Mídia e futebol feminino: indiferença e distorções

É perceptivo para todos que o futebol feminino não tem o mesmo tratamento e espaço dentro da mídia como tem o esporte masculino, várias seriam as razões que explicam tal acontecimento como, por exemplo, o histórico do futebol em nosso país e a difícil inserção da mulher dentro deste esporte que é tratado como uma reserva exclusivamente masculina, constituindo-se em um espaço privilegiado de exercício de poder. Compondo este cenário, o futebol, juntamente com outros esportes, como lutas, rugby, pólo aquático tiveram sua prática permitida por lei para a mulher há apenas 30 anos atrás. A questão que move este estudo busca compreender se este pouco espaço que lhe é dado está sendo tratado de forma digna e não preconceituosa. Neste sentido, o estudo se justifica devido ao aparente preconceito ainda existente no Brasil que é considerado o país do futebol, mas que ainda não consegue inserir as mulheres de maneira efetiva dentro dessa cultura, o que mostra o predomínio de mitos historicamente construídos. Para compreender este cenário a pesquisa teve como objetivo analisar o discurso midiático, expresso por meio da narração e comentários dos atores que realizam a cobertura televisiva do futebol feminino, sendo que, mais especificamente, esta análise está circunscrita à cobertura da Rede Bandeirantes de Televisão ao Campeonato Mundial de Futebol Feminino da FIFA 2007, realizado na China, no período de 10 a 30 de setembro. Foram analisados, de maneira preliminar, três jogos desta competição, sendo um deles (Brasil x Austrália) selecionado para uma análise mais pormenorizada. Com base no que foi assistido dos jogos foram encontrados três tipos de comentários, os que comparam o jogo feminino com o masculino, os que dão ênfase à beleza das jogadoras, e os que buscam incentivar o futebol feminino no país. Conclui-se que o Brasil ainda precisa... (Resumo completo, clicar acesso eletrônico abaixo)

São Paulo 2012: Um sonho, um projeto, uma visão

Millennia ago, through the myths of greeks gods and demi-gods, comes a series of celebrations called Pan-Hellenic Games. Among these festivals, the most famous was certainly the Olympic Games - the Olympics. Forbidden by Rome in the third century AD, they are considered to worship the pagan gods, were rescued in 1894 by Pierre de Coubertin. Over 113 years and 29 Olympiads, the event took gigantic proportions and the right to host the Games has become one of the closest racing of the modern world. Catalyst for urban development, the Olympic Games were the subject of dream for the city of Sao Paulo in the 2000’s, and an internal dispute was fought with Rio de Janeiro to get the right to host the 2012 Games. A team of Paulo Mendes da Rocha and associates was responsible for designing the plan. Eliminated from contention, Sao Paulo forgot the Olympic dream, and in October 2009 the city of Rio was finally chosen to host the Olympics in 2016. This project aims to rescue the look of architectural and urban plan Sao Paulo 2012 and with a critical and poetic eye create a visual identity for a fictitious victory in the election of São Paulo in 2003. Not aiming to create a corporate identity program - because this is not the mission of the architect - but look at Sao Paulo and the Olympics with poetry and criticism in the true Olympic spirit of peace and hope.

O processo de ensino aprendizagem da educação no trânsito por meio da construção de um personagem heróico

This research project aims to study the relationship between the myths and the automobile, the contributions to the literature of fairy tales and the possible contributions of the heroes of fairy tales can bring to the process of teaching and learning defensive behavior in traffic. Traffic is a phenomenon so common to modern societies that often do not pay attention to their relevance as synonymous with social space and contains diversity of people and behaviors. To counter the image of fatalistic accidents and transgressions, will support us in the virtues of the hero figure to culminate in a collective tale in which children want to rethink their behavior, becoming citizens, with a more preventative and better quality of life. The research will be held in four rooms of elementary school in a city public school that serves children from families of the urban popular classes. The research will seek to analyze how the design of transit for the children and what the increase attributed to the theme, after the establishment of a collective story

A recepção da literatura greco-romana na obra de Paulo Leminski

O presente trabalho procura estudar a recepção da literatura greco-romana na obra Metaformose de Paulo Leminski. Trata-se de uma narrativa poética que começou a ser escrita no final do ano de 1986 e foi terminada em março de 1987, publicada como obra póstuma no ano de 1994. Este livro estava entre os papéis do autor juntamente com diversos ensaios, contos, poemas e uma novela. Recebeu o Prêmio Jabuti de poesia no ano de 1995. São questões motivadoras desse projeto quais textos de literatura latina clássica foram utilizados por Paulo Leminski, quais personagens mitológicos, quais versões do mito foram aludidas e como essas referências são incorporadas a sua narrativa. Interessa-nos oferecer uma análise da obra Metaformose que verifique possíveis releituras das Metamorfoses de Ovídio e de outras fontes latinas, buscando interpretar a maneira como são tratados os mitos presentes na obra, refletindo assim sobre a reinvenção e releitura da Mitologia e da Literatura greco-latinas na literatura contemporânea

Traços míticos e arquetípicos em personagens femininas de Guimarães Rosa

Dans l‟“A historia de Lina et Lélio, le troisième récit de Corpo de baile, l‟oeuvre de Guimarães Rosa, Lélio arrive à la ferme Pinhém à la recherche de l'amour, de la paix d'esprit et de l'auto-connaissance, mais il n'a pas la claire conscience de cela. Dans cette trajectoire, on peut voir le poids des femmes: bien que Lélio soit le protagoniste de cette histoire, les personnages féminins présentent des différents profils et sont construites sur des aspects mythiques et archétypiques, qui ont des influences directes sur le destin de ce personnage masculin. On cherche, donc, comprendre comment l‟auteur fait la caractérisation mythique et archétypique des personnages féminins, voir l'influence de celles-ci sur la suite du récit ainsi que dans la construction du protagoniste. De la même façon, on veut vérifier comment les autres catégories du récit – telles que le temps, l'espace, le narrateur et la focalisation – peuvent contribuer à cette caractérisation. Cette recherche est développée à travers des lectures, des notes et des discussions autour du corpus, en s'appuyant sur une base théorique déterminée en trois dimensions : a) des essais critiques à propos de l‟oeuvre de l'auteur, en particulier au sujet en cause, comme celui dans l‟A raiz da alma, de Heloisa Vilhena Araujo, b) des études sur le mythe, comme celles de Ernest Cassirer, dans le Linguagem e mito et Antropologia filosófica, et les propositions de Meletínski dans l‟A poética do mito et dans l‟Os arquétipos literários et, encore, c) des textes théoriques sur les catégories du récit, présentées dans le Dicionário de teoria da narrativa, de Reis et Lopes, et des études sur l'espace, comme celui d'Antonio Dimas, Espaço e romance, et sur le temps, de Benedito Nunes, O tempo na narrativa. On observe que, dans la construction des personnages féminins... (Résumé complet accès électronique ci - dessous)

A dimensão estética na formação das educadoras e dos educadores da infância: todos os tons do mundo

Pós-graduação em Artes - IA

Um tempo para a literatura ou a vida entre o labirinto e a bússola

Since the priors, man has been trying to understand the concept of time. From myth to quantum physics, time is something that inspires reflections on our own lives. Do we exist in time or for time? Literature, a peculiar form of knowledge, deals with the experience of time in many ways. By avoiding categorizations, literature converges time and space in a dimension in which labyrinth and compass converge: at the reading time, in the reader’s space, in the universe of the book, where Cronos, Kairos, and their heir, by excellence, the literary word, constellate. In this way, in this essay, I discuss some aspects of the relationship between literature and time, or still, what literature can teach us about the time.

A memória do mundo e a confiança em Yves Bonnefoy

Cette communication prétend parcourir quelques poèmes de Les planches courbes (2001) d’Yves Bonnefoy à partir de l’opposition entre mémoire et oubli. Cette réflexion se trouve esquissée dans l’essai “Sous l’horizon du langage” du livre homonyme, lorsqu’il affirme que la poésie est “ce qui, dans l’espace des mots, notre monde, a mémoire du surcroît de ce qui est sur ses représentations” (2002 : 8). Il s’agit d’une mémoire établie moins à partir d’un lieu perdu que retrouvé. Ce à elle que le moi se confie: dans le “oui”, dans la paix, ces deux mots qui apparaissent dans ses livres les plus récents. Le poète apporterait une confiance qui reprendrait, d’une certaine façon, ce que Paul Ricoeur a caractérisé comme le sens des inscriptions-affections: “elles seraient le dépositaire de la signification la plus dissimulée, mais la plus originaire du verbe “demeurer”, synonyme de “durer”. Dans Les planches courbes, il s’agit également d’une mémoire de l’enfance et des mythes. Ce sont des événements qui prennent place dans un temps primordial. Espoir/confiance, donc, de remonter à une force plus ancienne de la langue, de soi-même, de l’être, de ses rapports. Remonter à une unité dans le simple, en reliant une appréhension du monde et de soi-même dans un acte de suffisance, dans lequel celui-ci se conjugue avec une espèce de dépossession: de l’idée, du concept, de l’image.

Shenipabu Miyui: literatura e mito

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Movimento estudantil: a juventude brasileira em 1968 e em 2008 a partir das ocupações da Universidade de Brasília

The hypothesis guiding this work is that the student movement of 1968, inserted into a scene of great social movements contrary to the present political system, showed great expression in its demonstrations even considering the fact that in a dictatorship there was significant intolerance of divergent views to the military regime, which, of the student movement of 2008, inserted into a scene of mobilizations contrary to the educational system and the corruption that permeated it. The aim of this study is to investigate the myths that permeate the image of students, through a comparison between the Brazilian student movement, highlighting the students at the University of Brasilia from 1968 to 2008, with the specific objective of analyzing if the student movement lost strength of mobilizing in support of their fight flags. The question may be answered from the youth of the 1960s characterized by revolutionary, in which the possible advances and retreats performed in 40 years of history of the student movement, which seems to have lost its revolutionary feature

Conflitos socioambientais, educação ambiental e participação social na gestão ambiental

This is synthesis of the debates held during the round-table “Socioenvironmental conflicts, environmental education and social participation on environmental management”, at the V ENANPPAS (2010), which has focused on the discussion of four main themes: Socioenvironmental conflicts and the myths of social participation; Socioenvironmental conflicts and the uncertainty of conditions to environmental education immersed in problems and conflicts; Solution of Socioenvironmental conflitcts – actions mediated by instrumental rationality and emancipatory interest; Positive actions as dialogical-problematizing practice on concrete reality. From an initial provocative text, each member has brought his first contribution, followed by new questions as consequence of these speeches. The hole debate was recorded, transcripted and made a synthesis to present in this manuscript form.

La interculturalidad en la enseñanza del español como lengua extranjera en la pasantía de la práctica profesional

In the contemporary literature on Foreign Language Teaching (LE/L2), is evidence of a trend in education given priority from the sub-focus on socio-cultural competence (HYMES, 1972), mainly with the aim of developing the intercultural competence, that is, the power to know the differences between the culture of the new language and the language in concrete situations and to develop strategies to deal comprehensively with the customs of another culture (Rozenfeld & Vianna, 2011). This process seeks to bring people to a critical analysis of their own language and culture, the concept of otherness and the similarities and differences between nations (MOTTA ROTH, 2003). Under the didactic-pedagogical approach multiculturalism, there is the need to develop new educational proposals and to include studies and researches about this subject in the curricula of teacher education courses. Politically, the proposals of the "Parâmetros Curriculares Nacionais (PCNs)" in Brazil emphasize as targets to be established for the teaching of Spanish as a foreign language (ELE), on average, target content and teaching strategies to develop, in addition to communicative competence, competition also "inter (multi) culture" (BRASIL, 2000). Thus, this paper analyzes the reports of pre-service teachers in the course of Teaching Practice of Spanish Language, the presence of cultural and intercultural approach, verifying didactic-pedagogical treatment that is being expressed in projects and materialized in practices of ELE classroom, in the interior of São Paulo / Brazil.

La interculturalidad en la enseñanza de español como lengua extranjera en la pasantía

In the contemporary literature on Foreign Language Teaching (LE/L2), is evidence of a trend in education given priority from the sub-focus on socio-cultural competence (HYMES, 1972), mainly with the aim of developing the intercultural competence, that is, the power to know the differences between the culture of the new language and the language in concrete situations and to develop strategies to deal comprehensively with the customs of another culture (Rozenfeld & Vianna, 2011). This process seeks to bring people to a critical analysis of their own language and culture, the concept of otherness and the similarities and differences between nations (MOTTA ROTH, 2003). Under the didactic-pedagogical approach multiculturalism, there is the need to develop new educational proposals and to include studies and researches about this subject in the curricula of teacher education courses. Politically, the proposals of the "Parâmetros Curriculares Nacionais (PCNs)" in Brazil emphasize as targets to be established for the teaching of Spanish as a foreign language (ELE), on average, target content and teaching strategies to develop, in addition to communicative competence, competition also "inter (multi) culture" (BRASIL, 2000). Thus, this paper analyzes the reports of pre-service teachers in the course of Teaching Practice of Spanish Language, the presence of cultural and intercultural approach, verifying didactic-pedagogical treatment that is being expressed in projects and materialized in practices of ELE classroom, in the interior of São Paulo / Brazil.

O fantástico de Charles Nodier: lenda e mito

O artigo centra-se na análise do conto de Charles Nodier, “La légende de soeur Béatrix”, sob a perspectiva do fantástico literário; na criação de seu texto ficcional, o autor parte de uma lenda hagiográfica que acaba por mesclar-se a mitos antigos, associando o mito mariano ao da deusa grega Perséfone. Metáfora da poesia e da musa que caminha entre os dois mitos, a personagem do conto, irmã Béatrix, mostra que a encarnação é o caminho para o reavivamento do mito e da poesia.

O rapto de Europa: uma comparação entre Ovídio e Ticiano

In Metamorphoses, the Roman poet Ovid tells the tale of the transformation of Jupiter into a bull to seduce the Phoenician princess Europa. During Renaissance, as is well known, Western civilization fostered an intense renewal of its values under the clear influence of Greco-Roman culture. Ovid, whose fame had not ceased throughout the Middle Ages, became then even better known, and especially his poem Metamorphoses turned into a remarkable source of inspiration not only to literature but also to fine arts and their new humanistic conception. Thus, the episode of the abduction of Europa received a dramatic pictorial expression in the broad brush strokes of the Venetian master Titian Vecellio, who interpreted several classical myths in his canvases at the height of his creative maturity. There are many and obvious relationships in the verses of the ancient Latin poet and the picture of the Italian Renaissancist. In Metamorphoses, the mythical account is described in so many details and set in such an expressive poetic that Titian could take Ovid´s narrative as a model for painting “The Rape of Europa”, doing a true exercise in intersemiotic translation by interpreting verbal signs through pictorial signs.