Guia patriótica de España para el año de 1811 : que comprehende los principales artículos de las de forasteros, guerra, marina, hacienda y comercio.

Bound in brown marbled leather, spine embossed in gold decorations.

(Reseña sobre) Poesía y política en el siglo XIX (un problema de fronteras), de Pablo Rocca

Fil: Basile, Teresa. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Visitas hospitalarias. La poesía de Philip Larkin

Fil: Zamuner, Amanda Belarmina. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Poesía y mercado cultural:la poesía española y sus antologías

The increase in the publication of anthologies of Spanish poetry that had begun during Franco´s dictatorship as a way of creating a literary canon reaches its high point during the democratic period, especially between 1995 and 2008. This essay examines the proliferation of anthologies of contemporary Spanish poetry from 1976 to present from the perspective of the different cultural policies deployed by individual governments and from the theoretical framework of cultural capital. Issues such as reading habits and the symbolic value of books and anthologies, the process of canonization of poets, and poetry prizes, among others, constitute the focus of this study.

Mujer y poesía:la inscripción de la subjetividad femenina y la conciencia creativa del lenguaje poético

This article explores the place of Spanish women poets within the Spanish cultural space at the end of the 20th century. In clear opposition to the arguments presented by the editors and many of the articles included in this volume, Raquel Medina sees in the most recent poetry written by women an evolution towards a new and independent female poetic voice which clearly fights against the supremacy of male poetic voices and their manipulative poetic language. No longer stealing the male poetic word is necessary for the last generation of Spanish women poets. On the contrary, these women poets create their own language, their own poetic universe, and demolish a long tradition of male poetry which situated the female subject as a dead object of male poetry.

Donde impere el olvido:poesía y Alzheimer en Los cuerpos oscuros de Juana Castro

La terrible invalidez física y mental a la que se enfrentan en sus últimos años, meses y días los enfermos de Alzheimer, se refleja, como en un espejo, en el vacío y la impotencia de los otros, aquellos que conviven con ellos. Los unos no se acuerdan de los otros, pero los otros pierden su identidad si los unos no les recuerdan, no les reconocen. Es el laberinto de la memoria y la desmemoria. El propósito de este artículo es analizar la representación que del Alzheimer se hace en el poemario de Juana Castro Los cuerpos oscuros (2005) tanto a nivel de contenido como a nivel del empleo del lenguaje poético. En primer lugar se hace un recorrido sobre cómo se ha representado la demencia en la esfera cultural y lo que de ella encontramos en los discursos actuales sobre el Alzheimer. Desde lo aportado por los estudios del envejecimiento y, sobre todo, por los estudios de la demencia, se establecen las cuestiones de identidad y de subjetividad que se plantean con la polifonía de voces que nos ofrece el poemario. Por último se analiza la relación entre la memoria semántica y el lenguaje metafórico.

Poesía y política cultural:las antologías de poesía en la España democrática

El incremento en la publicación de antologías de poesía española iniciado en el franquismo como proceso de creación de un canon literario alcanza su culminación durante la democracia, sobre todo entre 1995 y 2008. El presente ensayo analiza esa proliferación antológica desde la perspectiva de la política cultural desplegada por los distintos gobiernos democráticos y desde los presupuestos teóricos del capital cultural. Cuestiones tales como los hábitos de lectura, el valor simbólico del libro y de las antologías, y el proceso de canonización de los estamentos académicos, así como de los premios, conforman el eje de este estudio.

La mujer en defensa de la mujer: voces femeninas del romanticismo cubano (Poesía y cuento)

Throughout history, women have played an important role in literature. Nevertheless, since Sappho's poetry until now, feminine voices have had to struggle for recognition of their works. Before the nineteenth century, women were almost ignored in Spanish literature. Society kept them as "ángeles de la familia," taking care of their homes, husbands, and children. Some of them, such as María de Zayas y Sotomayor in Spain and Sor Juana Inés de la Cruz in Mexico, complained about their situation in their writings. However, they expressed their fight not as a generation but as individuals. In the nineteenth century, the ideas and ideals of Romanticism, were brought to Latin America from Europe. Cuba was among those countries where the new movement took roots. Initiated by Gertrudis Gómez de Avellaneda, a group of women began to participate in literary reunions, and to found newspapers and magazines where works authored by women, dedicated to feminist ideas, were published. They indeed through literature started to live out womanhood in order to intellectually leave the ideological prisons where society had been keeping them. This study scans the literary works of all Romantic women writers in Cuba. It specifically analyzes poetry and short stories, and investigates how these authors expressed themselves in their works against the patriarchal society, where they lived and wrote their books. An eclectic critical method has been used. Findings were very revealing. Only three of the fourteen writers studied in my dissertation had been previously mentioned by major critics. Most of them had been ignored. However, the greatest discovery was that they prompted something new: For the first time they projected themselves as a group, as a collective consciousness, and this fact established a difference with former women writers in Cuban literature before Romanticism. In other words, they produced a "Renaissance" in Cuba's literature. In spite of how they lived between 1820 and 1900, their struggles for women's rights have linked them to our current times.

Antisemitismo y estereotipos del judío en la poesía española del siglo XIII al XV /

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Antisemitismo y estereotipos del judío en la poesía española del siglo XIII al XV /

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.