The War, 8 March 1814 (vol. 2, no. 38, whole no. 90) - Newspaper

Volumes of interest were published between 1812 and 1815 with articles about the War of 1812.

HG 238.80-238.90 Thin Section

Dark brown sediment with clasts ranging from small to medium in size and sub-angular to angular. Contains lineations and grain stacking throughout the sample. Rotation and comet structures can also be seen. Rotation structures can be seen around mainly the sub-angular clasts. Patches of clay can also be seen throughout the sample.

DE #6 260.90-261.0

Coarse grained sediment with clasts ranging from small to medium in size. Clast shape range from sub-angular to sub-rounded. Lineations are present throughout the sample. Edge-to-edge grain crushing, grain stacking, and comet structures can also be seen. Some grains are crushed into one another. Areas of finer sediment can also be seen.

HG 367.80-367.90

Dark grey sediment with clasts that range from small to medium. The clasts are mainly sub-rounded. Lineations are abundant with minor amounts of rotation structures and comet structures. Grain crushing can also be seen throughout the sample.

HG 493.80-493.90

Coarse brown sediment, with clasts ranging from small to large in size. Clast shape ranges from sub-angular to rounded. Lineations and grain crushing are common throughout the sample. It also contains comet structures and a few rotation structures. Many of the larger clasts are also fractured.

HG 28.75-28.90

This sample contains clasts that range from small to large. A few fractured grains can be seen. The grain shape ranges from angular to rounded. Rotation structures can be seen throughout the sample along with some edge-to-edge grain crushing.

HG 64.80-64.90

Dark brown sediment with clasts ranging from small to large in size. The clast shape ranges from angular to sub-rounded. Many of the larger clasts are fractured. Grain crushing is abundant throughout the sample. A few lineations can also be seen throughout the sample.

HG 129.75-129.90

Brown sediment with clasts ranging from small to medium in size. Clast shape ranges from angular to sub-rounded. Rotation structures are abundant in this sample. Edge-to-edge grain crushing, comet structures, and lineations can also be seen in this sample.

Barnes Wines, Limited By-Law No. 90

The By-Law summary states it is "a by-law relating generally to the transaction of the business and affairs of Barnes Wines, Limited". The sub headings of the bill are as follows: Head Office, Corporate Seal, Meetings of Shareholders, Directors, Officers, Notices, Interpretation.

Tratamiento de una mezcla de pesticidas comerciales (HIERBAMINA ® GESAPRIM ® 90 WG) mediante el sistema foto-fenton en una planta piloto solar.

Tesis (Maestría en Ciencias con Orientación en Química Analítica Ambiental) UANL, 2010.

Elementos of geometry and trigonometry : from the works of A.M. Legendre, adapted to the course of mathematical instruction in the United State

UANL

An elementary treatise on analytic geometry, embracing plane geometry and an introduction to geometry of threee dimensions with numerous examples.

UANL

The Discourse of Home Recording : Accessibility, Exclusion and Power

Ce mémoire propose une analyse critique du discours de l’enregistrement sonore à domicile (home recording). Dans la foulée des propos mettant de l’avant l’ «accessibilité» et la «démocratisation» de l’enregistrement sonore, ce mémoire analyse les relations de savoir/pouvoir produites et légitimées par le discours, ce qu’elles permettent et contraignent, autorisent et excluent. Le corpus à l’étude est issu de la presse musicale ainsi que de forums de discussion en ligne relevant de sites spécialisés. Les méthodes utilisées sont inspirées de l’approche du discours développées par Michel Foucault et de ce que Johnson et. al. (2004) appellent l’interprétation critique. L’analyse met en évidence les deux principaux sujets du discours de l’enregistrement sonore à la maison : les professionnels de l’enregistrement et les «pros» de l’enregistrement à domicile, deux groupes constitués d’hommes financièrement aisés. Les règles qui régissent l’enregistrement à domicile semblent reprendre, en les adaptant, celles régissant les studios professionnels. Ce mémoire suggère que la «démocratisation» telle qu'énoncée dans ce discours articule l'«accessibilité contemporaine» à certains savoirs et certaines technologies à des exclusions singulières – comme des femmes et des personnes de moyens limités – qui rendent ce discours possible. Être dans le vrai, dans ce discours, c’est échanger, argumenter, discuter et prescrire des façons de faire et de dire qui font des studios professionnels l’espace des normes et des légitimités. Mots clés: enregistrement, musique, maison, domicile, studio, démocratisation, technologie, l'analyse du discours, relations de pouvoir/savoir, Michel Foucault.