Study of relationships between colonial women and black Australians

The study is concerned with the history of black and white women in Australia during the colonial period. Particular emphasis is on the variety of cross-cultural relationships which developed between women during that time. As a starting point, male frontier violence is discussed and compared with the more moderate approach taken by women faced with threatening situations. Among Europeans, women are revealed as being generally less racist than men. This was a significant factor in their ability to forge bonds with black women and occasionally with black men. The way in which contacts with Aborigines were made is explored and the impact of them on the women concerned is assessed, as far as possible from both points of view. Until now, these experiences have been omitted from colonial history, yet I believe they were an important element in racial relations. It will be seen that some of these associations were warm, friendly and satisfying to both sides, and often included a good deal of mutual assistance. Others involved degrees of exploitation. Both are examined in detail, using a variety of sources which include the works of modern Aboriginal writers. This study presents a new aspect of the female experiences which was neglected until the emergence of the feminist historians in the 1960’s. It properly places women, both black and white, within Australian colonial history.

Resource use by the Eastern Grey Kangaroo and the Black Wallaby in a managed remnant woodland community

This work studies the interactions and relationships that exist between Eastern Grey Kangaroos and Black Wallabies in their utilisation of spatial and trophic resources in a managed remnant woodland community. The thesis provides a closer understanding of the way in which these species impact upon their habitats. The Coranderrk Reserve, near Healesville in eastern Victoria, Australia was the study site. A floristic analysis of the communities of the study site was conducted. This consisted of plant biomass measurements, estimates of plant abundance and cover determination. Faecal pellets from Eastern Grey Kangaroos and Black Wallabies were collected from ten vegetation communities during three different plant productivity periods. The spatial and temporal distribution of the animals was identified by analysing the frequency of occurrence of faecal pellets in the various communities. The use of faecal pellet density as a measure of habitat utilisation was examined. Eastern Grey Kangaroos utilised communities which were characterised by the presence of a dense grassy statum. Black Wallabies were able to utilise all of the communities of the study site regardless of their floristic composition. A reference herbarium of the leaf epidermis of 233 possible forage plant species was accumulated. These epidermal specimens were prepared for Confocal Scanning Laser Microscopy. The information gained was enhanced and stored digitally. Diagnostic information critical for the identification of plant epidermal fragments was assembled into a computer database. This was used to assist in the recognition of unknown epidermal fragments in macropodid faeces. These epidermal plant recognition techniques enabled a list of the contents of Eastern Grey Kangaroo and Black Wallaby faeces during the sampling periods in the individual communities, to be accumulated. Eastern Grey Kangaroos utilised forage which consisted largely of grass and their diets were similar regardless of their feeding sites or the time of the year. Black Wallaby diets were heterogenous with wide variations over space and time observed. The implications of these findings for current wildlife management practices were considered. Black Wallaby and Eastern Grey Kangaroo herbivory have significant impacts on ecosystem integrity. Management strategies should seek to establish ecologically sustainable populations of both species in remnant woodlands where conservation values are important.

Poetry and silence : "a sequence of disappearances"

[No Abstract]

Inspiration and mimesis in Plato's criticism of poetry

Plato criticizes poetry in several of his dialogues, beginning with Apology, his first work, and ending with Laws, his last. In these dialogues, his criticism of poetry can be divided into two streams: poetry is criticized for either being divinely inspired, or because it is mimetic or imitative of reality. However, of the dialogues which criticize poetry in these ways, it is not until Laws that Plato mentions both inspiration and mimesis together, and then it is only in a few sentences. Furthermore, nowhere in the dialogues does Plato discuss their relationship. This situation has a parallel in the secondary literature. While much work has been done on inspiration or mimesis in Plato’s criticism of poetry, very little work exists which discusses the connection between them. This study examines Plato’s treatment - in the six relevant dialogues - of these two poetic elements, inspiration and mimesis, and shows that a relationship exists between them. Both can be seen to relate to two important Socratic-Platonic concerns: the care of the soul and the welfare of the state. These concerns represent a synthesis of Socratic moral philosophy with Platonic political beliefs. In the ‘inspiration’ dialogues, Ion, Apology, Meno, Phaedrus and Laws, poetic inspiration can affect the Socratic exhortation which considers the care of the individual soul. Further, as we are told in Apology, Crito and Gorgias, it is the good man, the virtuous man - the one who cares for his soul - who also cares for the welfare of the state. Therefore, in its effect on the individual soul, poetic inspiration can also indirectly affect the state. In the ‘mimesis’ dialogues, Republic and Laws, this same exhortation, on the care of the soul, is posed, but it is has now been rendered into a more Platonic form - as either the principle of specialization - the ‘one man, one job’ creed of Republic, which advances the harmony between the three elements of the soul, or as the concord between reason and emotion in Laws. While in Republic, mimesis can damage the tripartite soul's delicate balance, in Laws, mimesis in poetry is used to promote the concord. Further, in both these dialogues, poetic mimesis can affect the welfare of the state. In Republic, Socrates notes that states arc but a product of the individuals of which they are composed Therefore, by affecting the harmony of the individual soul, mimesis can then undermine the harmony of the state, and an imperfect political system, such as a timarchy, an oligarchy, a democracy, or a tyranny, can result. However, in Laws, when it is harnessed by the philosophical lawgivers, mimesis can assist in the concord between the rulers and the ruled, thus serving the welfare of the state. Inspiration and mimesis can thus be seen to be related in their effect on the education of both the individual, in the care of the soul, and the state, in its welfare. Plato's criticism of poetry, therefore, which is centred on these two features, addresses common Platonic concerns: in education, politics, ethics, epistemology and psychology.

There's a black boy dead and a migloo holding a gun : death, Aboriginality and history in Australian adolescent literature

This essay is concerned with the extent to which the attitudes and ideologies of colonial discourse continue to influence contemporary signifying practices in Australian adolescent historical fiction. Under scrutiny are three novels which take issue with the violent aspects of colonisation when so many members of the Indigenous population either died or were forcibly displaced: Melissa Lucashenko’s Killing Darcy, Gary Crew’s No Such Country and Mark Svendsen’s Poison Under Their Lips. Although these texts share a desire to interrogate monolithic versions of Australia’s history, it is argued that such motivations offer no guarantee that the implied audience is positioned to come to an understanding of perspectives belonging to ex-centric Others.

The work of death in Brontë's and Dickinson's poetry

Death determines distinctly different, almost inverse, responses and outcomes for Emily Dickinson and Emily Brontë. Death is an imaginative poetic solution for Dickinson, demonstrating her belief that art is the only way to transcend death. But death is the ultimate solution for Brontë, for whom freedom of the imagination leads to mystical unity and continuity.

Resource partitioning in sympatric populations of Red-necked Wallabies and Black Wallabies

Examines the potential for competition to occur between the Red-necked Wallaby and the Black Wallaby by examining the extent of overlap in their dietary preferences and in their utilisation of habitat at different times of the day and year. Significant separation occured between species to facilitate coexistence.

Holding Yawulyu : white culture and black women's law

Analyses the interaction between white and indigenous cultures, specifically the impact of the white practices of Christianisation, bureaucracy and commercialisation on indigenous women's cultural and religious practices, values and cosmology (Tjukurrpa), and argues that indigenous women's gynocentric cultural initiatives should be better resourced.