Projeto D.A.N.T.E: desenvolvimento artístico de uma narrativa tecnológica

This monograph discuss the postmodernity social reality issues, emphasizing cultural, communicational, technological and informational extents. Via data collection through specific literature, and sources of different medias( internet, books, comic books, movies, novels, sociological, informational, technological, communicational and humanistic theories) behavioral patterns could be analyzed and the postmodern technological,informational and communicational reality as well, and how they mutually influence the “digital culture” construction (also called cyberculture). The results of this research were used to build a narrative which suits the new culture in development both in shape and in content: the scrip “Hotel Seol”. Therefore, “Hotel Seol” is consisted of an interactive and hypermedia narrative, in which the main reference sources are the study mentioned above, cyberpunk science fiction genre and “Hell”-first part of the book “Divine Comedy”, by DanteAlighieri

Os bolivianos e uma nova territorialidade na metrópole: o bairro do Brás

The flux of Bolivian migrants to the city of São Paulo had its beginning in the 1950 decade, following bilateral agreements between Brazil and Bolivia, and was intensified since the beginning of 1980 decade, when existed a necessity of manpower in the textile sector of the city. The migratory fluxes previously stemmed of the North and Northeast regions of the country become less intense, having then the entrance of migrants coming from neighboring countries, the so called South Cone. The Bolivians leave their country in the search for better life conditions and find in São Paulo the possibility to insert them in the biggest concentration of financial capital in the Latin America. The objective of this research is to analyze the arrival of the Bolivian migrants to the city, having its locus of analysis the Brás region and the reflection about the foreigners that influenced the modification of the structure, both territorial and cultural, of the district and how is the relation between the Bolivians and the habitants previously established there

Complexo sucroalcooleiro: uma nova chance à moradia do trabalhador

Esse trabalho tem por objetivo estudar a história da produção canavieira no Brasil e no estado de São Paulo; entender o espaço e a evolução das relações de trabalho ali presentes, além da sua relação e impacto nos núcleos urbanos próximos. Com base nesse estudo, analisar a possibilidade de uma proposta projetual que resgate as relações existentes nas usinas, prevendo uma nova agregação de usos e equipamentos

Resistências e transformações da organização agrária e histórico-cultural do bairro do Sobrado, Rio Claro/SP

O município de Rio Claro, localizado na região central do estado de São Paulo, durante o auge da era do café, da imigração tanto estrangeira como regional e da instalação de várias empresas, dentre elas a Companhia Paulista de Estradas de Ferro se urbanizou num acelerado ritmo, assim como tantas outras cidades do Brasil. Como resultado o aglomerado urbano cresceu, necessitando que seu perímetro expandisse para a zona rural, comprometendo tanto o seu patrimônio histórico quanto o cultural. Antigas propriedades datadas do final do século XIX que resistem à ação do tempo e mantém viva a riqueza e a cultura da época dão lugar à cidade. Esse processo é observado no bairro rural do Sobrado, localizado na região norte de Rio Claro, que vem sofrendo diretamente com a expansão urbana através da criação de novos loteamentos residenciais e comerciais. Portanto, o avanço da urbanização tem provocado à degradação e/ou desaparecimento dos fatos históricos e culturais ainda presentes nos bairros rurais do município

Via Silva percurso cultural e midiateca José Antônio da Silva são José do Rio Preto - SP

Com base nos estudos das obras pictóricas e literárias do artista José Antônio da Silva, bem como de alguns lugares que marcaram sua história na cidade de São José do Rio Preto, foram identificados alguns pontos importantes que nos ajudam a compreender melhor a representatividade da figura desse artista para a cidade, principalmente em uma época de importantes mudanças socioeconômicas, no que diz respeito à modernidade “imposta” a partir da década de 1950. Os principais pontos identificados se concentram ao longo de um eixo, denominado no trabalho como Via Silva. A proposta do trabalho é conectar esses pontos, por meio de um percurso cultural urbano, transformando-os em paradas. O objetivo desse percurso, além de exibir a produção artística de José Antônio da Silva, é fazer ver, por meio da conexão física e simbólica entre esses pontos, a memória dos elementos formadores da cultura local, que por muito tempo e até hoje insistem em ser apagados ou esquecidos pela sociedade riopretense. Ou seja, é construir uma memória em movimento através de um percurso com paradas em lugares que dialogam com a pintura de Silva e com sua marcante passagem pela cidade - principalmente em uma época em que a cultura caipira se manifestava de maneira mais forte. Dentro desse percurso é proposto, além de intervenções e/ou diretrizes para cada ponto, o projeto da Midiateca José Antônio da Silva

O ensino de história e geografia nos anos iniciais numa rede municipal de ensino: um estudo de caso

The present research aims to identify conceptions that teachers and students of the early years have in relation to the disciplines of history and geography. The site chosen for the survey was a municipal school in the city of Lençóis Paulista, in São Paulo. The work's theme was chosen after observing a minimization of the teaching of the contents of the above-mentioned disciplines at the expense of mathematical content and mother tongue. In addition, there were difficulties arising from the standardization of education , such as teaching network uses material apostilled . The survey data , together with literature review was conducted with students and teachers in the early years who participated in a semistructured interview . Authors like Callai (1999 and 2005), Cavalcanti (2005 and 1998) and Burke (1992) theoretically supports the research . They have in common a new conception of education that values the small deeds that result in major events. The student, in this view, plays an important role as a subject of social transformation. The research has favored both the analysis of the conceptions of teachers and students, assisting in reflection on teaching practices, but also led to reflect on the training of teachers. The research shows us that the type of material used and the practice adopted may impair the access of students to the language of nature and society

As Virgens Marias da Nova Espanha e do Arcebispado de Lima durante os séculos XVI e XVII: entre a idolatria e a santidade

Pós-graduação em História - FCHS

O evento 11 de setembro: (re)criação da história no romance Extremely Loud & Incredibly Close (2005), de Jonathan Safran Foer

Pós-graduação em Letras - IBILCE

O imaginário sertanejo no Romance d‘A Pedra do Reino e o príncipe do sangue do vai-e-volta: memória e invenção em uma imagística quadernesca

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

As interfaces entre linguagens audiovisuais e práticas pedagógicas em História e Geografia: experiências, possibilidades e limites no curta metragem como uma outra compreensão do local e do vivido

Specifically in the teaching practices of History and Geography notes a concern with the construction of school knowledge based on observance of categories such as 'everyday' and 'place', which emphasize a look intensively focused on the local context of the students - element (res) significance, situated in time and space, the representations and actions of individuals, the (re) defining their identities (individual and / or collective) and rights to citizenship. However, both educators in history, as in geography, should be alert to some limits of a strictly pedagogical 'localist'. When it comes to use of language technology audiovisual in line with the pedagogical existing in “PCN's” history and geography, one must keep in mind that not just resize the movie to local level (whether in the classroom or outside), or elect the 'localism' as the new panacea of a certain 'pedagogy' of audiovisual language. With the desire to promote the development of new methods of teaching history and geography is that we designed a research project. This is creating opportunity with the possibility of graduating videos reflect on the teaching of history and geography, according to the use of a new technological language and art (cinema), the association with the reality of the students (hence the site survey and urban) as well as the promotion of an active and critical dialogue with the PCNs’s recommendations.

A ideologia dos meios de comunicação social na formação da consciência familiar

Pós-graduação em Serviço Social - FCHS

Memórias das aritméticas da Emília: o ensino de aritmética entre 1920 e 1940

Pós-graduação em Educação Matemática - IGCE

Análise da paisagem cultural do Sítio Arqueológico Turvo V-B

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Memórias subterrâneas, histórias (re) visitadas: a contribuição metodologia da história oral em estudos de grupos étnicos

This article aims to reflect on the contribution of oral history in studies involving memory and identity of ethnic groups. Problematic issues here are part of the result of two recently completed researches, which consisted of reconstructing the memory of Afro-Brazilians from the methodology of oral history. These surveys were intended to transpose, into written language, memories transmitted by oral tradition and which was confined to family circles. The first was to investigate the process of identification and transmission of knowledge from a black cultural practice in the countryside of São Paulo (Piracicaba, Capivari, and Tietê), the Batuque of Umbigada, and the second to reconstruct the stories and culture of Afro-Brazilians in the city of Itu, São Paulo.

A intersemiose texto-história-cinema na minissérie ROMA da HBO

From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.