Characteristics of 2D convective structures in Catalonia (NE Spain): an analysis using radar data and GIS

Flood simulation studies use spatial-temporal rainfall data input into distributed hydrological models. A correct description of rainfall in space and in time contributes to improvements on hydrological modelling and design. This work is focused on the analysis of 2-D convective structures (rain cells), whose contribution is especially significant in most flood events. The objective of this paper is to provide statistical descriptors and distribution functions for convective structure characteristics of precipitation systems producing floods in Catalonia (NE Spain). To achieve this purpose heavy rainfall events recorded between 1996 and 2000 have been analysed. By means of weather radar, and applying 2-D radar algorithms a distinction between convective and stratiform precipitation is made. These data are introduced and analyzed with a GIS. In a first step different groups of connected pixels with convective precipitation are identified. Only convective structures with an area greater than 32 km2 are selected. Then, geometric characteristics (area, perimeter, orientation and dimensions of the ellipse), and rainfall statistics (maximum, mean, minimum, range, standard deviation, and sum) of these structures are obtained and stored in a database. Finally, descriptive statistics for selected characteristics are calculated and statistical distributions are fitted to the observed frequency distributions. Statistical analyses reveal that the Generalized Pareto distribution for the area and the Generalized Extreme Value distribution for the perimeter, dimensions, orientation and mean areal precipitation are the statistical distributions that best fit the observed ones of these parameters. The statistical descriptors and the probability distribution functions obtained are of direct use as an input in spatial rainfall generators.

Plant diversity across five vegetation belts in the Pyrenees (Catalonia, Spain)

In this paper we analyze the size and habitat partitioning of the vascular floras of five areas of the NE Iberian Peninsula, representing five distinct vegetation belts and three floristic regions: Mediterranean (basal belt), medio-European (submontane and montane belts) and Boreo-Alpine (subalpine and alpine belts). Each area covered over 1000 ha, and was fairly uniform in terms of potential vegetation, bedrock and bioclimate. They excluded large villages and field areas, the landscape being mainly natural or moderately anthropized.

Public Art, strategies for the regeneration of public space

This paper discusses some of the key concepts in the consideration of public art as a central element in urban regeneration processes, especially in reference to its role in the processes of citizen participation.

Inclusion and empowerment in public art and urban design

To involve citizens in developing the processes of city making is an objective that occupies part of the agenda of political parties in the context of the necessary renewal in representative democracy. This paper aims to provide some answers to the following questions: Is it possible to overcome the participatory processes based exclusively on the consultation? Is it possible to"train" residents to take an active role in decision-making? How can we manage, proactively, the relationship between public actors, technicians and politicians, in a participatory process? We analyse the process development for creating the Wall of Remembrance in the Barcelona neighbourhood of Baró de Viver, a work of public art, created and produced by its neighbours, in the context of a long participatory process focused on changing the image of the neighbourhood and the improvement of public space. This result and this process have been possible in a given context of cooperation among neighbours, local government and the research team (CR-Polis, Art, City, Society at the University of Barcelona). The development of a creative process of citizen participation between 2004 and 2011 made possible the direct management of decision making by the residents on the field of the design of public space in the neighbourhood. However, the material results of the process does not overshadow the great achievement of the project: the inclusion of a neighbourhood in taking informed decisions because of their empowerment in public space design and management of their remembrances.

Sobre pedres i mestres. Una aportació documental a la història de l"arquitectura setcentista de la ciutat de Tortosa.

Malgrat la important revifalla que en els darrers anys han experimentat els estudis històrics, entre els quals cal incloure els d"història de l"art, centrats en l"antic bisbat, l"antic terme i la ciutat mateixa de Tortosa, avui encara resulta relativament escàs el coneixement que tenim tant dels materials de la construcció com dels mestres que van construir en aquest territori durant les èpoques medieval i moderna.1 Aquest breu estudi, basat en un únic document,2 pretén ser, simplement, una petita aportació a la història de l"arquitectura setcentista tortosina, i pretén serho en els dos vessants esmentats abans: el dels materials de la construcció i el dels mestres.

Més noticies a l'entorn del període americà de Josep Pijoan Soteras (1881-1963)

[cat]El coneixement de la trajectòria dels catalans exiliats, com és el cas de Josep Pijoan Soteras, Francesc Cambó Batlle i Josep Gudiol Ricart, entre altres, és fascinant perquè permet comprendre i valorar el seu itinerari personal, alhora que projecta un dramàtic resplendor sobre la cultura catalana de l"època. En aquest article es plantegen dues qüestions. La primera se centra en Pijoan com a agent d"art, aspecte molt poc conegut fi ns ara; mentre que en la segona part tracta de Pijoan com a escriptor d"art i la problemàtica que es va produir amb motiu de la seva intervenció en el llibre Les pintures romàniques de Catalunya dins la «Monumenta Cataloniae», col·lecció patrocinada per Francesc Cambó. [eng]Knowledge of the pathways of Catalan exiles -as in the case of Jose Pijoan Soteras, Francesc Cambó Batlle and Jose Gudiol Ricart, among others- is fascinating because it permits understanding and evaluation of their personal itineraires while at the same time casting a dramatic light on Catalan culture of the epoch. In this article two questions are presented: the first is centered on Pijoan as an art dealer, an aspect very little known until now, while the second deals with Pijoan as a writer on art and the problems raised by his participation in the book on Romanesque painters of Catalonia in the «Monumenta Cataloniae», the collection of whitch Francesc Cambó was patron.