O espectro médio de longo termo na pesquisa e na clínica fonoaudiológica.

BACKGROUND: One of the great difficulties in evaluating a voice is the judgment of quality through the perceptual auditive analysis--although frequently used--, as it is influenced by socioeconomic and cultural aspects as well as individual preferences. Many are the adjectives and methods used in this assessment, especially because of the subjectivity involved in the process, leading to incompatibilities between listeners and difficulties in reaching a consensus on the use of this or that terminology. In such a context, the voice laboratory and more specifically the acoustic computerized analysis, has guided and complemented speech-language treatments. Among the several possibilities of spectrographic analysis, the (Long-Term Average Spectrum--LTAS) quantifies the quality of voices, pointing differences between gender, age, professional--spoken and sang--and dysphonic voices. The LTAS has been used a lot in researches that investigate voice. As it evidences the contribution of the glottic source and of resonance to the quality of voice, it provides objective parameters for the evaluation of this aspect which usually depends on our auditive perception. AIM: to demonstrate how LTAS can be applied in voice research and in the speech-language therapy practice, describing both the technical aspects required for the production and interpretation of results, and its limitations. CONCLUSION: The area of voice research has developed a lot in these last two decades especially because of the advent of the voice and speech laboratory. For this reason, the knowledge about the applicability of more tools for voice analysis, as the LTAS, as well as the existing need for more studies in this area, will most certainly contribute for the creation of new research areas not only in the field of professional voice but also in the field of therapy.

Autoregressive decomposition and pole tracking applied to vocal fold nodule signals

This letter describes a novel algorithm that is based on autoregressive decomposition and pole tracking used to recognize two patterns of speech data: normal voice and disphonic voice caused by nodules. The presented method relates the poles and the peaks of the signal spectrum which represent the periodic components of the voice. The results show that the perturbation contained in the signal is clearly depicted by pole's positions. Their variability is related to jitter and shimmer. The pole dispersion for pathological voices is about 20% higher than for normal voices, therefore, the proposed approach is a more trustworthy measure than the classical ones. © 2007.

Old and new forms of citizenship

Includes bibliography

Verbo dizer: flagrantes de não-neutralidade na notícia

Pós-graduação em Estudos Linguísticos - IBILCE

Marcas de singularidade em textos escolares de alunos do 2º ano do ensino fundamental

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Indivisibilidades entre natureza, homem e expressão artística: a reflexão estética de Merleau-Ponty

Pós-graduação em Artes - IA

Da loucura à ciência: as imagens e a construção das notícias sobre os transtornos mentais e de comportamentos e seus personagens na Folha de S. Paulo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A construção da opinião nos editoriais do jornal Bom Dia Bauru: uma abordagem discursiva

Pós-graduação em Comunicação - FAAC

Olhar tecer des: (cor)pos forças fluxos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O ensino de ciências nas séries iniciais do ensino fundamental: compreendendo discursos de professoras-alunas do curso pedagogia-cidadã

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O realismo mágico na comunhão estética entre Memorial do convento e Cem anos de solidão

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O gênero conto em Lives of Girls and Women: o labirinto de vozes em Heirs of the Living Body

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O efeito da voz do narrador nos contos Carried away e Monsieur les deux chapeaux, da escritora canadense Alice Munro

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A enunciação poética nos contos de Marina Colasanti

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Artimanhas do texto: a metatextualidade na ficção de Rubem Fonseca

Pós-graduação em Estudos Literários - FCLAR