Conversations avec Jacques Fontanille

Cet entretien porte sur le parcours intellectuel de Jacques Fontanille, fondateur du Centre de Recherches Sémiotiques de l’Université de Limoges et responsable du Séminaire Intersémiotique de Paris, théoricien dont l’activité scientifique se mêle au parcours historique et théorique de la Sémiotique d’origine greimassienne. Dans cette interview par courrier électronique réalisée l’été 2006, Fontanille parle des épisodes qui ont marqué les débuts de son travail comme sémioticien et notamment dês développements les plus récents de la Sémiotique.

O Espectador como Narciso, o Teatro como Espelho: Considerações sobre as Peças 'Amor no Espelho', de Giovan Battista Andreini, e 'Narciso', de Jean-Jacques Rousseau

Theatre plays as Amor nello specchio, written by Giovan Battista Andreini in 1622, and Jean-Jacques Rousseau’s Narcisse (1752), thematize the condition of a spectator submitted to the established morality or inserted in a determinate political structure. Thus, here the myth of Narcissus and the theme of mirroring do not restrict themselves to the realm of individualized psyche.

Memória e morte: uma intersecção entre ser e escrever em Les rêveries du promeneur solitaire, de Jean-Jacques Rousseau

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

E. T. A. Hoffmann e Jacques Callot: a ficção da imagem

Hoffmann wrote several fairy tales, including "Princess Brambilla" (1821), which has an remarkable pictorial component: when it was published, the text went along with eight illustrations by Carl Friedrich Thiele, which were derived from original prints made by the Frenchman Jacques Callot. While Callot images portray the Italian theater of the Commedia dell'Arte, Thiele's works follow the plot of the narrative, representing the characters of Hoffmann, who disguise themselves because of the carnival that is taking place in Rome. The costumes and masks worn by the characters however do not ensure them full secrecy. Instead of a complete undercover, they lead to double meanings and double identities so that narrative levels and artistic references overlap and create an effect similar to a set of a polyphonic orchestra (which is a metaphor implied in the very subtitle, where the narrative is called a Capriccio).

Representações do absurdo e da loucura em Marat/Sade, de Peter Weiss

The present text aims to evaluate some effects of the use of elements in the representation of the madness and of the absurdity in the play Marat/Sade, written by the German author Peter Weiss. To accomplish this task, the analysis is built on comparative evaluations between text elements of the absurdity and of the surrealism, pursuing its textual construction.

A psicanálise aplicada ao sintoma: considerações sobre as duas clínicas de jacques lacan

Este artigo discorre sobre a psicanálise aplicada ao sintoma, promovendo uma reflexão sobre as duas clínicas de Jacques Lacan. O trabalho examina o deslocamento operado pelo autor, ao final de seu ensino, do conceito de sintoma, formação do inconsciente, para o conceito de sinthoma, com nova grafia, em um enfoque além do Édipo, ou seja, além do simbólico. Por fim, o estudo teórico destaca como a reformulação do conceito de sintoma possibilitou o surgimento de novas modalidades de intervenção analítica, em uma clínica mais acessível à população. Conclui-se que a tarefa analítica, na atualidade, não consiste em interpretar infinitamente, mas, sim, em sustentar a prontidão para acolher a surpresa.

O Projeto Logos II em Rondônia: a implantação do projeto-piloto e as mudanças em sua organização político-pedagógica

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Da necessidade do legislador na obra Do contrato social, de Jean-Jacques Rousseau

Pós-graduação em Filosofia - FFC

Review of The Bible at Qumran: Text, Shape, and Interpretation, edited by Peter W. Flint

Review of The Bible at Qumran: Text, Shape, and Interpretation, edited by Peter W. Flint. Studies in the Dead Sea Scrolls and Related Literature. Grand Rapids, MI: Eerdmans, 2001. Pp. xv + 266. Price: $22.00. ISBN 0-8028-4630-0. This volume is another contribution to the Eerdmans series Studies in the Dead Sea Scrolls and Related Literature. The essays are loosely gathered around the topic "The Bible at Qumran," and the editor has divided the articles into two groups. Part 1, "The Scriptures, the Canon, and the Scrolls," includes articles by J.A. Sanders, B.W. Waltke, E. Ulrich, C.A. Evans, and the editor, P.W. Flint. The contributors to Part 2, "Biblical Interpretation and the Dead Sea Scrolls," are J.C. VanderKam, C.A. Evans, J.E. Bowley, J.M. Scott, M.G. Abegg, and R.W. Wall. Unlike other volumes of collected essays in this series, which have highlighted the work of a single author or published the proceedings of a particular conference, this collection has a more disparate origin. Some contributions were given as papers at the Dead Sea Scrolls Institute of Trinity Western University (Bowley, Ulrich, VanderKam and Wall), one (Waltke) is reprinted from The New International Dictionary of Old Testament Theology and Exegesis (Grand Rapids: Zondervan, 1997), and the rest (Abegg, Evans, Flint, Sanders and Scott) were invited for the volume.