851 resultados para Critics


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Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal. To respect the reproduction rights and copyrights, the electronic version of this thesis was stripped of images and audiovisuals. The integral version has been left with Documents Management and Archives Service at the University of Montreal.

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This doctoral thesis entitled “Miguel Botelho de Calvalho‟s Poetry. Study and edition of Fábula de Píramo y Tisbe (1621) and Rimas Varias (1646)” is born to approach Miguel Botelho de Carvalho‟s (1595-?) life and works. He was a Portuguese poet that lived during the Spanish monarchy reign (1580-1668) and is inexorably referred to in the works of Portuguese poets who wrote in Spanish during the 17th century. The works by this author of which we are certain were written from 1621 to 1646 – namely: an epyllion about the love affairs between Píramo and Tisbe (Fábula de Píramo y Tisbe, Madrid, 1621), a pastoral novel (Prosas y versos del pastor de Clenarda, Madrid 1621), as well as the works printed after his travel to India. This last period includes his narrative poem divided into six cantos, La Filis (1641) and another publication containing two works: a poetic anthology entitled Rimas varias and his approach to drama in Tragicomedia del martir d’Ethiopía (Ruán, 1646). Botelho de Carvalho is constantly being referred to among the critics, above all in general studies about that period. Few of them have delved into the author, nonetheless. The treatment given to writers who are included both in Portuguese and Spanish philosophical streams is still a niche to be explored nowadays and that highly contributes to a deeper knowledge of reality, which is on many occasions not looked at...

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It has been said so much about "Life is a Dream" that it seems not to be probable to say anything more, but on the other hand there is such a disagreement and plurality concerning the criticism that is related to the work that it looks like there is still so much left to say about it. Being the debate between these two views, our work tries to focus on the consequences that are derived from the analysis of a character who is never appeared on the stage and is barely named along the text. This character is not other but Clorilene. It has been only two times in which her name comes on the scene and that is the reason why the critics have considered appropriated to talk about two different characters. However, there have also been some people who support the idea about these two Clorilene could be the same character, that is the same person. All doubts are left out by contextualizing the subject and taking into account that if Clorilene who is Basiliós sister and the other Clorilene who is Basiliós wife are the same character, then we would be talking that such a coincidence could be incest. So Segismundo would be the son of such incest. On our opinion, there is no need to insist more on the legitimacy of the incestuous reading of "Life is a Dream", so the contributions we count on are enough to be sure about their validity. However, our work takes an enough span to account for the accumulated bibliography about the case, although it is not very numerous, it is useful. The aim of this thesis is not to question the existence of the incest. It would not be a novelty and as we have said before, the incest is there and it works. However, what is still left to do is an exercise of general interpretation about "Life is a Dream" and to analyze to what extend it could be relevant the reason for the incest or if it is not other thing that a word game that the author ventured without much pretension that the "onomastic incest" which Maurice Molho referred to...

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Power distance can produce contextual effects that surpass the cultural level of analysis, allowing predicting how the assimilation of these cultural values impacts individuals motivations to attain power positions and behaviors towards authorities. Power distance value can be conceived both at a micro and macro level of analysis. However existing measures used at a cultural level have been the object of several critics, and others applied at the individual level need further study in terms of their psychometric properties. This article presents the main psychometric properties of the Earley and Erez (1997) Power Differential Scale. This scale measures the acceptability of power and status differences both at micro and macro level. Two studies analyse the scale’s construct validity and its factorial invariance across groups of participants (Study 1); and its predictive validity at an individual level (Study 2). The results obtained support the proposed unidimensionality of the scale. Furthermore, it demonstrated predictive power by showing the role of power distance in the prediction of individual motivations to attain power and to respond to power situations using withdrawal or confrontational strategies. Future research is discussed, specifically the impact of power differential construct in individual attitudes and behavior.

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Holacracy as an alternative to organisations governance A *TRS event, Room P1.2 (Fernando Pessoa Hall), University Fernando Pessoa 16th, November, 2016, Luis Borges Gouveia This presentation introduce holacracy and discuss its use as an alternative to organize people within a corporate environment. A holacracy is a governance structure characterized by a distribution of power among self-organizing groups, rather than the top-down authority in the typical hierarchical corporate culture model. A holacracy provides a flat management structure that distributes authority. The goal of a holacracy is to ensure that those responsible for completing the work have the authority to decide how that work should be carried out. Holacracy benefits are the promises to harness agility, transparency, accountability, employee engagement and innovation. It also potentiates greater efficiency. Main critics are that the model do not allow for sufficient lateral communication. Also, it use is still emerging and we do not have sufficient evidence on holacracy advantages to rely on its promises

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The aim of the article is to present the place and the role of contemporary Francophone Sub-Saharan African literature in Sweden. This study attempts to compare three levels in the circulation of literary works: translation, reception, and content. These dimensions converge in the analysis in order to pin down the place and the role of this literature in the Swedish context. The study is delimited to writers born after the independencies. The results show that contemporary francophone novels translated and categorized as African are dominated by female writers. The critique reveals a semantic field stressing the theme of shame in the novels by these six female authors, which is examined through in-depth analysis of one novel from each author. Preliminary conclusions are that Francophone African literature is present on the Swedish market since the independencies and even before, though, contemporary works translated into Swedish are produced in the diaspora. A comparison between the three studied levels show that female writers contribute to the shaping of African literature in Sweden to a great extent, even though literary critics sometimes judge them severely. Their explorations of aesthetic forms marry a new discretely engaged literature, constructive rather than vindictive. In this literature, the core issue of facing the shame is presented as a way to reach individual and collective dignity.

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This article focuses how power and resistance are exercised in one of Stockholm’s biggest shopping centres. Power and resistance are key words in Cultural Studies. However, the tradition is dominated by studies where 'ordinary/common’ people and their everyday resistance against economical, political and symbolic power is analysed. Critics of Cultural Studies have pointed out that this domination in some cases has led to a romanticized view on common people s resistance and an unproblematic, simplified concept of power. This article works in the tradition of Cultural Studies, but takes this critique seriously by distinguishing three arenas where economic, political and symbolical forms of power intersect and clash with other interests. These are located in the tension between three sets of relations: a) the shopping centre versus the local municipality, b) the centre management versus the individual businesses that run shops in the centre, and c) the shopping centre as a whole (comprising the owners, the shops and the space itself) versus the visitors (who are predominantly women). The empirical material consists of observations and field-notes, branch statistics, interviews with customers, shop employees and centre managers, photographic documentation, advertisements and other public sources from 1998 to 2002.

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Annually, the association publishes a journal, The Proceedings, which consists of papers presented at the annual meeting. A Famous Kentucky Case: Strader V. Graham by A. P. Gratiot The Freedmen’s Bureau and its Carolina Critics by Martin Abbott Social Consciousness in South Carolina during Reconstruction: Imported or Indigenous by Newton B. Jones Politicians and Planters: The Bull Family of Colonial South Carolina by M. Eugene Sirmans

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Les théories poétiques de l’inscape et du sprung rhythm établies par le poète britannique Gerard Manley Hopkins (1844-1889) ont dérouté les critiques des années durant. La plupart d’entre eux se sont appuyés sur les poèmes publiés en quête d’indices quant à la signification de ses théories. Cette thèse approfondit l’analyse mise de l’avant en révélant que la genèse de la théorie de l’inscape provient des notes de Hopkins — alors étudiant de premier cycle — sur le philosophe présocratique Parménide, et est influencée par les commentaires sur l’oeuvre De la nature du philosophe. Un examen des lettres de Hopkins à ses collègues poètes Robert Bridges et Richard Watson Dixon révèle que le sprung rhythm découle de l’inscape, sa théorie de base. La technique du sprung rhythm consiste donc en l’application de l’inscape au schéma métrique de la poésie. Cette étude établit d’abord une définition opérationnelle de chacune de ces théories pour ensuite les appliquer aux manuscrits afin de déterminer dans quelle mesure Hopkins y adhérait et les exploitait lors de la rédaction de deux de ses poèmes canoniques, God’s Grandeur et The Windhover. L’étude s’inscrit ainsi dans le champ de la critique génétique, une approche mise au point en France, particulièrement à l’Institut des textes et manuscrits modernes (ITEM). Ce sont donc sur des oeuvres littéraires françaises ou sur des textes en prose qu’ont porté la majorité des analyses à ce sujet. Suppressions, ajouts, substitutions et constantes entre différentes versions témoignent de ce qu’étaient les priorités de Hopkins dans sa quête pour atteindre l’effet désiré. Par conséquent, cette thèse s’efforce de dévoiler la signification des théories poétiques de Hopkins en établissant leur genèse et leur application respectives dans deux de ses poèmes selon une perspective de critique génétique. Elle contribue également à enrichir la critique génétique en l’appliquant à des oeuvres littéraires écrites en anglais et sous forme de poésie plutôt que de prose. Enfin, son objectif ultime est de raviver l’intérêt pour le poète Hopkins en tant que sujet viable d’étude, et de favoriser l’appréciation de ses prouesses tant comme théoricien poétique que comme poète.

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Esta investigación busca analizar como se modificaron las relaciones entre India y Pakistán luego de los atentados de Mumbai 2008, a la luz de la cultura de anarquía hobbesiana. Para ello, se explicará como la estructura de anarquía ha sido un catalizador en la modificación de la toma de decisiones de los Estados, sobretodo teniendo en cuenta la característica de Pakistán como un Estado predador. Se demostrará si gracias a estos atentados la actuación de India en el conflicto ha cambiado y percibe a su par como un ente violento y predispuesto a la agresión. Para ello se entrará a explicar el devenir histórico de la relación, la intensidad del grupo perpetrador (Lashkar-e-Taiba) y las posiciones de ambos Estados frente a los atentados.

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This article presents the results of a participant action research applied in a High School in Heredia, in which the life experiences and voices of the involved students are taking into account. Moreover, their critics towards formal education and its curricular organization lead to a proposal on alternative school experiences that can be called a paralleled curriculum. This type of curriculum breaks up with the Costa Rican public high school official curriculum by inserting the students’ ways of being and doing.