980 resultados para Harvard College (1636-1780)--Sermons--18th century


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This layer is a digital raster graphic of the historic 15-minute USGS topographic map of the Taunton, Massachusetts quadrangle. The survey date (ground condition) of the original paper map is 1885, the edition date is September, 1893 and this map has a reprint date of 1940. A digital raster graphic (DRG) is a scanned image of a U.S. Geological Survey (USGS) standard series topographic map, including all map collar information. The image inside the map neatline is geo-referenced to the surface of the earth and fit to the Universal Transverse Mercator projection. The horizontal positional accuracy and datum of the DRG matches the accuracy and datum of the source map.

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az taʼlīfāt-i Muḥammad Ḥusayn Khān.

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Calendar with times for the five daily prayers of Islam for each month of the year.

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Title from f. 1r.

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1. Kitāb Luqṭat al-ʻajlān fī al-uṣūl / al-Zarkashī, 878 [1473] (ff. 1r-10v) -- 2. Sharḥ Qaṣīdat Gharāmī ṣaḥīḥ (ff. 11r-20v) -- 3. Manẓūmah fī al-kitābah wa-al-tajwīd ṭarīqahu / li-Muḥammad ibn Ḥasan al-Sinjārī (ff. 21r-25v) -- 4. Hādūr / Ibn Zuqqāʻah, 877 [1472-3] (ff. 26r-30v) -- 5. al-Waraqāt / Imām al-Ḥaramayn (ff. 31r-34r) -- 6. Sharḥ Yaqūlu al-ʻabd / lil-Shaykh Shihāb al-Dīn, 846 [1443] (ff. 37r-61r) -- 7. Kitāb Sharḥ al-Waraqāt / Jalāl al-Dīn al-Maḥallī (ff. 62r-75v) -- 8. An untitled incomplete work on logic (ff. 76r-127v).

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Commentary on Yūsuf Sīneçāk's "Cezīretü'l-Mes̈nevī". Aknowledges indebtedness to Şeyḫ Ġālib's and ʻAbdullāh Bosnevī's commentaries on the work.

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Cummings, Hilliard & Co. and True and Greene were located in Boston, Mass., 1825.

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Includes bibliographical references.

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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

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Added illustrated title-page.

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Illustrated with etchings.

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"...to bring to a larger number the ideals of the Harvard Musical Department and to preserve the best compositions...written by Harvard Undergraduates and recent Graduates."

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Most plates engraved by Bartolomeo Crivellari; ports. engraved by Joseph Wagner.