882 resultados para transnational cinema
Resumo:
Esta tese apresenta um estudo de linguagem para a produção de obras audiovisuais de caráter interativo. Esse estudo justifica-se pela demanda existente nesse campo, em especial para produtos aplicáveis a ambientes de exibição que proporcionam interatividade aos usuários, como a televisão digital interativa, a Internet e a telefonia móvel. Foram estudados conceitos que serviram de base para a tese, como os de montagem audiovisual, de interatividade e de linguagem, informações fundamentais para o desenvolvimento desta proposta. O objetivo da tese foi constatar se há uma linguagem audiovisual que ofereça um formato de produção e exibição de um cinema que seja interativo, sem a pretensão de substituir os formatos tradicionais. Esta pesquisa, de caráter exploratório, é participativa, e adota, como procedimento metodológico, o quase-experimental. A amostragem foi intencional ou de seleção racional, e, por meio do experimento seguido de um questionário de perguntas fechadas, obtivemos resultados qualitativos sobre a tese. Para tanto, foi produzido um vídeo do gênero documentário especificamente para o experimento, além da definição de dois grupos participantes: pesquisadores e estudantes leigos, compostos por integrantes de oito paises ibero-americanos. Os resultados alcançados apontam para a viabilidade dessa proposta, com uma diversidade criativa considerável, 103 distintas propostas para um total de 114 participações. Além disso, um total de 85% considerou ter participado do resultado final da obra, o que consideramos expressivo. Espera-se, com o resultado deste estudo, que novas pesquisas sejam desenvolvidas sobre o tema, em constante evolução.(AU)
Resumo:
Este estudo tem como objetivo propor uma análise do modo como se constrói a representação da imagem eleitoral de João Goulart, sob a ótica da propaganda política no cinema brasileiro no período pós-ditadura. Para a realização desse objetivo contamos com o longa-metragem de Silvio Tendler de 1984, intitulado Jango. Cremos que este estudo se justifica por contribuir para identificar, compreender e mapear o imaginário da sociedade brasileira sobre João Goulart. Para o desenvolvimento do tema foram analisadas teorias de marketing político, propaganda ideológica e persuasão. A pesquisa foi norteada pelo método qualitativo e aplicadas as técnicas de pesquisa histórica e estudo de caso. Concluímos que o Filme de Silvio Tendler reconstruiu a imagem de João Goulart ressaltando seu papel na luta pelas reformas de base. A mistificação de Jango foi exposta no documentário expositivo.
Resumo:
O presente estudo teve como seu objetivo geral investigar o modelo didático-pedagógico que vem sendo utilizado no ensino jurídico brasileiro, ressaltando a necessidade da busca pela formação integral do futuro operador do Direito, conforme preceitua a Resolução CNE/CES n°09/04. De modo especial, procurou investigar como a utilização do cinema pode ser compreendida como recurso para possibilitar a interação das disciplinas da área jurídica com a de outras áreas do conhecimento, incluindo arte e estética na formação do discente de Direito, visando uma maior eficácia do exercício operacional da inteligência, ampliação de visão de mundo e exercício do pensamento crítico. Os caminhos percorridos nesta pesquisa incluíram um estudo teórico sobre o histórico e os problemas do ensino jurídico no Brasil, discutindo-se as características pedagógicas dos cursos de Direito, bem como as inovações trazidas pelo MEC no que tange à adequação dos currículos e da pedagogia para alcançar o ensino humanístico, de acordo com a realidade dinâmica da sociedade globalizada. Nesta esteira, a pesquisa visou problematizar como o cinema, considerando-o como veículo instrucional, pode ser utilizado como metodologia inter e transdisciplinar nos cursos de Direito. Elaborou-se, também, uma investigação de campo que pretendeu, por meio de questionário estruturado, obter as opiniões de alunos sobre uma experiência de docência na disciplina de Direito Internacional Público onde se utiliza, de forma regular, trechos de produções cinematográficas como elementos contextualizadores de saberes na área lecionada. A pesquisa evidenciou que são poucos os professores de direito que se utilizam do cinema em suas aulas, embora todos os alunos pesquisados entendam ser esta uma prática extremamente válida e dialógica, que os leva à ampliação de conhecimento de mundo e ao pensamento crítico.
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This article explores transnational experiences within a group of Somali- Swedes, particularly how parents’ transnational practices are transferred to their children and how a transnational social space, built on close relationships on a global scale, is constructed. The readiness to relocate between countries and the implications for the children is illuminated. The onward migration to Egypt is highlighted as an example. According to research on Somalis in diaspora, they explain their propensity to move by claiming to be nomads, but this article indicates that it is also about their desire for better opportunities in combination with the cultural and economic marginalisation experienced in the West.
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Desde a sua origem que a Animação é utilizada como um meio de espelhar a sociedade através de técnicas e expressões que o cinema tradicional não permite. Ao incorporar a sátira na sua representação social e política está a expor uma crítica a características negativas com o intuito de alterar percepções e estereótipos, motivando a sua vulgarização ou correção. O projeto #LINGO consiste na realização de uma curta-metragem de animação com recurso à sátira, pretendendo incidir sobre um dos problemas em expansão no século XXI, a dependência nos dispositivos digitais e redes sociais.
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Transnational Environmental Policy analyses a surprising success story in the field of international environmental policy making: the threat to the ozone layer posed by industrial chemicals, and how it has been averted. The book also raises the more general question about the problem-solving capacities of industrialised countries and the world society as a whole. Reiner Grundmann investigates the regulations which have been put in place at an international level, and how the process evolved over twenty years in the US and Germany.
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Feminist Translation Studies: Local and Transnational Perspectives situates feminist translation as political activism. Chapters highlight the multiple agendas and visions of feminist translation and the different political voices and cultural heritages through which it speaks across times and places, addressing the question of how both literary and nonliterary discourses migrate and contribute to local and transnational processes of feminist knowledge building and political activism. This collection does not pursue a narrow, fixed definition of feminism that is based solely on (Eurocentric or West-centric) gender politics—rather, Feminist Translation Studies: Local and Transnational Perspectives seeks to expand our understanding of feminist action not only to include feminist translation as resistance against multiple forms of domination, but also to rethink feminist translation through feminist theories and practices developed in different geohistorical and disciplinary contexts. In so doing, the collection expands the geopolitical, sociocultural and historical scope of the field from different disciplinary perspectives, pointing towards a more transnational, interdisciplinary and overtly political conceptualization of translation studies.
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This thesis challenges the consensual scholarly expectation of low EU impact in Central Asia. In particular, it claims that by focusing predominantly on narrow, micro-level factors, the prevailing theoretical perspectives risk overlooking less obvious aspects of the EU?s power, including structural aspects, and thus tend to underestimate the EU?s leverage in the region. Therefore, the thesis argues that a more structurally integrative and holistic approach is needed to understand the EU?s power in the region. In responding to this need, the thesis introduces a conceptual tool, which it terms „transnational power over? (TNPO). Inspired by debates in IPE, in particular new realist and critical IPE perspectives, and combining these views with insights from neorealist, neo-institutionalist and constructivist approaches to EU external relations, the concept of TNPO is an analytically eclectic notion, which helps to assess the degree to which, in today?s globalised and interdependent world, the EU?s power over third countries derives from its control over a combination of material, institutional and ideational structures, making it difficult for the EU?s partners to resist the EU?s initiatives or to reject its offers. In order to trace and assess the mechanisms of EU impact across these three structures, the thesis constructs a toolbox, which centres on four analytical distinctions: (i) EU-driven versus domestically driven mechanisms, (ii) mechanisms based on rationalist logics of action versus mechanisms following constructivist logics of action, (iii) agent-based versus purely structural mechanisms of TNPO, and (iv) transnational and intergovernmental mechanisms of EU impact. Using qualitative research methodology, the thesis then applies the conceptual model to the case of EU-Central Asia. It finds that the EU?s power over Central Asia effectively derives from its control over a combination of material, institutional and ideational structures, including its position as a leader in trade and investment in the region, its (geo)strategic and security-related capabilities vis-à-vis Central Asia, as well as the relatively dense level of institutionalisation of its relations with the five countries and the positive image of the EU in Central Asia as a more neutral actor.
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Non-British migrants and their communities were an integral part of the multifaceted and multicultural nature of the British Empire. Their history, however, goes beyond a clearly delineated narrative of the Empire and includes transnational and truly global dimensions. German migrants and their transnational network creation within the structures of the British Empire, pursued over more than two centuries in a multitude of geographical settings, is the constitutive framework of the present volume. Eight contributions cover economic, cultural, scientific and political themes. The book questions traditional nation-centred narratives of the Empire as an exclusively British undertaking.
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Focusing on former-Soviet Greeks' experiences of cross-border movement to Greece, this paper sheds light on the impact of this migration on the social identities of Russian Greeks as a transnational community. It draws on informants’ narratives and ethnographic observations recorded among Greek migrants in their home communities in southern Russia, and shows how their motivation, in their transnational movement, is determined by the ‘push-and-pull’ forces of socio-economic and political transformations in post-Soviet space. In these conditions, Greek identity becomes a resource which facilitates the organisation of transnational migration. The cultural, social and economic differences between the former-Soviet Greek migrants and the native-born population of Greece result in the emergence of a Pontic-Greek cultural identity which emphasises migrants’ connections with the former USSR. The difficulties of economic and cultural adaptation for migrants to Greece are examined in relation to the Russian Greeks' economic strategies within their home communities and their perception of the ‘homeland’ as a constantly contested and relocated social construct.
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The nexus between terrorism and organised crime consists in a strategic alliance between two non-state actors, able to exploit illegal markets, threaten the security of individuals, and influence policy-making on a global level. Recent Europol reports have pointed towards the importance of studying the links between organised crime and terrorist groups, and have underlined that the nature and extent of these connections have seldom been addressed from an academic perspective. Considering the degree of dangerousness that both organised crime and terrorism currently represent in the world, the collusion between these two phenomena is of urgent contemporary interest. Basing itself on geographical case-studies, this edited volume aims at contributing to the existing literature in three ways: by enriching the empirical knowledge on the nature of the crime-terror nexus and its evolution; by exploring the impact of the nexus within different economic, political and societal contexts; and by expanding on its theoretical conceptualization.
Resumo:
The sociology of the professions has shied away from cross-national comparative work. Yet research in different professional jurisdictions emphasizes the transnational nature of professional fields. Further work is therefore needed that explores the extent to which transnational professional fields are characterized by unity or heterogeneity. To that end, this article presents the results of a qualitative interrogation of the habitus of partners in ‘Big 4’ professional service firms across, primarily, five countries (Bangladesh, Canada, France, Spain and the UK). Marked differences are observed between the partner habitus in Bangladesh and the other countries studied in terms of entrepreneurial and public service dispositions. In turn, these findings highlight the methodological relevance of habitus for both the sociology of the professions and comparative capitalism literatures: for the former, habitus aids in mapping the dynamics of transnational professional fields; for the latter, habitus can elucidate the informal norms and conventions of national business systems.