Herbert Bayer’s Chromatics : “a pure artistic theory”

This paper examines the roots and properties of Herbert Bayer’s chromatic paintings completed between 1966 and 1976. This series of paintings is grounded in advanced theories of color and geometry, first introduced to Bayer as a young architecture apprentice and later developed at the Bauhaus. An investigation of Bayer’s mature reassessment of those early Bauhaus teachings in color theory and the development of his own color system is the underlying focus of this paper. The purpose of this study is to shed light on the significance of the chromatics that have received little attention to date.

Inventions and industry in the art of Howard Finster

This paper examines Finster’s collection of Inventions of Mankind and his paintings of American industrial icons such as Henry Ford and Eli Whitney. Additionally, this study explores Finster’s compulsive artistic productivity and his experimentation with mechanisms designed to create self-sustaining energy. By providing a comprehensive overview of Howard Finster’s fascination with inventions and industry, this paper serves to provide new insight and dimension into the often over-generalized interpretations of his extensive body of work

Modern Classics : Andy Warhol and the Renaissance Masters

"This paper explores Warhol’s final and largest series entitled the Last Supper series in which the artist appropriated the work of Leonardo da Vinci’s original fifteenth century painting, replicating the image through repetition, radical cropping, and washes of neon color. While many scholars conclude this group of works is inspired by Warhol’s religious beliefs, others interpret these paintings as typical Warhol appropriation without religious association, but consistent with the artist’s interest in the cultural commodity of famous images"

Beautiful victims : childhood and the holocaust in the work of Gottfried Helnwein

"For the past three decades, contemporary artist Gottfried Helnwein has shocked viewers with his Holocaust-related paintings, drawings and installations. Born in Austria in 1948, Helnwein witnessed the immediate aftermath of World War II in Europe from a child’s perspective. Consequently, the horrifying images summoned from Helnwein’s imagination are inspired by the memories and repercussions of this tragedy. His work addresses his parents’ unwillingness to speak of the atrocities as well as the exploitation of the Holocaust in contemporary popular media. His work questions not only how such a tragedy could have taken place, but also how contemporary perception of this event has been affected by total media saturation and the passage of time. To shock viewers, Helnwein portrays strikingly realistic images of distressed, wounded and morally ambiguous children in works that have been regarded as controversial and outspoken"

Exception or extension? : reorienting the Peacock Room among James McNeill Whistler's interior designs

"Although famous for his paintings and etchings today, James McNeill Whistler (1834-1903) was also an important interior designer in the nineteenth-century British Aesthetic movement. Whistler‘s most famous and only extant interior design is Harmony in Blue and Gold: The Peacock Room (1876-77). It is also his most puzzling interior. Long considered an exception to the rule of Whistler‘s other interiors, the Peacock Room has often been overlooked in the few studies of the artist‘s interior designs"

Marilyn Minter in dialague with post-pornography

This paper analyzes post-pornographic practices – an activist and theoretical movement that recognizes pornography as valuable in understanding social, cultural, and political systems that construct and reflect identity – through the work of American artist Marilyn Minter. The analysis contextualizes post-pornography and concludes with an examination of several of Minter’s recent paintings and photographs through a postpornographic lens to assert that these examples of her work explore sexuality and gender by incorporating aesthetic and ideological references to porn and by invoking the postpornographic tenets of collaboration, disruption of public space, and the inversion of heteronormativity. Creating art with Wangechi Mutu, displaying in Times Square high definition videos of lips that slurp green goo, and painting men garbed in lingerie constitute some of Minter’s endeavors, which reenvision pornographic relationships to authorship and agency, public versus private space, and the expression or repression of fantasy.

Recuperación del frente marítimo de El Campello (Alicante) mediante la rehabilitación de las cuevas del antiguo puerto pesquero

El futuro desarrollo urbano previsto para el frente marítimo ubicado junto al antiguo puerto pesquero y actual puerto deportivo de El Campello (Alicante) se plantea con un uso terciario y comercial abusivo implicando la pérdida del paisaje existente, de la imagen de la fachada marítima y de los valores socioculturales de la zona. Para evitar este desenlace, se plantea la recuperación de las antiguas cuevas existentes en dicho frente para uso y disfrute de sus habitantes; intervención enmarcada dentro de una propuesta de regeneración paisajística y social mediante un proyecto museístico sobre la historia arqueológica y cultural del municipio. Con el fin de confirmar la idoneidad y viabilidad de la propuesta planteada, se hace imprescindible la caracterización geológica y constructiva de las cuevas preexistentes para así acreditar la posibilidad de recuperación de un entorno que puede llegar a reconvertirse en punto de encuentro y disfrute paisajístico comunitario.

La acuarela y el arquitecto: tres acuarelas de José María Manuel Cortina. Valencia 1868-1950

El artículo describe y analiza tres acuarelas del arquitecto valenciano Manuel Cortina (1868-1950) tituladas Iglesia Parroquial, Casa de Recreo en una posesión de caza y Fuente Monumental. Anota, como antecedentes-consecuentes respectivos, los dibujos de E. E. Viollet-le-Duc, C. N. Ledoux y O. Wagner. Y discurre acerca de este procedimiento pictórico, transparente y distante, como emblema de un tiempo, la belle époque, y un estilo, la Sezession vienesa alrededor de 1900, con alusión a sus relaciones fotográficas, cinematográficas y oníricas.

Aspectos de la poliédrica influencia de los clásicos: nuevas imágenes clave de la influencia de san Vicente Ferrer en Italia

Este artículo analiza la función de la figura de san Vicente Ferrer en la política de afianzamiento y expansión de la Corona de Aragón en la Italia de mediados del siglo XV y hasta el siglo XVIII. San Vicente Ferrer, clásico innegable de la cultura de la Corona de Aragón, ejerció una extraordinaria influencia en el pensamiento, la predicación y la ortodoxia católicas, así como también, en el tablero de ajedrez de la alta política de fines del siglo XIV y principios del XV. Su influencia fue prácticamente ubicua y omnímoda: predicaba a las masas de casi toda Europa occidental, enfervorizadas por sus dotes oratorias y su dominio de las artes de la predicación, al mismo tiempo que ejercía de consejero de máxima confianza de papas, reyes y gobernantes, escribía densos tratados de teología y filosofía moral, y obraba milagros (más de 900 registrados en su Causa de Canonización). Caló muy hondo, también después de su muerte y durante siglos, en toda Italia, que era el gran escenario de la política y de la cultura humanística y del Renacimiento. Ello se aprovechó por parte de la Corona de Aragón para su expansión en Italia, desde la conquista de Nápoles por Alfonso el Magnánimo. Todo ello se analiza en este estudio a partir de obras de arte (capillas, cuadros, retablos, frescos y mosaicos), nunca tenidas en cuenta en este sentido, pero que, como queda demostrado, son muestra y prueba de esa influencia tanto religiosa como también política de la “figura” de este santo valenciano. Se trata en definitiva del análisis de la poliédrica función de los clásicos.

EnvironmentalWaveletTool: Continuous and discrete wavelet analysis and filtering for environmental time series

A MATLAB-based computer code has been developed for the simultaneous wavelet analysis and filtering of several environmental time series, particularly focused on the analyses of cave monitoring data. The continuous wavelet transform, the discrete wavelet transform and the discrete wavelet packet transform have been implemented to provide a fast and precise time–period examination of the time series at different period bands. Moreover, statistic methods to examine the relation between two signals have been included. Finally, the entropy of curves and splines based methods have also been developed for segmenting and modeling the analyzed time series. All these methods together provide a user-friendly and fast program for the environmental signal analysis, with useful, practical and understandable results.

The other architecture: From natural caves to excavated housing

Excavated towns are an attractive example of underground urbanism that managed to solve, in a very interesting way, thermal problems thanks to natural ground inertia or transition spaces. The aim of this paper is to show the typological evolution of excavated dwellings worldwide, as an architectural proposal and urban solution. The proposed methodology provides an analysis of underground architectures from natural caves to excavated housing, focusing on the study of global constructive solutions to specific problems. Thus, architectures as a natural geography correction (horizontal excavation), buried underground architectures (vertical excavation), subtractive architectures (shallow excavation) and combined architectures (mixed excavation) are studied. In conclusion, there are many examples of typological combinations since troglodyte architects tried to adapt the most elementary constructive rules to get greatly enriched results. These proposals of different underground structures deal with each territory and its geographical features, and obtain urban and architectural solutions transferable to current configurations.

Excavated housing in Crevillente (Spain). Constructive and typologycal study

Underground architecture has sheltered man for many centuries, but the current need to emphasize the bioclimatic approach makes the study of excavated housing essential. This traditional construction is a part of the collective human living experience but also a reference in using the natural conditions of each region through simple proposals based on ground thermal inertia. The aim of this paper is to show the typological evolution of the excavated dwelling in Crevillente, in southeast Spain, compared to other worldwide architectural proposals or urban solutions. To show their adaptation to the regional geography and to comprehend both formal and material characteristics of these simple typologies, which do not need extra energy contribution for interior conditioning. This work is part of the doctoral thesis of the author.

Elogio del cuadrado: cuadrícula, cuadro, cuatro, cubo

Un recorrido por la producción de Le Corbusier evidencia la insistente presencia del cuadrado como base de las composiciones en diversos campos (urbanismo, arquitectura, pintura, mobiliario...) y en diferentes formatos (en planta, alzado y sección, o como marco, módulo y cuadrícula). La presente comunicación realiza un análisis formal (gráfico y simbólico) de sus proyectos y obras, rastreando los modos en que se utiliza el cuadrado permaneciendo en el tiempo como una constante recurrente. Para ello se recorren cuatro áreas temáticas que descienden en escala y en dimensiones: 1) capitolios, 2) museos, 3) pabellones y 4) casas, estudiando una serie de ejemplos en cada área a partir de los planos de la Fundación Le Corbusier, generando discursos que reconstruyen un hilo del tiempo en la evolución de los procesos compositivos. De este modo, se desgrana el empleo del cuadrado, en correspondencia con las áreas de estudio, como: 1º) perímetro de la plaza pública donde insertar las arquitecturas representativas, 2º) marco o caja-fuerte donde encerrar los tesoros artísticos (o sagrados), 3º) volumen cúbico abierto y desmontable y 4º) caja definida por la retícula de la estructura. El cuadrado es siempre un medio y no un fin. Persiste un intento de sugerir algunos de los orígenes en su formación clasicista, sus viajes y sus pinturas.

The Conservation of our Built Heritage, in Particular Statues in Aberdeen, Evaluated Through a Social and Historical Context and Their Impact, Through the Use of 3D Scanning

Cultural heritage sites all over the world are at risk due to aggressive urban expansion, development, wars and general obsolescence. Not all objects are recorded in detail although they may have social and historical significance. For example more emphasis is placed on the recording of castles and palaces than on crofters’ cottages or tenement blocks, although their history can be just as rich. This paper will investigate the historic fabric of Aberdeen through the use of digital scanning, supported by a range of media including old photographs and paintings. Dissemination of social heritage through visualisations will be explored and how this can aid the understanding of space within the city or specific area. Focus will be given to the major statues/monuments within the context of the city centre, exploring their importance in their environment. In addition studying why many have been re-located away from their original site, the reasons why, and how we have perhaps lost some of the social and historical importance of why that monument was first located there. It will be argued that Digital Media could be utilised for much more than re-creation and re-presentation of physical entities. Digital scanning, in association with visualisation tools, is used to capture the essence of both the cultural heritage and the society that created or used the sites in association with visualisation tools and in some way re-enacting the original importance placed upon the monument in its original location, through adoption of BIM Heritage.

La Cova de l’Agüela (Vall d’Alcalà, Alicante). Una cueva-santuario en el corazón de la Contestania Ibérica

En este artículo damos a conocer un yacimiento y un conjunto de materiales hasta el momento inéditos y que se une de este modo al amplio repertorio de yacimientos ibéricos conocidos para el área central de la Contestania. Así mismo tratamos de aproximarnos a las prácticas rituales que pudieron ser llevadas a cabo en este tipo de espacios sacros así como comprender la cueva-santuario en el territorio en que se inserta y su relación con otros núcleos de poblamiento en época Ibérica.