High School Music Institute, July 19, 1940

Concert program for High School Music Institute, July 19, 1940

"Heart Music", Symphonic Band, February 14, 2008

Concert program for "Heart Music", Symphonic Band, February 14, 2008

'It was as if she had said....': May Sinclair and reading narratives of cure

May Sinclair was one of the most widely read and successful English women novelists of the first half of the twentieth century. She had interests and themes in common with many of those now considered to have been at the heart of English modernism. In terms of formal experimentation too her concerns chime with the aesthetic innovations of, for example, pound, Eliot and Woolf. Her early interest in psychoanalysis and support for the suffrage campaign also mark her out as a modern. Despite some work from feminist literary critics and her partial categorisation as modernist, however, her work still lacks a critical framework within which it can be read. Indeed, some of the work done by feminist critics on her has paradoxically re-marginalised her. In this thesis I aim to provide one critical framework through which Sinclair's work can be read. My contention is that the occluding of one aspect of her work and thought- its movement toward intellectual, emotional and aesthetic wholeness - has marred previous critical readings of her. By paying attention to this through a focus on discourses of cure, this thesis reads Sinclair's work with an awareness of its language, cultural context and intertextual relations. Early twentieth-century medical discourse, psychoanalysis, mysticism, the chivalric and the psychical are all used to read the works. At the same time, my aim is to read Sinclair's work without eliding its difficulties. Rather, I aim to read her in a way that acknowledges the difficulties of and fraught moments in her writing as markers of its significance.

Pacific Northwest Chamber Music Festival, June 28, 30 and July 5, 9, 1988

Concert program for Pacific Northwest Chamber Music Festival, June 28, 30 and July 5, 9, 1988

Music of Today Series, Garth Knox, October 22, 2013

Concert Program for Music of Today, Garth Knox, October 22, 2013

Music of Today Series, UW Modern Ensemble, Inverted Space, "Music by Luigi Nono," February 25, 2014

Concert Program for Music of Today Series, UW Modern Ensemble, Inverted Space, Andre Richard, February 25, 2014

Music of Today Series, UW Modern Ensemble, May 19, 2014

Concert Program for Music of Today Series, UW Modern Ensemble, May 19, 2014

Brain-Based Individual Difference Measures of Reading Skill in Deaf and Hearing Adults

Thesis (Ph.D.)--University of Washington, 2015

Concert of Harpsichord Music, November 3, 1966

Concert Program for Concert of Harpsichord Music, November 3, 1966

Noon Recital, Music for Harpsichord and Piano, May 14, 1969

Concert Program for Noon Recital, Music for Harpsichord and Piano, May 14, 1969

A Concert of 17th and 18th Century Music, November 16, 1953

Concert Program for A Concert of 17th and 18th Century Music, November 16, 1953

Chamber Music Recital, May 1, 1960

Concert Program for Chamber Music Recital, May 1st, 1960

A Concert of Japanese Music, January 20, 1966

Concert Program for A Concert of Japanese Music, January 20, 1966

Noon Recital, Joel Salsman, pianist, Music of Alan Hovhaness, February 11, 1966

Concert program for Noon Recital, Joel Salsman, pianist, Music of Alan Hovhaness, February 11, 1966

A Concert of American Music, February 9, 1964

Concert Program for A Concert of American Music, February 9, 1964