riduce la deformata della struttura minimizzando la somma degli scarti quadrarici medi degli spostamenti di interpiano, ma comporta un aumento dello scarto quadratico medio dell’accelerazione assoluta dell’ultimo piano. Per mantenere quest’ultima quantità entro limiti accettabili, si passa alla seconda fase in cui si effettua una riduzione dell’accelerazione attraverso l’aumento della quantità totale di smorzamento. La procedura di ottimizzazione di sistemi smorzati agendo simultaneamente sulla rigidezza e sullo smorzamento viene applicata numericamente, mediante l’utilizzo di un programma di calcolo in linguaggio Matlab, nel capitolo quattro. La procedura viene applicata a sistemi a due e a cinque gradi di libertà. L’ultima parte della tesi ha come oggetto la generalizzazione della procedura che viene applicata per un sistema dotato di isolatori alla base. Tale parte della tesi è riportata nel quinto capitolo. Per isolamento sismico di un edificio (sistema di controllo passivo) si intende l’inserimento tra la struttura e le sue fondazioni di opportuni dispositivi molto flessibili orizzontalmente, anche se rigidi in direzione verticale. Tali dispositivi consentono di ridurre la trasmissione del moto del suolo alla struttura in elevazione disaccoppiando il moto della sovrastruttura da quello del terreno. L’inserimento degli isolatori consente di ottenere un aumento del periodo proprio di vibrare della struttura per allontanarlo dalla zona dello spettro di risposta con maggiori accelerazioni. La principale peculiarità dell’isolamento alla base è la possibilità di eliminare completamente, o quantomeno ridurre sensibilmente, i danni a tutte le parti strutturali e non strutturali degli edifici. Quest’ultimo aspetto è importantissimo per gli edifici che devono rimanere operativi dopo un violento terremoto, quali ospedali e i centri operativi per la gestione delle emergenze. Nelle strutture isolate si osserva una sostanziale riduzione degli spostamenti di interpiano e delle accelerazioni relative. La procedura di ottimizzazione viene modificata considerando l’introduzione di isolatori alla base di tipo LRB. Essi sono costituiti da strati in elastomero (aventi la funzione di dissipare, disaccoppiare il moto e mantenere spostamenti accettabili) alternati a lamine in acciaio (aventi la funzione di mantenere una buona resistenza allo schiacciamento) che ne rendono trascurabile la deformabilità in direzione verticale. Gli strati in elastomero manifestano una bassa rigidezza nei confronti degli spostamenti orizzontali. La procedura di ottimizzazione viene applicata ad un telaio shear-type ad N gradi di libertà con smorzatori viscosi aggiunti. Con l’introduzione dell’isolatore alla base si passa da un sistema ad N gradi di libertà ad un sistema a N+1 gradi di libertà, in quanto l’isolatore viene modellato alla stregua di un piano della struttura considerando una rigidezza e uno smorzamento equivalente dell’isolatore. Nel caso di sistema sheat-type isolato alla base, poiché l’isolatore agisce sia sugli spostamenti di interpiano, sia sulle accelerazioni trasmesse alla struttura, si considera una nuova funzione obiettivo che minimizza la somma incrementata degli scarti quadratici medi degli spostamenti di interpiano e delle accelerazioni. Le quantità di progetto sono i coefficienti di smorzamento e le rigidezze di piano della sovrastruttura. Al termine della procedura si otterrà una nuova ridistribuzione delle variabili di progetto nei piani della struttura. In tal caso, però, la sovrastruttura risulterà molto meno sollecitata in quanto tutte le deformazioni vengono assorbite dal sistema di isolamento. Infine, viene effettuato un controllo sull’entità dello spostamento alla base dell’isolatore perché potrebbe raggiungere valori troppo elevati. Infatti, la normativa indica come valore limite dello spostamento alla base 25cm; valori più elevati dello spostamento creano dei problemi soprattutto per la realizzazione di adeguati giunti sismici. La procedura di ottimizzazione di sistemi isolati alla base viene applicata numericamente mediante l’utilizzo di un programma di calcolo in linguaggio Matlab nel sesto capitolo. La procedura viene applicata a sistemi a tre e a cinque gradi di libertà. Inoltre si effettua il controllo degli spostamenti alla base sollecitando la struttura con il sisma di El Centro e il sisma di Northridge. I risultati hanno mostrato che la procedura di calcolo è efficace e inoltre gli spostamenti alla base sono contenuti entro il limite posto dalla normativa. Giova rilevare che il sistema di isolamento riduce sensibilmente le grandezze che interessano la sovrastruttura, la quale si comporta come un corpo rigido al di sopra dell’isolatore. In futuro si potrà studiare il comportamento di strutture isolate considerando diverse tipologie di isolatori alla base e non solo dispositivi elastomerici. Si potrà, inoltre, modellare l’isolatore alla base con un modello isteretico bilineare ed effettuare un confronto con i risultati già ottenuti per il modello lineare.

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[ES]En la docencia de inglés del Grado en Conservación y Restauración de la Universidad de La Laguna (España), se ha constatado la inexistencia de recursos didácticos comerciales adecuados para este ámbito concreto, en particular para el aprendizaje del léxico especializado. Ante esta situación, como suele suceder en el campo del inglés para fines específicos, se ha acometido la creación gradual de materiales propios, empleando tecnologías de la información y de la comunicación (TIC). La experiencia acumulada durante los tres primeros años de andadura de la titulación, en los que los materiales TIC sirvieron de apoyo a la docencia presencial de grupos muy heterogéneos, ha conducido al planteamiento de la presente investigación.

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Research in art conservation has been developed from the early 1950s, giving a significant contribution to the conservation-restoration of cultural heritage artefacts. In fact, only through a profound knowledge about the nature and conditions of constituent materials, suitable decisions on the conservation and restoration measures can thus be adopted and preservation practices enhanced. The study of ancient artworks is particularly challenging as they can be considered as heterogeneous and multilayered systems where numerous interactions between the different components as well as degradation and ageing phenomena take place. However, difficulties to physically separate the different layers due to their thickness (1-200 µm) can result in the inaccurate attribution of the identified compounds to a specific layer. Therefore, details can only be analysed when the sample preparation method leaves the layer structure intact, as for example the preparation of embedding cross sections in synthetic resins. Hence, spatially resolved analytical techniques are required not only to exactly characterize the nature of the compounds but also to obtain precise chemical and physical information about ongoing changes. This thesis focuses on the application of FTIR microspectroscopic techniques for cultural heritage materials. The first section is aimed at introducing the use of FTIR microscopy in conservation science with a particular attention to the sampling criteria and sample preparation methods. The second section is aimed at evaluating and validating the use of different FTIR microscopic analytical methods applied to the study of different art conservation issues which may be encountered dealing with cultural heritage artefacts: the characterisation of the artistic execution technique (chapter II-1), the studies on degradation phenomena (chapter II-2) and finally the evaluation of protective treatments (chapter II-3). The third and last section is divided into three chapters which underline recent developments in FTIR spectroscopy for the characterisation of paint cross sections and in particular thin organic layers: a newly developed preparation method with embedding systems in infrared transparent salts (chapter III-1), the new opportunities offered by macro-ATR imaging spectroscopy (chapter III-2) and the possibilities achieved with the different FTIR microspectroscopic techniques nowadays available (chapter III-3). In chapter II-1, FTIR microspectroscopy as molecular analysis, is presented in an integrated approach with other analytical techniques. The proposed sequence is optimized in function of the limited quantity of sample available and this methodology permits to identify the painting materials and characterise the adopted execution technique and state of conservation. Chapter II-2 describes the characterisation of the degradation products with FTIR microscopy since the investigation on the ageing processes encountered in old artefacts represents one of the most important issues in conservation research. Metal carboxylates resulting from the interaction between pigments and binding media are characterized using synthesised metal palmitates and their production is detected on copper-, zinc-, manganese- and lead- (associated with lead carbonate) based pigments dispersed either in oil or egg tempera. Moreover, significant effects seem to be obtained with iron and cobalt (acceleration of the triglycerides hydrolysis). For the first time on sienna and umber paints, manganese carboxylates are also observed. Finally in chapter II-3, FTIR microscopy is combined with further elemental analyses to characterise and estimate the performances and stability of newly developed treatments, which should better fit conservation-restoration problems. In the second part, in chapter III-1, an innovative embedding system in potassium bromide is reported focusing on the characterisation and localisation of organic substances in cross sections. Not only the identification but also the distribution of proteinaceous, lipidic or resinaceous materials, are evidenced directly on different paint cross sections, especially in thin layers of the order of 10 µm. Chapter III-2 describes the use of a conventional diamond ATR accessory coupled with a focal plane array to obtain chemical images of multi-layered paint cross sections. A rapid and simple identification of the different compounds is achieved without the use of any infrared microscope objectives. Finally, the latest FTIR techniques available are highlighted in chapter III-3 in a comparative study for the characterisation of paint cross sections. Results in terms of spatial resolution, data quality and chemical information obtained are presented and in particular, a new FTIR microscope equipped with a linear array detector, which permits reducing the spatial resolution limit to approximately 5 µm, provides very promising results and may represent a good alternative to either mapping or imaging systems.

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The main aim of this thesis is strongly interdisciplinary: it involves and presumes a knowledge on Neurophysiology, to understand the mechanisms that undergo the studied phenomena, a knowledge and experience on Electronics, necessary during the hardware experimental set-up to acquire neuronal data, on Informatics and programming to write the code necessary to control the behaviours of the subjects during experiments and the visual presentation of stimuli. At last, neuronal and statistical models should be well known to help in interpreting data. The project started with an accurate bibliographic research: until now the mechanism of perception of heading (or direction of motion) are still poorly known. The main interest is to understand how the integration of visual information relative to our motion with eye position information happens. To investigate the cortical response to visual stimuli in motion and the integration with eye position, we decided to study an animal model, using Optic Flow expansion and contraction as visual stimuli. In the first chapter of the thesis, the basic aims of the research project are presented, together with the reasons why it’s interesting and important to study perception of motion. Moreover, this chapter describes the methods my research group thought to be more adequate to contribute to scientific community and underlines my personal contribute to the project. The second chapter presents an overview on useful knowledge to follow the main part of the thesis: it starts with a brief introduction on central nervous system, on cortical functions, then it presents more deeply associations areas, which are the main target of our study. Furthermore, it tries to explain why studies on animal models are necessary to understand mechanism at a cellular level, that could not be addressed on any other way. In the second part of the chapter, basics on electrophysiology and cellular communication are presented, together with traditional neuronal data analysis methods. The third chapter is intended to be a helpful resource for future works in the laboratory: it presents the hardware used for experimental sessions, how to control animal behaviour during the experiments by means of C routines and a software, and how to present visual stimuli on a screen. The forth chapter is the main core of the research project and the thesis. In the methods, experimental paradigms, visual stimuli and data analysis are presented. In the results, cellular response of area PEc to visual stimuli in motion combined with different eye positions are shown. In brief, this study led to the identification of different cellular behaviour in relation to focus of expansion (the direction of motion given by the optic flow pattern) and eye position. The originality and importance of the results are pointed out in the conclusions: this is the first study aimed to investigate perception of motion in this particular cortical area. In the last paragraph, a neuronal network model is presented: the aim is simulating cellular pre-saccadic and post-saccadic response of neuron in area PEc, during eye movement tasks. The same data presented in chapter four, are further analysed in chapter fifth. The analysis started from the observation of the neuronal responses during 1s time period in which the visual stimulation was the same. It was clear that cells activities showed oscillations in time, that had been neglected by the previous analysis based on mean firing frequency. Results distinguished two cellular behaviour by their response characteristics: some neurons showed oscillations that changed depending on eye and optic flow position, while others kept the same oscillations characteristics independent of the stimulus. The last chapter discusses the results of the research project, comments the originality and interdisciplinary of the study and proposes some future developments.

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Das Ziel der vorliegenden Arbeit ist die Untersuchung der räumlichen und zeitlichen Aspekte der heterogenen Dynamik in Modellglasbildnern. Dabei wird vor allem die langsame alpha-Relaxationsdynamik oberhalb des Glasüberganges Tg untersucht. Die nukleare Magnetresonanz zeigt ihre einmalige Vielseitigkeit bei der Untersuchung molekularer Dynamik, wenn die angewandten Techniken und Experimente durch Simulationen unterstützt werden. Die räumliche Aspekt dynamischer Heterogenitäten wird untersucht durch ein reduziertes vierdimensionales Spindiffusionsexperiment (4D3CP), ein Experiment, das Reorientierungsraten örtlich korreliert. Eine Simulation dieses Experimentes an einem System harter Kugeln liefert wertvolle Informationen über die Auswertemethode des 4D3CP Experiments. Glycerol und o-terphenyl werden durch das 4D3CP Experiment untersucht. Die erhaltenen Resultate werden mit bereits publizierten Daten des polymeren Glasbildners PVAc verglichen. Während PVAc und o-terphenyl eine Längenskale von 3.7 nm bzw. 2.9 nm aufweisen, ist die Längenskale von Glycerol signifikant kleiner bei 1.1 nm. Ein neues Experiment, welches sensitiv auf Translationsbewegung reagiert, wird vorgestellt. Durch Verwendung eines pi-Impulszuges kann eine separate Evolution unter dem Hamiltonian der dipolaren Kopplung und der chemischen Verschiebungsanisotropie erreicht werden.

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My project explores and compares different forms of gender performance in contemporary art and visual culture according to a perspective centered on photography. Thanks to its attesting power this medium can work as a ready-made. In fact during the 20th century it played a key role in the cultural emancipation of the body which (using a Michel Foucault’s expression) has now become «the zero point of the world». Through performance the body proves to be a living material of expression and communication while photography ensures the recording of any ephemeral event that happens in time and space. My questioning approach considers the gender constructed imagery from the 1990s to the present in order to investigate how photography’s strong aura of realism promotes and allows fantasies of transformation. The contemporary fascination with gender (especially for art and fashion) represents a crucial issue in the global context of postmodernity and is manifested in a variety of visual media, from photography to video and film. Moreover the internet along with its digital transmission of images has deeply affected our world (from culture to everyday life) leading to a postmodern preference for performativity over the more traditional and linear forms of narrativity. As a consequence individual borders get redefined by the skin itself which (dissected through instant vision) turns into a ductile material of mutation and hybridation in the service of identity. My critical assumptions are taken from the most relevant changes occurred in philosophy during the last two decades as a result of the contributions by Jacques Lacan, Michel Foucault, Jacques Derrida, Gilles Deleuze who developed a cross-disciplinary and comparative approach to interpret the crisis of modernity. They have profoundly influenced feminist studies so that the category of gender has been reassessed in contrast with sex (as a biological connotation) and in relation to history, culture, society. The ideal starting point of my research is the year 1990. I chose it as the approximate historical moment when the intersection of race, class and gender were placed at the forefront of international artistic production concerned with identity, diversity and globalization. Such issues had been explored throughout the 1970s but it was only from the mid-1980s onward that they began to be articulated more consistently. Published in 1990, the book "Gender trouble: feminism and the subversion of identity" by Judith Butler marked an important breakthrough by linking gender to performance as well as investigating the intricate connections between theory and practice, embodiment and representation. It inspired subsequent research in a variety of disciplines, art history included. In the same year Teresa de Lauretis launched the definition of queer theory to challenge the academic perspective in gay and lesbian studies. In the meantime the rise of Third Wave Feminism in the US introduced a racially and sexually inclusive vision over the global situation in order to reflect on subjectivity, new technologies and popular culture in connection with gender representation. These conceptual tools have enabled prolific readings of contemporary cultural production whether fine arts or mass media. After discussing the appropriate framework of my project and taking into account the postmodern globalization of the visual, I have turned to photography to map gender representation both in art and in fashion. Therefore I have been creating an archive of images around specific topics. I decided to include fashion photography because in the 1990s this genre moved away from the paradigm of an idealized and classical beauty toward a new vernacular allied with lifestyles, art practices, pop and youth culture; as one might expect the dominant narrative modes in fashion photography are now mainly influenced by cinema and snapshot. These strategies originate story lines and interrupted narratives using models’ performance to convey a particular imagery where identity issues emerge as an essential part of fashion spectacle. Focusing on the intersections of gender identities with socially and culturally produced identities, my approach intends to underline how the fashion world has turned to current trends in art photography and in some case turned to the artists themselves. The growing fluidity of the categories that distinguish art from fashion photography represents a particularly fruitful moment of visual exchange. Varying over time the dialogue between these two fields has always been vital; nowadays it can be studied as a result of this close relationship between contemporary art world and consumer culture. Due to the saturation of postmodern imagery the feedback between art and fashion has become much more immediate and then increasingly significant for anyone who wants to investigate the construction of gender identity through performance. In addition to that a lot of magazines founded in the 1990s bridged the worlds of art and fashion because some of their designers and even editors were art-school graduates encouraging innovation. The inclusion of art within such magazines aimed at validating them as a form of art in themselves supporting a dynamic intersection for music, fashion, design and youth culture: an intersection that also contributed to create and spread different gender stereotypes. This general interest in fashion produced many exhibitions of and about fashion itself at major international venues such as the Victoria and Albert Museum in London, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York. Since then this celebrated success of fashion has been regarded as a typical element of postmodern culture. Owing to that I have also based my analysis on some important exhibitions dealing with gender performance like "Féminin-Masculin" at the Centre Pompidou of Paris (1995), "Rrose is a Rrose is a Rrose. Gender performance in photography" at the Solomon R. Guggenheim Museum of New York (1997), "Global Feminisms" at the Brooklyn Museum (2007), "Female Trouble" at the Pinakothek der Moderne in München together with the workshops dedicated to "Performance: gender and identity" in June 2005 at the Tate Modern of London. Since 2003 in Italy we have had Gender Bender - an international festival held annually in Bologna - to explore the gender imagery stemming from contemporary culture. In few days this festival offers a series of events ranging from visual arts, performance, cinema, literature to conferences and music. Being aware that any method of research is neither race nor gender neutral I have traced these critical paths to question gender identity in a multicultural perspective taking account of the political implications too. In fact, if visibility may be equated with exposure, we can also read these images as points of intersection of visibility with social power. Since gender assignations rely so heavily on the visual, the postmodern dismantling of gender certainty through performance has wide-ranging effects that need to be analyzed. In some sense this practice can even contest the dominance of visual within postmodernism. My visual map in contemporary art and fashion photography includes artists like Nan Goldin, Cindy Sherman, Hellen van Meene, Rineke Dijkstra, Ed Templeton, Ryan McGinley, Anne Daems, Miwa Yanagi, Tracey Moffat, Catherine Opie, Tomoko Sawada, Vanessa Beecroft, Yasumasa Morimura, Collier Schorr among others.

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The aim of this study was to investigate the influence of the diaphragm flexibility on the behavior of out-of-plane walls in masonry buildings. Simplified models have been developed to perform kinematic and dynamic analyses in order to compare the response of walls with different restraint conditions. Kinematic non linear analyses of assemblages of rigid blocks have been performed to obtain the acceleration-displacement curves for walls with different restraint conditions at the top. A simplified 2DOF model has been developed to analyse the dynamic response of the wall with an elastic spring at the top, following the Housner rigid behaviour hypothesis. The dissipation of energy is concentrated at every impact at the base of the wall and is modelled through the introduction of the coefficient of restitution. The sets of equations of the possible configurations of the wall, depending on the different positions of the centre of rotation at the base and at the intermediate hinge have been obtained. An algorithm for the numerical integration of the sets of the equations of motion in the time domain has been developed. Dynamic analyses of a set of walls with Gaussian impulses and recorded accelerograms inputs have been performed in order to compare the response of the simply supported wall with the one of the wall with elastic spring at the top. The influence of diaphragm stiffness Kd has been investigated determining the variation of maximum displacement demand with the value of Kd. A more regular trend has been obtained for the Gaussian input than for the recorded accelerograms.

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Theoretical models are developed for the continuous-wave and pulsed laser incision and cut of thin single and multi-layer films. A one-dimensional steady-state model establishes the theoretical foundations of the problem by combining a power-balance integral with heat flow in the direction of laser motion. In this approach, classical modelling methods for laser processing are extended by introducing multi-layer optical absorption and thermal properties. The calculation domain is consequently divided in correspondence with the progressive removal of individual layers. A second, time-domain numerical model for the short-pulse laser ablation of metals accounts for changes in optical and thermal properties during a single laser pulse. With sufficient fluence, the target surface is heated towards its critical temperature and homogeneous boiling or "phase explosion" takes place. Improvements are seen over previous works with the more accurate calculation of optical absorption and shielding of the incident beam by the ablation products. A third, general time-domain numerical laser processing model combines ablation depth and energy absorption data from the short-pulse model with two-dimensional heat flow in an arbitrary multi-layer structure. Layer removal is the result of both progressive short-pulse ablation and classical vaporisation due to long-term heating of the sample. At low velocity, pulsed laser exposure of multi-layer films comprising aluminium-plastic and aluminium-paper are found to be characterised by short-pulse ablation of the metallic layer and vaporisation or degradation of the others due to thermal conduction from the former. At high velocity, all layers of the two films are ultimately removed by vaporisation or degradation as the average beam power is increased to achieve a complete cut. The transition velocity between the two characteristic removal types is shown to be a function of the pulse repetition rate. An experimental investigation validates the simulation results and provides new laser processing data for some typical packaging materials.

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The present study has been carried out with the following objectives: i) To investigate the attributes of source parameters of local and regional earthquakes; ii) To estimate, as accurately as possible, M0, fc, Δσ and their standard errors to infer their relationship with source size; iii) To quantify high-frequency earthquake ground motion and to study the source scaling. This work is based on observational data of micro, small and moderate -earthquakes for three selected seismic sequences, namely Parkfield (CA, USA), Maule (Chile) and Ferrara (Italy). For the Parkfield seismic sequence (CA), a data set of 757 (42 clusters) repeating micro-earthquakes (0 ≤ MW ≤ 2), collected using borehole High Resolution Seismic Network (HRSN), have been analyzed and interpreted. We used the coda methodology to compute spectral ratios to obtain accurate values of fc , Δσ, and M0 for three target clusters (San Francisco, Los Angeles, and Hawaii) of our data. We also performed a general regression on peak ground velocities to obtain reliable seismic spectra of all earthquakes. For the Maule seismic sequence, a data set of 172 aftershocks of the 2010 MW 8.8 earthquake (3.7 ≤ MW ≤ 6.2), recorded by more than 100 temporary broadband stations, have been analyzed and interpreted to quantify high-frequency earthquake ground motion in this subduction zone. We completely calibrated the excitation and attenuation of the ground motion in Central Chile. For the Ferrara sequence, we calculated moment tensor solutions for 20 events from MW 5.63 (the largest main event occurred on May 20 2012), down to MW 3.2 by a 1-D velocity model for the crust beneath the Pianura Padana, using all the geophysical and geological information available for the area. The PADANIA model allowed a numerical study on the characteristics of the ground motion in the thick sediments of the flood plain.

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Die vorliegende Arbeit verfolgte mehrere Ziele. Die Hauptaufgabe war es, farbsensitive und bewegungssensitive Neurone im Tectum opticum des Goldfisches zu finden und diese hinsichtlich ihres Antwortverhaltens zu charakterisieren. Aus Verhaltensversuchen ist bekannt, dass sowohl das Ganzfeldbewegungssehen als auch das Objektbewegungssehen „farbenblind“ ist, da die Verarbeitung dieser Sehleistungen jeweils nur von einem Zapfentyp getrieben wird. Es sollte untersucht werden, ob sich diese Farbenblindheit auch auf Ebene der tectalen bewegungsempfindlichen Neurone finden lässt. Schließlich sollten die Ableitorte im Tectum opticum kartiert werden, um festzustellen, ob es jeweils bestimmte örtlich abgegrenzte Areale für Farbe einerseits und für Bewegung andererseits gibt.rnDie Aktivität von tectalen Units wurde durch extrazelluläre Ableitungen registriert. Um farbspezifische Neurone zu identifizieren und zu charakterisieren, wurden 21 verschiedene Farbpapiere (HKS-Standard) aus dem gesamten Farbenkreis (ausgenommen UV) präsentiert. Auf jedes Farbpapier folgte ein neutrales Graupapier. Des Weiteren wurde eine Schwarz-Weiß-Grau-Sequenz gezeigt, um das Antwortverhalten der Units auf Helligkeitswechsel zu prüfen. Jeder Stimulus wurde für fünf Sekunden präsentiert und die gesamte Stimulussequenz wurde mindestens dreimal wiederholt. Zur Identifizierung bewegungssensitiver Neurone wurde ein sich exzentrisch bewegendes schwarz-weißes Zufallspunktmuster präsentiert. Um die „Farbenblindheit“ des Bewegungssehens zu testen, wurden zwei rot-grüne Zufallspunktmuster präsentiert, die den L-Zapfen des Goldfisches unterschiedlich stark modulierten. Den meisten Units wurden sowohl die Farb- als auch die Bewegungsstimuli gezeigt.rnEs konnten 69 Units abgeleitet werden. Von diesen antworteten 34 sowohl auf Farbstimuli als auch auf Helligkeitsreize, 19 Units reagierten ausschließlich auf Farbstimuli, 15 Units zeigten sich nur für den Bewegungsstimulus sensitiv und zwei Units beantworteten ausschließlich Helligkeitswechsel. Die farbempfindlichen Units konnten in 14 Gruppen eingeteilt werden: sechs Gruppen im Rotbereich (22 Units), fünf Gruppen im Blau-Grünbereich (21 Units), eine Gruppe im Gelbbereich (zwei Units), eine Gruppe, die alle Farbstimuli mit Erhöhung der Aktivität (sechs Units) und eine Gruppe, die alle Farbstimuli mit Erniedrigung der Aktivität (eine Unit) beantwortete. Es wurden zwei Arten von Gegenfarbzellen gefunden: Rot-ON/Blau-und-Grün-OFF (12 Units) und Rot-OFF/Blau-und-Grün-ON (sieben Units). Es wurden verschiedene zeitliche Antwortmuster gefunden. Während einige Units nur Reizwechsel beantworteten, zeigten die meisten Units ein tonisches Antwortverhalten. Manche Units beantworteten jeden Stimuluswechsel phasisch und darüber hinaus bestimmte Stimuli tonisch. Die meisten tectalen Neurone zeigten eine Grundaktivität. Alle Units, denen sowohl der Farb- als auch der Bewegungsstimulus gezeigt wurden, antworteten nur auf eine Stimulusart. rnDiese Ergebnisse lassen folgende Schlüsse zu: Die Verarbeitung von Farbe und Bewegung im Tectum opticum des Goldfischs wird über zwei unterschiedlichen Verarbeitungswegen geleistet, da alle Units entweder auf Farb- oder auf Bewegungsstimuli antworten. Das Bewegungssehen wird im Goldfisch durch nur einen Zapfentyp (M- oder L-Zapfen) vermittelt und ist somit “farbenblind”, da alle bewegungssensitiven Units die Aktivität einstellten, wenn der Stimulus nur noch einen Zapfentyp modulierte. Es scheint spezifische Areale für „Farbe“ und „Bewegung“ im Tectum opticum des Goldfisches zu geben, da bewegungssensitive Units bevorzugt im posterio-medialen Bereich in einer Tiefe zwischen 200-400 µm gefunden und farbspezifische Units vor allem im anterio-medialen Bereich entdeckt wurden.

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The ability to represent the transport and fate of an oil slick at the sea surface is a formidable task. By using an accurate numerical representation of oil evolution and movement in seawater, the possibility to asses and reduce the oil-spill pollution risk can be greatly improved. The blowing of the wind on the sea surface generates ocean waves, which give rise to transport of pollutants by wave-induced velocities that are known as Stokes’ Drift velocities. The Stokes’ Drift transport associated to a random gravity wave field is a function of the wave Energy Spectra that statistically fully describe it and that can be provided by a wave numerical model. Therefore, in order to perform an accurate numerical simulation of the oil motion in seawater, a coupling of the oil-spill model with a wave forecasting model is needed. In this Thesis work, the coupling of the MEDSLIK-II oil-spill numerical model with the SWAN wind-wave numerical model has been performed and tested. In order to improve the knowledge of the wind-wave model and its numerical performances, a preliminary sensitivity study to different SWAN model configuration has been carried out. The SWAN model results have been compared with the ISPRA directional buoys located at Venezia, Ancona and Monopoli and the best model settings have been detected. Then, high resolution currents provided by a relocatable model (SURF) have been used to force both the wave and the oil-spill models and its coupling with the SWAN model has been tested. The trajectories of four drifters have been simulated by using JONSWAP parametric spectra or SWAN directional-frequency energy output spectra and results have been compared with the real paths traveled by the drifters.

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The wool is entangled at several stages of its processing. In the conventional scouring machines, the prongs or the rakes agitate the wool and lead the fiber entanglement. Several scouring systems have been commercialized in order to reduce the fiber entanglement. In spite of the existing technologies, the conventional scouring machines are widely used in wool processing. In this thesis, a new approach for the harrow type wool transport mechanism has been introduced. The proposed mechanism has been designed based on the motion of the conventional harrow type wool transport mechanism by exploiting new synthesis concepts. The developed structure has been synthesized based on the Hrones and Nelson's "Atlas of four bar linkages". The four bar linkage has been applied for the desired trajectory of the developed wool transport mechanism. The prongs of the developed mechanism immerse the wool into the scouring liquor and gently propel forward toward the end of the machine with approximately straight line motion in a certain length instead of circular or elliptical motion typical of the conventional machines.

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Grazie alla crescente evoluzione tecnologica è oggi possibile, tramite Head Mounted Display (HMD), vivere una realtà virtuale ricca nei dettagli, interattiva ed immersiva. L’avanzamento in questo settore ha infatti portato a una vera e propria rivoluzione, aprendo la possibilità di utilizzare questa tecnologia in molteplici ambiti. L’ostacolo riscontrato è che a un progresso di tale entità non si associa un adeguato aggiornamento e perfezionamento riguardo alle metodologie di interazione con oggetti 3D, dell’utilizzo di interfacce grafiche e del generale design ambientale. La diretta conseguenza di questo mancato aggiornamento è quella di indebolire o addirittura annullare l’effetto presenza dell'HMD, requisito indispensabile che consente all’utente di immergersi sensorialmente nel contesto simulato. L’obiettivo di questo studio consiste nel comprendere cosa è necessario tenere in considerazione e quali regole vanno cambiate per poter mantenere un'alta sensazione di presenza per l'utente all’interno di una realtà virtuale. A questo scopo è stato creato un ambiente virtuale 3D in grado di supportare l'utilizzo di un HMD, l'Oculus Rift, e di diversi dispositivi di input in grado di consentire controllo tramite movimenti naturali, il Razer Hydra ed il Leap Motion, in modo da poter effettuare un'analisi diretta sul livello del fattore presenza percepito nell'effettuare diverse interazioni con l'ambiente virtuale e le interfacce grafiche attraverso questi dispositivi. Questa analisi ha portato all'individuazione di molteplici aspetti in queste tipologie di interazioni e di design di intrefacce utente che, pur essendo di uso comune negli ambienti 3D contemporanei, se vissuti in un contesto di realtà virtuale non risultano più funzionali e indeboliscono il senso di presenza percepito dall'utente. Per ognuno di questi aspetti è stata proposta ed implementata una soluzione alternativa (basata su concetti teorici quali Natural Mapping, Diegesis, Affordance, Flow) in grado di risultare funzionale anche in un contesto di realtà virtuale e di garantire una forte sensazione di presenza all'utente. Il risultato finale di questo studio sono quindi nuovi metodi di design di ambienti virtuali per realtà aumentata. Questi metodi hanno permesso la creazione di un ambiente virtuale 3D pensato per essere vissuto tramite HMD dove l'utente è in grado di utilizzare movimenti naturali per interagire con oggetti 3D ed operare interfacce grafiche.