Climate changes, lead pollution and soil erosion in south Greenland over the past 700 years

Date of Acceptance: 05/06/2015 This research was made possible through funding provided by the Leverhulme Trust, the Spanish Ministry of Science and Innovation (Project CGL2010–20672) and Xunta de Galicia (grants R2014/001 and GPC2014/009). N Silva-Sánchez is currently supported by a FPU pre-doctoral grant (AP2010–3264) funded by the Spanish Government. Kirsty Golding, Andy McMullen, and Ian Simpson are thanked for their assistance with fieldwork. Alison Sandison produced the maps. Pete Langdon and two anonymous referees are thanked for comments that helped to improve the paper.

Ecohydrological separation in wet, low energy northern environments? A preliminary assessment using different soil water extraction techniques

Funded by European Research Council ERC. Grant Number: project GA 335910 VEWA

Resolving patterns of population genetic and phylogeographic structure to inform control and eradication initiatives for brown rats Rattus norvegicus on South Georgia

Funded by UK Government's Overseas Territories Environmental Programme (OTEP)

Climate changes, lead pollution and soil erosion in south Greenland over the past 700 years

Date of Acceptance: 05/06/2015 This research was made possible through funding provided by the Leverhulme Trust, the Spanish Ministry of Science and Innovation (Project CGL2010–20672) and Xunta de Galicia (grants R2014/001 and GPC2014/009). N Silva-Sánchez is currently supported by a FPU pre-doctoral grant (AP2010–3264) funded by the Spanish Government. Kirsty Golding, Andy McMullen, and Ian Simpson are thanked for their assistance with fieldwork. Alison Sandison produced the maps. Pete Langdon and two anonymous referees are thanked for comments that helped to improve the paper.

Waldo Balart y el arte concreto

El arte concreto, definido por Theo van Doesburg en su manifiesto Art concret de 1930, es un arte europeo, abstracto geométrico y universal, desconocido para el público en general, a pesar de tener un siglo de antigüedad. Sus obras se distinguen por ser ejecutadas mecánicamente a partir de bocetos, sólo con los elementos plásticos del arte (planos y colores), sin obtener ninguna referencia de la realidad u otro significado más que sí mismas. De igual modo, la finalidad de su contemplación, que requiere cierto esfuerzo de concentración, es inducir al espectador a un estado de consciencia, a través de una búsqueda interna. Por medio del estudio de uno de sus artistas, el pintor cubano Waldo Balart, afincado en Madrid, nos acercamos a dicho movimiento, repasando su trayectoria, su situación actual y la mentalidad global que comparten sus artistas. El objetivo de este trabajo es demostrar que Waldo Balart es un artista representativo de esta corriente, una conclusión que se ha evidenciado después de comprobar que las colecciones y museos más prestigiosos dedicados al arte concreto cuentan con su obra entre la privilegiada selección de artistas. Otro propósito es hacer visible que él es un artista que ha hecho una gran aportación a la historia del arte, algo que ha sido resuelto con el examen del extenso trabajo artístico y teórico con el que ha contribuido, producto de toda una vida de dedicación. Igualmente se ha revelado que por medio de su amistad ha influido en el trabajo de artistas tan importantes como Andy Warhol. Además, la finalidad de la investigación es probar que Waldo, cuyo apellido completo es Díaz- Balart, despierta un inmenso interés por ser una figura notable socioculturalmente, hecho que conlleva el pertenecer a una familia destacada política y socialmente; primero en su país natal, Cuba y luego en el país donde se exilio, los EEUU. Por otro lado, Waldo ha vivido en diferentes partes del mundo - Cuba, Nueva York, Madrid, Paraguay, Brasil y Bélgica - absorbiendo cosas destacable de varias culturas, en momentos puntuales que concentran una enorme atención. De ellos se destaca la explosión cultural que vivió en Nueva York, durante el reinado del expresionismo abstracto, el pop art y el minimalismo. Asimismo, en cada cultura ha convivido con personalidades tan relevantes como su excuñado Fidel Castro e incluso, fuera del plano artístico, él mismo desempeñó un valor social preponderante. Todas las circunstancias que rodean su atractiva personalidad, de alguna manera han sido absorbidas y proyectadas en su labor artística, en la que utiliza el color como herramienta expresiva. Con pretensión de evitar su dispersión y consiguiente perdida, así como de colaborar en el registro de la historia del arte contemporáneo, este ensayo reúne la mayor parte del material sobre un valioso artista, que hasta ahora está poco estudiado...

Safety criteria for the private spaceflight industry

The Federal Aviation Administration (FAA) Office of Commercial Space Transportation (AST) has set specific rules and generic guidelines to cover experimental and operational flights by industry forerunners such as Virgin Galactic and XCOR. One such guideline Advisory Circular (AC) 437.55-1[1] contains exemplar hazard analyses for spacecraft designers and operators to follow under an experimental permit. The FAA's rules and guidelines have also been ratified in a report to the United States Congress, Analysis of Human Space Flight Safety[2] which cites that the industry is too immature and has 'insufficient data' to be proscriptive and that 'defining a minimum set of criteria for human spaceflight service providers is potentially problematic' in order not to 'stifle the emerging industry'. The authors of this paper acknowledge the immaturity of the industry and discuss the problematic issues that Design Organisations and Operators now face.

County Cork: the experience of members of the establishment whose houses were burned in the IRA arson campaign, 1920-23

Between May 1920 and March 1923, there were seventy-three houses belonging to the County Cork establishment burnt down by IRA and anti-treaty forces. More houses were destroyed by this method in Cork than in any other Irish county in the same timeframe. The establishment were targeted by the IRA for their political, military and social persuasions that were essentially in opposition to the nationalist movement. The motivations behind these burnings is examined, the main reasons being reprisals for actions taken by Crown forces, military reasons, loyalty of house owners to the British government and agrarianism. The geographical distribution of these burnings is also provided to reveal how active individual IRA brigades were that operated within the county. Though there were few areas of the county left unaffected by the occurrence of arson attacks, there were higher concentrations of burnings in some areas. The house burnings in County Cork did not conform to the national pattern of house burnings and the reasons for this are explored. This study argues that the presence of Crown forces in Cork and their implementation of an official reprisal policy in January 1921 escalated military conflict, and arson attacks became a key tactic utilised by IRA forces in response to this policy. The aftermath of house burnings for members of the establishment is revealed through the various compensation committees that were formed after both the War of Independence and Civil War. Key sources for this study included personal papers of both the establishment and military figures, IRA witness statements, local and national newspapers, the 1901 and 1911 Irish Censuses, Colonial Office Papers, compensation claims filed with the British government and Irish Free State, and others from archives throughout Ireland and the United Kingdom.

Publics, visibilité et reconnaissance en art contemporain : étude du cas de Ai Weiwei

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.

Application of an Education Research Lab (ERL) Model to a Community Sailing Program

This presentation showcases the application of a university-based education research lab (ERL) model to the evaluation of a community sailing program for individuals with disabilities. Presenters conceptualize the ERL model as a mutually beneficial relationship between universities and community education agencies.