Annotated record of the detailed examination of Mn deposits from various ship expeditions in the Atlantic Ocean from 1876 until 1911

The greater part of this Monograph is devoted to detailed descriptions of 1426 samples of deposits from the floor of the Atlantic Ocean stored in the Challenger Office, Edinburgh, which had been collected during thirty-five cruising expeditions between 1857 and 1911. The remaining part discusses the results of the work. The work of examining and describing in detail this abundant mass of material was in progress when the late Sir JOHN MURRAY met his death in March 1914. By that time about three-fourths of the descriptive work had been completed under his supervision. Sir John's trustees arranged for the completion of the descriptive work by Mr Chumley, and this was done in the Challenger Office during the two succeeding years. Later, after he had removed to Glasgow, Mr Chumley prepared the notes discussing the results. The trustees have pleasure in recording, on the suggestion of Mr Chumley, the courtesy of Dr G. W. Lee of the Geological Survey of Scotland, for help in determining many of the rarer mineral particles contained in the deposits.

Gustave Caillebotte -Vues sur le Paris moderne : 1876 et 1880

Ce mémoire prend pour objet l’étude des vues du Paris moderne par Gustave Caillebotte. Son engagement profond dans la réalité vécue le conduit vers une fascination particulière pour la reproduction de l’image urbaine. Entre 1876 et 1880, l’artiste déambule dans les rues et les boulevards en vue d’exécuter des traitements picturaux originaux et peindre des visions singulières, par rapport à sa propre production artistique de même qu’à celle de ses confrères impressionnistes. En raison des différents points de vue traités dans l’espace urbain, sa perception de la ville semble, à notre avis, évolutive. Que ce soit depuis la rue ou en hauteur, Caillebotte reproduit Paris telle qu’elle se présente devant lui ; c’est ce qui paraît le guider dans sa recherche. Si bien que notre travail consiste à démontrer qu’il est un peintre de la ville moderne. Par l’analyse de trois points de vue privilégiés (dans la rue, à la fenêtre et au balcon), remarqués à la fois dans son corpus et dans sa démarche, cette recherche veut montrer comment l’artiste perçoit l’urbanité moderne et comment il la rend. Nous observons qu’une adéquation entre les moyens plastiques modernes utilisés et l’intérêt de représenter la réalité elle-même moderne, traduit son processus créatif. Apporter des arguments au sujet de son étude des vues de ville, permet aujourd’hui de mieux cerner le travail unique de Gustave Caillebotte dans le paysage urbain.

Annaes do Parlamento Brazileiro. Tomo III [1876]

Anais do Parlamento Brasileiro, 1876

Annaes do Parlamento Brazileiro. Tomo I [1876]

Anais do Parlamento Brasileiro, 1876.

Annaes do Parlamento Brazileiro. Tomo V [1876]

Anais do Parlamento Brasileiro, 1876.

Annaes do Parlamento Brazileiro. Tomo IV [1876]

Anais do Parlamento Brasileiro, 1876.

Annaes do Parlamento Brazileiro. Tomo II [1876]

Anais do Parlamento Brasileiro, 1876.

Bird's eye view of Clinton, Mass. 1876.

Perspective map not drawn to scale.

Notes in regard to some textile plants of Brazil, at the International exhibition in Philadelphia in 1876,

Mode of access: Internet.

Os Fragmentos 19 e 20 dos Systementwürfe 1803/1804, de G.W.F. Hegel : introdução e tradução

O objetivo deste trabalho é traduzir e apresentar os fragmentos 19 e 20 dos Esboços de Sistema de Jena, escritos por Hegel entre 1803 e 1804. Primeiramente, farei uma rápida consideração do significado filosófico desses fragmentos, os quais tratam, desde a peculiar concepção hegeliana da consciência como espírito, da razão teórica e da razão prática como equivalentes, respectivamente, à linguagem e ao trabalho. Procuro sublinhar essa relevância filosófica a partir da interpretação habermasiana dos fragmentos, a qual lhes conferiu notoriedade como tentativa de reconstrução do materialismo histórico. A partir desta breve contextualização, apresenta-se, a seguir, uma tradução para o português dos mencionados fragmentos. _________________________________________________________________________________ ABSTRACT

An integrated approach to delimiting species borders in the genus Chrysotoxum Meigen, 1803 (Diptera: Syrphidae), with description of two new species

Integrative taxonomy tests the validity of taxa using methods additional to traditional morphology. The existence of two different morphotypes in specimens identified as Chrysotoxum vernale Loew (Diptera: Syrphidae) prompted their taxonomic study using an integrative approach that included morphology, wing and male-surstylus geometric morphometrics, genetic and ecological analyses. As a result, a new species is recognised, Chrysotoxum montanum Nedeljković & Vujić sp. nov., and C. vernale is re-defined. A lectotype and paralectotypes are designated for C. vernale to stabilize this concept. An additional species, Chrysotoxum orthostylum Vujić sp. nov., with distinctive male genitalia is also described. The three species share an antenna with the basoflagellomere shorter than the scape plus pedicel and terga with yellow fasciae not reaching the lateral margins. This study confirms the value of integrative approach for resolving species boundaries.

Fiesta e imaginería cívica: la memoria de la estatuaria de las celebraciones patrias costarricenses, 1876-1921

ResumenEste artículo se encarga de estudiar las develaciones de estatuas que se dieron en Costa Rica durante las fiestas patrias de la independencia, en un periodo ubicado entre 1876 y 1921. Su objetivo fundamental consiste en comprender la forma en que se seleccionó un cierto pasado político, y las estrategias discursivas que se utilizaron para fomentarlo y representarlo a través de la estatuaria. Así, inspecciona las discusiones que se dieron en torno de la elección de los personajes históricos que se iban a seleccionar para ser convertidos en estatuas públicas, y el papel de las representaciones en la elaboración de una memoria oficial.AbstractThis article intends to study the unveiling of statues carried out during the national independence celebrations between 1876 and 1921. Its fundamental purpose is to understand how a certain political period from the past was chosen, as well as the discourse strategies used for promoting and representing it through statuary activities. Therefore, it assesses the discussions that arose in relation with the selection of historical characters that were to be sculpted as public statues, and the role played by the representatives in the preparation of an official memory.

Las revoluciones liberales y su legitimidad. La restauración del orden republicano. El caso centroamericano, 1870-1876

Resumen Este trabajo analiza la concepción política que proporcionó legitimidad a las revoluciones liberales que tuvieron lugar en Costa Rica, Guatemala, El salvador y Honduras, entre 1870 y 1876, las cuales inauguraron una nueva etapa histórica en cada uno de esos países. Abstract This article analyzes the political conception which legitimized the liberal revolutions which occurred in Costa Rica, Guatemala, El Salvador and Honduras between 1870 and 1876, revolutions which inaugurated a new stage of history in each of those countries.