Orações substantivas em função de sujeito e de objeto nas fases arcaica e moderna do português

Neste artigo descrevemos o comportamento de orações subjetivas e objetivas diretas nas fases arcaica (séculos XIII a XV) e moderna (séculos XVI e XVII) do português. Adotamos o quadro teórico da gramaticalização e dessentencialização de orações e discutimos resultados para os parâmetros tipo semântico do predicado matriz, unidade semântico funcional representada pela oração encaixada e formato da oração encaixada. Observamos, ao longo das sincronias, correlações sistemáticas entre os parâmetros investigados para os dois tipos oracionais. Orações subjetivas apresentam menor variedade de padrões do que orações completivas objetivas, principal diferença a interferir em suas estabilidades sintático-semânticas nos períodos investigados.

Oswald de Andrade e Tarsila do Amaral: poesia e pintura modernistas

The objective of the present text is to establish connections between literature and painting through the comparison between Oswald de Andrade’s poem “Longo da Linha” and Tarsila do Amaral’s painting “Palmeiras”, both belonging to the Brazilian Modernist movement Pau-Brasil. To emphasize also the step taken by the two artists, in Modernism, against the previous academicism, C. S. Peirce’s semiotics theory will be used as analytic basis to demonstrate, in Tarsila’s painting, a path towards planarity and stylization to produce quality effects, closer to the shape and the adventure of senses than to symbolization, whilst for Oswald, this same path leads to the presence of visualization as composition factor.

Mais ou menos negra? Questões de negritude, tradução e a poesia de Harryette Mullen

This paper addresses issues regarding my translation of selected poems by Harryette Mullen, a rising African-American contemporary poet, whose dense poetry works on the black oral tradition, the experimentalism of writing, the (African-American) pop music, in addition to delving into issues such as the representation of (black) female sexuality. One of the complex aspects of her poetry is the notion of miscegenation, conceived as an aesthetic argument and as a constitutive condition of the identity of multiracial Americans. This concept establishes a textuality that questions the accessible intelligibility generally expected from black American poetry, insofar as a mosaic of dissonant voices are brought to light in her text, which makes it difficult to categorize. In Brazil, especially among politically engaged Afro-Brazilians, there has been criticism towards the praise of miscegenation, since the latter has been considered to support of the myth of racial democracy. Building on these aspects, we investigate the extent to which it is a challenge to translate her poetry – based on miscegenation and hybridity as aesthetic constructs – especially when taking into account the discursive locus of readers identified with an Afro-Brazilian aesthetic, particularly critical of miscegenation. From the point of view of translation, we evaluate the extent to which her poetry could be read by the predominant cultural discourse in Brazil, inclined to favor miscegenation as an integral concept of national identity, as a seductively experimental poetry. In view of this, one wonders whether this perspective makes hers poetry “less black” for Afro-Brazilian literary standards.

Os palavrões e os dicionários: estudo contrastivo entre o português brasileiro e o italiano sobre itens tabus

Neste artigo procuramos compreender o lugar das palavras tabuizadas e sua importância na língua. Focamos questões sobre o tabu e sobre como as palavras sofrem algum tipo de proibição. Elegemos como objeto de pesquisa os palavrões pois observamos que essas palavras possuem um importante espaço no léxico de muitos falantes, e estão presentes em livros e filmes, além da fala cotidiana. Assim tentamos mostrar que devem ser analisados com atenção e livres de preconceitos. Verificamos que os palavrões podem ser muito diferentes nas línguas selecionadas, refletindo, desse modo, a cultura dos idiomas envolvidos.

Entre o cinema e a poesia, a memória e a imagem

The aim of this essay is to analyze common aspects between cinema and poetry such as image and memory. Images represent the subject’s perception, whose memory of things and feelings are built artistically (fragmentary sequences, a new idea of time and space, no-narrative style) into the language of cinema and poetry. Homological relations between both languages are put in evidence in this essay in order to bring to discussion those aspects that show the tinny frontiers that separate artistic systems.

Estudo acústico das vogais do português brasileiro

In the area of Phonetics, current studies are mainly geared toward acoustic analysis of the speech. The technology of personal computers and available software made these analyses easier to be carried out. The following work used the software called PRAAT. Besides showing how it helps the researcher, the aim of this work is to bring new data for future consultation in this field, allowing comparisons and discussions about this subject. At FONAC, a place where a Project of Departmental Traineeship is run, coordinated by Prof. Dr. Luiz Carlos Cagliari and aimed at training on Acoustic Phonetics for undergraduates and graduates, there is a good quality recording, in which a speaker of the paulista dialect reads an excerpt of Michael Ende and Annegert Fuchshuber’s book named ‘The Dream-eater’ twice. The data obtained through it were analyzed directly or by statistic procedures. Tables and charts, created from these data, helped to visualize the similarities and differences between the vowels allowing an easier comprehension of the articulatory phenomenon. With the formants, specifically, prototypical values for the vowels of Portuguese and the dialect in study were obtained

A produção lexical de adjetivos no português brasileiro

Ce travail a le but de quantifier les formes les plus courantes d’adjetifs en portuguais brésilien, il s’agit d’un travail qui porte sur les usages synchroniques de la langue. Notre objetif c’est d’indentifier les formations lexicales propres aux adjetifs et de quantifier les usages de ces fomations pour en découvrir les tendances synchroniques de ces usages en portuguais brésilien. Le corpus est de base écrite, composé des lettres des lecteurs de magazine, ce qui permet plus de stabilité pour l’analyse. Vu qu’il s’agit d’un suport d’expression populaire le corpus nous a possibilité de faire un approche au langage plus informelle dont la façon d’expression permet la formation de vocabulaires les plus insolites et les plus récentes, tandis que l’écrite formelle résiste plus aux changements. La recheche des formes nous a donné des résultats quantitatifs des formes déjà connues, les plus nouvelles aussi et des usages des mots appartenants à d’autres classes gramaticales qui avaient une valeur d’adjetive dans quelques contextes spécifiques, en expressions typiques de langage informel. Ce travail, donc, contribue comme um petit portrait de la réalité lexicale brésilienne dans l’usage dynamique de la langue

Transposição de metros clássicos em língua portuguesa: histórico e estudo do caso das Odes e elegias, de Magalhães de Azeredo

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)