Detecção de anticorpos anti-leishmania infantum syn chagasi em cães de São José do Rio Preto, São Paulo

Visceral leishmaniasis (VL) has been a widespread zoonosis in São Paulo since 1998, when the first autochthonous canine case was identified in Araçatuba. The aim of this study was to determine the occurrence of anti-Leishmania infantum syn chagasi antibodies in serum samples of 584 dogs from São José do Rio Preto, São Paulo, a non endemic area for the disease. Five dogs (0.86%) seroconverted by ELISA and one (0.17%) by immunochromatography. The indirect immunofluorescent reaction, carried out in 138 animals whose optical densities were above or close to ELISA's cutt-off point, evidenced two dogs (1.45%) with titers above 1:40. Only one dog was serum-reactive on the three techniques. Although there was not a history of displacing this animal to endemic areas, the dog had been acquired in a region with canine and human cases of VL. These results suggests that there were no autochthonous cases of canine VL in this population.

Tabla de vida abreviada para el área metropolitana de San José de Costa Rica, 1949-1951

Incluye Bibliografía

José Medina Echavarría and the future of Latin America

Includes bibliography

The challenge of orthodoxy and the ideas of José Medina Echavarría

Includes bibliography

Meaning and function of the University: the view of José Medina Echavarría

Analiza el pensamiento del senor Medina Echavarria sobre la Universidad, tema que desarrollo al menos en tres dimensiones: la propiamente sociologica, la filosofica y la etica.

José de Alencar e o teatro: Um romântico realista

José de Alencar (1829-1877) is more known by the public reader by his novels. However, Alencar was also one of the most famous Brazilian playwright of nineteenth century's second half, with a work marked by successes, failures and controversies. This article intends to study an important part of his work, especially the beginning of his actions towards the still incipient Brazilian theatre in his chronic Ao correr da pena, as well as the analysis of two plays, O demônio familiar (1857), and As asas de um anjo (1857). These works not only show his public's success and failure, but also his flair for controversy. By using as theoretical basis João Roberto Faria and Martin Esslin, as well as other literary and theatre theorists, it will be shown that, although he defended French realism in theatre and used proceedings related to the genre, such realism, on his plays, was mixed with romantic solutions what made his work unique.