Biology of Grapsus grapsus (LINNAEUS, 1758) (Brachyura, Grapsidae) in the Saint Peter and Saint Paul Archipelago, Equatorial Atlantic Ocean

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Paul Ricouer: entre hermenêutica e crítica das ideologias

This work exposes the Paul Ric ur s thought in relation to the contemporary complaint between the hermeneutics and the ideologies criticism. It shows, in this direction, the unity between text and action according to Ric ur s perspective. The philosophical view of Ric ur, It affirms, is far from any eclecticism, but if it characterizes for a dynamic style, explained here from the analogies with the movement of the particles, of the quantum physics, which help to excuse to the make a mistake idea of compilation and eclecticism, resultant of superficial readings of its texts. In deep, this work nothing more it is that a contribution to the construction of a theory of the reading of the text of this notable philosopher

O conceito de liberdade em o ser e o nada de Jean-Paul Sartre

This dissertation aims to address the concept of freedom from the perspective of the French philosopher Jean-Paul Sartre with reference to the main work Being and Nothingness. After presenting the concept of freedom we will try to show that it is related to the notion of responsibility, which will lead, ultimately, to define the Sartrean philosophy as a philosophy of action. In the first chapter we will present in passing the phenomenology of Edmund Husserl, philosopher from which Sartre will develop his concept of freedom. The Husserlian notion of consciousness (intentionality) is the way to develop his analysis of Sartre phenomenon of being. From this analysis Sartre submits their concepts of being in-itself and being for-itself. Being initself is defined as the things of the world devoid of consciousness, are the things that surround us. The In-itself has as its main brand positivity: it is what it is, is all that can be said about him. In turn being For-itself is the very being of man, which differs radically from the In-itself. The For-itself has as its main intentionality, ie, its ability to project outside itself in existence. That's when Sartre shows that this type of being realizes its existence on the basis of a constant nihilation. Here comes the notion of anything. Among the relations of the For-itself with the surrounding world stands a very special: relationship between consciousnesses. It is when we discuss the issue of another. Intersubjectivity, through sartrean analysis of look, show that the For-itself assumes a new existential dimension: the being-for others. That's when Sartre will emphasize his notion of conflict. The conflict in intersubjectivity would come from the fact that you want to take another- For-itself as an object. Given this we will analyze what Sartre called the concrete relations with others. The philosopher submit such relations in the form of ducts and conduits assimilation of ownership. In the first my-self to try to "get lost" in the consciousness of another, ownership of my conduct in-itself tries to "take ownership" of the subjectivity of the other and try to treat others as things, as objects. In this sense Sartre examines the experiences of love, masochism, indifference, desire and sadism. Following this route we will enter the land of freedom itself, which is the major theme of our work. Since Sartre defines the For-itself as a being that is projected to create your way of being, it can only define it as freedom. The freedom of the For-itself is taken in terms of autonomy of choice. Once the For-itself has no way of being a thing as being in-itself, it just may be picking up, that is, making your being. Here Sartre speaks of the anguish that would be the symptom of freedom itself. The fact that the For-itself have to choose on whether the call as one being distressed. However, in most cases the For-itself tries to escape from the anguish of freedom and takes refuge in bad faith. After setting the man (For-itself) as freedom Sartre defends that he is totally responsible for what he does of himself. Once the philosopher holds that man is not predetermined, ie, does not have an a priori essence, his philosophy has as its basic assumption the action. If Sartre argues that the For-itself must constantly choose your way of being, the action is the basis on which man will exercise his own freedom. In this sense we conclude the work with an approach to work Existentialism is a Humanism, which represent the entry of the philosopher on the practical aspects of life

Considerações sobre a fenomenologia hermenêutica de Paul Ricoeur

O objetivo deste trabalho é tecer considerações sobre as bases teóricas da Fenomenologia Hermenêutica de Paul Ricoeur. Para isso, partimos do esboço de alguns aspectos da Fenomenologia em Heidegger e discutimos certas faces da distinção entre as concepções de Ricoeur e Heidegger quanto à fundamentação da Hermenêutica na Fenomenologia, trabalhando com a Fenomenologia Estrutural e a Fenomenologia Hermenêutica.

Apresentação da epistemologia de Paul Veyne: entre a história e a filosofia

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A concepção de economia solidária em Paul Singer: descompassos, contradições e perspectivas

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

As posições políticas de Jean-Paul Sartre e o Terceiro Mundo (1947-1979)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Das imagens de si ao mundo das edições: Paul de Kock, romancista popular

Paul de Kock é considerado um escritor popular e de segunda monta do século XIX francês. Partindo desse lugar comum, a presente dissertação pretendeu investigar como o próprio Paul de Kock e seus biógrafos o definiam enquanto escritor e, por outro lado, averiguar se os aspectos editoriais e materiais dos exemplares de suas obras presentes no acervo do Grêmio Literário Português do Pará podem dizer algo a respeito do suposto público leitor ao qual suas obras se destinavam. Assim, no primeiro capítulo foram analisadas as biografias e autobiografia do escritor, buscando verificar qual teria sido a representação do escritor Paul de Kock elaborada em sua própria época. No segundo capítulo foram analisadas as características editoriais dos exemplares das obras do romancista francês presentes no Grêmio Literário Português do Pará, de modo a realizar um mapeamento dos intermediários da literatura - editores, tipógrafos e tradutores - envolvidos no processo de publicação dos romances do autor. No último capítulo procuramos analisar as particularidades do suporte material de parcela dessas edições, com o intuito de compreender até que ponto os formatos nos quais as obras do escritor circularam podem dar pistas sobre a representação dos editores acerca de seu provável público leitor, bem como ser indicativos do estatuto do escritor no interior do campo literário.