859 resultados para Carvalho, Anne-Marie -- Correspondance
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Mode of access: Internet.
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Includes bibliographical references and indexes.
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t. 1. Notice sur le cardinal de Retz ... Portrait de Retz par Saint-Évremont. Portrait de Retz par La Rochefoucault. Mémoires du cardinal de Retz.--t. 2. Mémoires de Retz (cont'd)--t. 3. Mémoires de Retz (cont'd) Procès verbal de la conférence, faite à Ruel. Le trictrac. Lettre présentée au Sacré collége de la part du cardinal de Retz, pendant sa prison. Le courrier burlesque de la guerre de Paris. Sermon de Saint Louis, roi de France ... par J.F.P. de Gondi. La conjuration du comte Jean-Louis de Fiesque. Avis à M. le cardinal Mazarin, sur les affaires de M. le cardinal de Retz.--t. 4. Notice sur Guy Joli. Mémoires de Guy Joli.--t. 5. Mémoires de Guy Joli (cont'd) Mémoire concernant le cardinal de Retz ... par Claude Joli. Mémoires de la duchesse de Nemours.
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Collection : Dont actes ; no 14
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Cette recherche avait pour objectif de tracer le portrait des habiletés graphomotrices d’élèves de deuxième année du primaire fréquentant le milieu scolaire francophone québécois. Elle visait aussi à comparer l’évolution au cours de la deuxième année du primaire des habiletés graphomotrices, orthographiques et rédactionnelles des participants selon le style d’écriture appris et mobilisé (script ou cursif) et en fonction de différents niveaux graphomoteurs (fort et faible). Globalement, les résultats suggèrent que les élèves québécois de deuxième année, qu’ils écrivent en script ou en cursif depuis le début de leur scolarisation, ont une fluidité graphomotrice qui est comparable et qui se traduit par la production en moyenne d’environ 14 lettres lisibles par minute en début d’année et de 20 en fin d’année. Tant en script qu’en cursif, la vitesse d’écriture des élèves de deuxième année évolue positivement en cours d’année, mais ceux qui écrivent en script manifestent une progression de vitesse plus marquée. En revanche, concernant la lisibilité des lettres, les élèves qui écrivent en script atteignent un plateau en début d’année, alors qu’une amélioration s’observe entre le début et la fin de la deuxième année chez les élèves qui écrivent en cursif. La comparaison des performances et de l’évolution des habiletés orthographiques et rédactionnelles des élèves de deuxième année pointe des écarts importants pour les variables d’orthographe en copie différée, de longueur et de contenu des textes selon que les élèves présentent une bonne ou une faible fluidité graphomotrice, indépendamment du style d’écriture mobilisé (script ou cursif). Finalement, du point de vue de l’évolution des habiletés orthographiques et rédactionnelles, l'étude n’a pas permis d’identifier un avantage pour l’un ou l’autre des styles d’écriture, et ce, tant chez les élèves forts sur le plan graphomoteur que chez les élèves plus faibles.
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This article is a comparative study of three fictionists: Edmund White, Bernardo Carvalho and Milton Hatoum. We focus on the concepts of experience to investigate some modes of fictional constructions that allows us to say that a singular panorama of contemporary prose can be seen in a horizon where autobiography and history are key issues in the three authour’s poetics. Therefore literary theory will help us find theoretical paths towards what we name a poetics of mobility and closure at work in the fiction of these authours. Walter Benjamin, Phillipe Lejeune, Beatriz Sarlo and Jeanne Marie Gagnebin, amongst other thinkers, will guide theoretically our study.
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This paper examines performances that defy established representations of disease, deformity and bodily difference. Historically, the ‘deformed’ body has been cast – onstage and in sideshows – as flawed, an object of pity, or an example of the human capacity to overcome. Such representations define the boundaries of the ‘normal’ body by displaying its Other. They bracket the ‘abnormal’ body off as an example of deviance from the ‘norm’, thus, paradoxically, decreasing the social and symbolic visibility (and agency) of disabled people. Yet, in contemporary theory and culture, these representations are reappropriated – by disabled artists, certainly, but also as what Carrie Sandahl has called a ‘master trope’ for representing a range of bodily differences. In this paper, I investigate this phenomenon. I analyse French Canadian choreographer Marie Chouinard’s bODY rEMIX/gOLDBERG vARIATIONS, in which 10 able-bodied dancers are reborn as bizarre biotechnical mutants via the use of crutches, walkers, ballet shoes and barres as prosthetic pseudo-organs. These bodies defy boundaries, defy expectations, develop new modes of expression, and celebrate bodily difference. The self-inflicted pain dancers experience during training is cast as a ‘disablement’ that is ultimately ‘enabling’. I ask what effect encountering able bodies celebrating ‘dis’ or ‘diff’ ability has on audiences. Do we see the emergence of a once-repressed Other, no longer silenced, censored or negated? Or does using ‘disability’ to express the dancers’ difference and self-determination usurp a ‘trope’ by which disabled people themselves might speak back to the dominant culture, creating further censorship?
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The term ’public discourses’ describes a range of texts or signifiers that inform the conditions of audience reception. Public discourses include myriad written, visual, spatial, auditory and sensory texts experienced by an audience at a particular theatrical event. Ric Knowles first introduced this term in his recent work Reading the Material Theatre. Whereas Knowles was interested in how public discourses modified the conditions of reception, my broader research is to explore how these public discourses become texts in themselves. This paper will discuss one public discourse, the theatre programme, as it related to a staging of Maxwell Anderson’s Anne of the Thousand Days at the Brisbane Powerhouse in June 2006. The significance of the programme was explored at symposiums held after the performances. Audiences generally view programmes before a performance and after a performance and its significance as a written text changes. The program became a sign vehicle that worked to expound and explicate the meaning of the play for the audience. This public discourse became a significant written text contributing to the textual whole of the theatrical event.
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Described as 'The Lucky Country' over forty-years ago, Australia continues to play on and onward with a fervent belief in luck, her people often described, usually by themselvess, as 'graced' or as living in 'God's Own'. With our comfortable lifestyle and isolated location, white sands and soft mangoes, it is easy to see why we embraced the term so eagerly. Where else could you win the lottery twice? While these national stereotypes are an essential part of the romance that drives and defines us, the idea that luck is the central motif of Australian culture has become a cliche, and a dangerous, almost disastrous one at that. In On Luck, Anne Summers observes, "You hear it everywhere: in all sorts of conversations, in Qantas ads, from the mouths of travellers returning from overseas trips full of complaints about the climate, the crowds, the uncivility of other places".
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Introduction: Almost 90% of Australian mothers are exclusively breastfeeding when they discharge from maternity hospitals but by six months of age breastfeeding infants have reduced to 32% nationally and 19% in Queensland, far below the national target of 80%. Many factors influence the choice to breastfeed, including health care provision, therefore the knowledge and attitudes of paediatric nurses have the potential to affect breastfeeding duration. Aims: To assess current breastfeeding knowledge and attitudes of paediatric nurses in metropolitan and regional Queensland settings. Method: The study used a cross-sectional survey design. The tool was developed from several documented health professional questionnaires about breastfeeding, with permission from authors. Survey items relating breastfeeding physiology, factors relating to breastfeeding success, and local, national and international policies were also included. Ethics approval was granted from the appropriate Ethics Committees to conduct the survey through tertiary metropolitan and regional hospital settings. Results: A total of 241 surveys were returned, achieving a response rate of 53%. Nurses acknowledged breastmilk as the best source of nutrition for infants (99%, n=238) and that mothers should be encouraged to breastfeed (92%, n=221). However, many respondents considered infant formula a nutritional equivalent (44%, n=105) and (47%, n=113) were unaware that supplemental formulas interfered with successful breastfeeding. Most nurses recognised that stress (e.g. infant hospitalisation) impacts on the success of breastfeeding (90%, n=216). Knowledge of breastfeeding anatomy and physiology was poor and a substantial number of nurses did not identify correct attachment in response to two diagrammatic representations (76%, n=183 and 45%, n=109). Survey results demonstrated deficiencies in knowledge that would impact on support provided to breastfeeding mothers. Knowledge deficits were also identified relating to local, national and international policies and protocols concerning breastfeeding and breastmilk substitutes. Conclusion: Breastfeeding knowledge and attitudes were exceptional in areas related to general breastfeeding knowledge. However, in areas directly related to nursing practice, considerable deficits in paediatric nurses' knowledge and attitudes were identified. Lack of appropriate skills, knowledge and varying attitudes amongst paediatric nurses has the potential to negatively impact on the education, advice and support provided to breastfeeding mothers and their families whilst their infant is in hospital. These study findings will guide future research and strategies to improve knowledge and policy statements to assist paediatric nurses in fulfilling their role.
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In 2005, Stephen Abram, vice president of Innovation at SirsiDynix, challenged library and information science (LIS) professionals to start becoming “librarian 2.0.” In the last few years, discussion and debate about the “core competencies” needed by librarian 2.0 have appeared in the “biblioblogosphere” (blogs written by LIS professionals). However, beyond these informal blog discussions few systematic and empirically based studies have taken place. A project funded by the Australian Learning and Teaching Council fills this gap. The project identifies the key skills, knowledge, and attributes required by “librarian 2.0.” Eighty-one members of the Australian LIS profession participated in a series of focus groups. Eight themes emerged as being critical to “librarian 2.0”: technology, communication, teamwork, user focus, business savvy, evidence based practice, learning and education, and personal traits. Guided by these findings interviews with 36 LIS educators explored the current approaches used within contemporary LIS education to prepare graduates to become “librarian 2.0”. This video presents an example of ‘great practice’ in current LIS education as it strives to foster web 2.0 professionals.