The education of Christ;

Mode of access: Internet.

The Christ of history and of experience.

Mode of access: Internet.

Paul the interpreter of Christ,

Includes bibliographical references.

Christus consummator some aspects of the work and person of Christ in relation to modern thought /

Second ed. corr. reprint of 1st ed; 3rd ed. reprint of the 2nd ed.

Union : or, A treatise of the consanguinity and affinity between Christ and His church /

Shaw & Shoemaker : 26587.

An essay on the kingdom of Christ /

Separate t.p.: Doctrine of the covenants / by Samuel Jones.

An inquiry into the nature and design of Christ's temptation in the wilderness /

Originally published 1761.

Studies on the Gospels in harmony: being the fourth or Bible-class grade in the series of lessons on the life of Christ. Harmonized from the four evangelists.

Mode of access: Internet.

Jesus upon earth : or, the story of His birth, life, death, and resurrection.

"Designed for children" -- t.p.

Determination of the hemispheric character (i.e. southern or northern latitudinal position) of equatorial ionosonde stations as deduced from long-term recordings of the minimum height of the F-region (h ' F)

The virtual (or minimum) height of the F-region (h'F), recorded over a number of solar cycles for I I equatorial and mid-latitude ionosonde stations, was used to deduce the hemispheric (i.e. southern or northern hemisphere) character of equatorial stations. The semi-annual median monthly height (h'F) variations consist of two components: major local summer maximum and winter sub-maximum (about 5 percent of the summer maximum). This hemispheric pattern was most consistently observed for equatorial stations (within 5degrees of the geomagnetic equator) in a period centred on the local midnight (21-03 LT) but was also present, to a lesser extent, at mid-latitude stations and at other time intervals. It is evident that the physical parameter h'F defines the hemispheric character of an equatorial station which has different (sometimes opposite) geographic and geomagnetic latitudes. There is a sharp transition in the latitudinal character of the stations on both sides of the equator leading to hypothesis that the equal maxima in h'F in December and June solstices are observed at a near-equator position labelled as ionosonde deduced equator (IDE). Such a signature was observed for an American equatorial (both geographic and geomagnetic) station Talara (Peru) which is an experimental support of the hypothesis. The IDE can be another useful parameter characterising the equatorial ionosphere. This finding reveals a new application of the standard ionosonde data in defining the geophysical character of equatorial stations, being an important contribution to space climatology. (C) 2002 Elsevier Science Ltd. All rights reserved.

The African studies course of the Instituto de Estudos Superiores Militares. An analysis of the correlations and conflictive character inside the triangle - Development, environment and security - in Africa’s Nigeria

Relatório de Estágio de Mestrado em Ciência Política e Relações Internacionais Globalização e Ambiente

The Enigma of the Silent Closing of Acts (28,16-31)

(Résumé de l'ouvrage) In the first volume of this long-anticipated collection by Moessner and Tiede, seventeen leading scholars of antiquity present an amazing "sea change" of opinion that Luke is indeed the interpreter of Israel. The book represents an unprecedented international consensus that the Hellenistic author Luke composed a carefully crafted narrative in two parts to claim Jesus of Nazareth as Israel's true heritage and enduring legacy to the world. Part One explores the nature of Luke's prologues and his intention to write a narrative of "events brought to fruition," using the narrative conventions and audience expectations of the Greco-Roman milieu. Part Two illuminates the relation of Luke's second "volume" to the first by inquiring about the consistency and coherence of his narrative-thematic strategies in retelling the story of Israel's legacy of "the Christ." Whether Luke completed Acts, the larger role of Paul and, most significantly, the meaning of Israel by the end of Acts are approached from new perspectives and charged with provocative insights. In addition to the volume editors, the contributors include L. Alexander, D. Schmidt, V. Robbins, C. Thornton, R. Pervo, W. Kurz, C. Holladay, G. Sterling, D. Balch, E. Plmacher, Charles H. Talbert, J.H. Hayes, D. Marguerat, M. Wolter, R. Tannehill, and I. H. Marshall.

"Acheiro-poïétique" du cinéma: le Christ révélé par l'écran

Selon la tradition orientale, les représentations de Jésus trouveraient toutes leur origine dans les images acheiropoïètes, c'est-à-dire dans des figurations de la "Sainte Face" du Christ non faites de main d'homme, mais survenues par apparition divine -sur le voile de Véronique, le Saint Suaire, le mandylion d'Edesse, etc. Ces images qui, pour des théologiens de l'icône tels que Léonide Ouspensky, ne sont rien moins que "la manifestation du miracle fondamental : la venue du Créateur dans sa création" (in L'Image du Christ non faite de main d'homme, 1989), ont toujours été le ferment d'expérimentations multiples chez les peintres et les sculpteurs.Mais la réflexion artistique s'est cristallisée au moment où ces images sont devenues l'apanage de médiums issus de "l'ère de la reproductibilité technique" chère à Benjamin. En effet, les images "théographes" auraient pour spécificité d'être engendrées et de se multiplier par empreinte immédiate: une toile quelconque n'aurait qu'à être touchée par le visage du Christ pour devenir instantanément le support du divin portrait, et acquérir dès lors le "pouvoir reconnu aux acheiropoïètes de créer des doubles de même valeur, par simple contact" (François Boespflug, Dieu et ses images. Une histoire de l'Eternel dans l'art, 2008). Comment mieux faire écho aux principes mêmes de l'image (ciné)photographique, générée par indicialité et reproductibilité? André Bazin a eu l'intuition de cette parenté dans le cadre de sa théorisation sur le pouvoir "révélateur" de l'image (ciné)photographique qui selon lui procéderait "par sa genèse" de "l'ontologie du modèle" et "serait" le modèle; il a évoqué le Saint Suaire de Turin comme rejouant, voire emblématisant cette même "ontologie de l'image photographique" (dans l'article homonyme de 1945). Si Bazin ne développe pas plus avant ses considérations, la corrélation des dispositifs (ciné)photographique et acheiropoïète a connu un questionnement « en actes », au sein des films cherchant à représenter Jésus.Valentine Robert s'intéresse à ces expérimentations, à commencer par un projet de film d'Abel Gance de 1947, resté inachevé, où le suaire de Turin devait se transformer en écran de cinéma. Plusieurs autres productions seront abordées, telles que Civilization ou The Robe, qui explorent les effets visuels permis par la pellicule pour montrer le Christ en surimpression, dans une sorte d'"apparition technologique", ou telles que The Jesus Film ou The Passion of the Christ, dont la projection a été reçue par certains publics comme une apparition sacrée réactualisant l'Incarnation. Les modalités de la représentation des images acheiropoïètes et plus généralement de l'apparition de Jésus à l'écran seront enfin évoquées - de la tradition hollywoodiennes qui consistait à refuser l'accès de la "Sainte Face" à la pellicule et de la rejeter hors-champ jusqu'aux séquences d'Ecce Homo de Scorsese et Zeffirelli, en passant par la révélation visuelle inaugurant The King of Kings, qui pousse à son paroxysme la collusion entre apparition divine et apparition cinématographique.

The identification of Anopheles (Nyssorhynchus) rondoni (Diptera: Culicidae) in Mato Grosso, Brazil: an analysis of key character variability

A morphological study was made of a population of Anopheles (Nyssorhynchus) rondoni (Neiva and Pinto) from northern Mato Grosso, Brazil. This population usually lacked the primary key character of a dark basal band on hindtarsomere 3, i.e., hindtarsomere 3 was all white as in most other members of the subgenus. It was determined that this species can be recognized instead by the presence of a dark spot on the thorax made up of a large dark prescutellar space that is contiguous with a concolorous central area on the scutellum. A secondary character of a dark area on the costa created by the fusion of the humeral dark, presector dark and sector dark proximal spots is also usually reliable. Regression analyses comparing the lengths and ratios of the dark bands on hindtarsomeres 2 to those on 3 describe a straight line relationship. This suggests that the "atypical" population is at one end of a character gradient. We propose that in the subgenus Nyssorhynchus individuals that have a long basal band on hindtarsomere 2 are more likely to also have a basal band on hindtarsomere 3. The pupal stage of this species has not been previously described. Reared-associated specimens from this study show that the pupa can be easily differentiated from all other Nyssorhynchus by the relatively stout, usually 2 or 3 branched (1-5), setae 1 and 5 on segments IV-VII.

Oscar Wilde. De profundis: a severe judgement of Sophocles as a poet

O. Wilde considers that Christ ranks with the poets and Shelley and Sophocles are of his company. Nevertheless, the result of this comparison becomes unfavourable as far Sophocles is concerned, who, precisely as a poet can reach neither the sublimity nor the real tragic sufferance which Christ symbolises. According to Wilde, Christ is both a poet and a tragic poem, while Sophocles is merely a poet, thus being certified the impossibility of the above mentioned comparison.