969 resultados para Territorialidad Simbólica
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Letras - IBILCE
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Pós-graduação em Serviço Social - FCHS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The hypothesis that guides this work is: in the scenario posed by the first decade of the XXI century, the private companies act to conciliate their organizational principles, mission (how they want to arrive), vision (where they want to arrive) and values to the principles of its individual members, setting a certain style of corporate culture. That culture would pass by all hierarchical levels of enterprises, promoting the creation of subjective bonds between themselves and their employees in order to create or maintain, through shared values, social conventions that would ensure the certain style of symbolic domination inside and outside the physical and relational enterprises' spaces. I have as general objective, analyze, through a socio-anthropological approach, the dimension of the culture of private companies, how this guides the market practice and, in this sense, I seek to problematize the relationship between the actions of the analyzed companies (Nestle and, more specifically, Natura) and the representations and motivations of their employees. Furthermore, this study aims, specifically, to understand how the vision, the raison of being and the beliefs of Natura configure themselves as important strategic directives for the consolidation of an emotional bond between employees and those who aspire to be part of this organization. For this, I analyzed the Report Natura 2012, the conversations with some company employees and my participation in the selection process for trainee Young Talents Natura 2014
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The proposed work is located in education field in exhibition spaces of art and seeks to analyze a process of formation as a mediator focusing on the public's relationship with art, taking into account the fact that often the general public does not dominate the codes of this area, being incumbent upon mediator introduce them. One of the main points to be analyzed is the impact that can be generated by the contact of the visitor with the mediator in the exhibition space, considering a spectrum of possibilities, where at one end focuses the belonging and in the other the symbolic violence. In this direction this research aims to build a relationship of emancipation and autonomy of both, the educator and the visitor. It is known that the concept of public is a generalization, therefore, the analysis of the mediation process, are having as support the experiences lived by the mediator, especially, in the relationship with the lay public. The locations of the experiences lived, were the SESC Pompéia and the Pavilion of the Bienal of São Paulo, different places, but both with the potential to generate reception and / or distances, shot through space (architecture), bodies, codes, accesses, works of art, repertoires, expographic and especially through the mobilization of educator front of all these issues. The cutting of the research covers the experience of the educator (as an intern and professional) in six exhibitions, in these two spaces, between the years 2010 to 2015.
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Pós-graduação em Artes - IA
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The hypothesis that guides this work is: in the scenario posed by the first decade of the XXI century, the private companies act to conciliate their organizational principles, mission (how they want to arrive), vision (where they want to arrive) and values to the principles of its individual members, setting a certain style of corporate culture. That culture would pass by all hierarchical levels of enterprises, promoting the creation of subjective bonds between themselves and their employees in order to create or maintain, through shared values, social conventions that would ensure the certain style of symbolic domination inside and outside the physical and relational enterprises' spaces. I have as general objective, analyze, through a socio-anthropological approach, the dimension of the culture of private companies, how this guides the market practice and, in this sense, I seek to problematize the relationship between the actions of the analyzed companies (Nestle and, more specifically, Natura) and the representations and motivations of their employees. Furthermore, this study aims, specifically, to understand how the vision, the raison of being and the beliefs of Natura configure themselves as important strategic directives for the consolidation of an emotional bond between employees and those who aspire to be part of this organization. For this, I analyzed the Report Natura 2012, the conversations with some company employees and my participation in the selection process for trainee Young Talents Natura 2014
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The proposed work is located in education field in exhibition spaces of art and seeks to analyze a process of formation as a mediator focusing on the public's relationship with art, taking into account the fact that often the general public does not dominate the codes of this area, being incumbent upon mediator introduce them. One of the main points to be analyzed is the impact that can be generated by the contact of the visitor with the mediator in the exhibition space, considering a spectrum of possibilities, where at one end focuses the belonging and in the other the symbolic violence. In this direction this research aims to build a relationship of emancipation and autonomy of both, the educator and the visitor. It is known that the concept of public is a generalization, therefore, the analysis of the mediation process, are having as support the experiences lived by the mediator, especially, in the relationship with the lay public. The locations of the experiences lived, were the SESC Pompéia and the Pavilion of the Bienal of São Paulo, different places, but both with the potential to generate reception and / or distances, shot through space (architecture), bodies, codes, accesses, works of art, repertoires, expographic and especially through the mobilization of educator front of all these issues. The cutting of the research covers the experience of the educator (as an intern and professional) in six exhibitions, in these two spaces, between the years 2010 to 2015.
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Pós-graduação em Artes - IA
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Este trabalho tematiza a questão do objeto em Fonoaudiologia, discute a pretensa unidade do campo e aponta a inexorabilidade de sua divisão para a concretização de seu estatuto científico. Para fazê-lo assume a linguagem em seus processos patológicos sob a instância da clínica como seu objeto, mas indica a necessidade de se desnaturalizar a linguagem, redefinindo-a como instância simbólica de subjetivação. Isto a afasta definitivamente da Audiologia, aqui entendida como ramificação das ciências ditas biológicas, e do reducionismo a que tem sido submetida ao ser concebida apenas como prática. Por outro lado, instaura o fonoaudiólogo como clínico terapeuta, comprometido com a linguagem de seu paciente e sua cura. Reconhece, ainda, outra paternidade para a Fonoaudiologia, indicando a Lingüística e a Psicanálise - quando adotam as mesmas concepções de sujeito e de linguagem - como lugares de peculiar interesse na constituição do saber fonoaudiológico. Uma vez realocada a Fonoaudiologia terá, diante de sí, a tarefa de reconhecer a clínica como seu espaço privilegiado de problematização de questões, das quais a primeira será o enfrentamento da constituição de seu método clínico. Finalmente, alerta-se o fonoaudiólogo para a ameaça de nova dominação caso não se marque a distinção entre as formas de interpretação que identificam a clínica fonoaudiológica e a particularizam em relação à clínica psicanalítica.
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As evidências arqueológicas encontradas ao longo do litoral brasileiro atestam que essa área era ocupada, desde, pelo menos, 8.000 anos AP, por grupos pescadores coletores que exploravam os ambientes aquáticos costeiros. Embora a comunidade científica acredite que os sambaquieiros fossem exímios navegadores, evidências a esse respeito ainda são raras. Neste artigo, a partir de uma abordagem focada na Arqueologia Marítima, são apresentados argumentos, hipóteses e evidências que discutem o entendimento de que, além de uma forte relação econômica e simbólica com os ambientes aquáticos, os povos dos sambaquis se apropriaram de ou desenvolveram técnicas de navegação e artefatos náuticos.
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Programa de Doctorado: Filología Hispánica
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[ES] El interés científico en la meditación ha crecido significativamente en las últimas décadas. La meditación es, tal vez, la práctica más adecuada para investigar las propiedades intrínsecas del Sistema nervioso autónomo (SNA), dado que conlleva un estado de total inmovilidad física y de cierto aislamiento del exterior (interiorización). En meditación, ya que no hay movimiento físico, el patrón respiratorio es ajustado según el proceso mental. Así, la modulación que ejerce la respiración sobre la frecuencia cardiaca está relacionada a la cualidad y al enfoque de la atención en la práctica. De los resultados obtenidos en nuestra investigación, podemos concluir que hay patrones específicos de variabilidad de la frecuencia cardiaca (VFC) que parecen reflejar fases o etapas en la práctica. Así, sujetos con una experiencia en meditación similar tienden a mostrar patrones análogos de variabilidad cardiaca. A medida que se progresa en la práctica meditativa, los diferentes sistemas oscilantes tienden a interaccionar entre ellos, hasta culminar con la aparición de un efecto resonante que establece un ?nuevo orden? en el sistema. Este proceso parece reflejar cambios graduales en la actividad del SNA para alcanzar un "modo de funcionamiento de bajo coste", donde los diversos mecanismos oscilatorios que intervienen en el control de la circulación sanguínea operan a la misma frecuencia. El fenómeno de resonancia implica un ?modo de funcionamiento de bajo coste? que probablemente favorece la práctica de la meditación. Así, este estado de ?orden? (aunque no sin variabilidad) podría ser considerado un atractor, al cual el sistema tiende a evolucionar cuando se haya alcanzado un nivel avanzado de mindfulness. El concepto de atractor, procedente de las modernas teorías que tratan con la dinámica de sistemas complejos no-lineales, parece mostrarse útil para describir de manera heurística el comportamiento del sistema en estados meditativos profundos. Los resultados obtenidos en esta tesis apoyan y complementan otros trabajos anteriores, además se añade la idea de una adaptación fisiológica gradual a la práctica de la meditación mindfulness, caracterizada por cambios específicos en la regulación autonómica de la VFC en las diferentes etapas de la práctica. Para el análisis de las series fisiológicas, de carácter fuertemente no lineal, se han implementado técnicas basadas en el análisis Wavelet y Dinámica Simbólica.