Validity and reliability of the Spanish version of the DN4 (Douleur Neuropathique 4 questions) questionnaire for differential diagnosis of pain syndromes associated to a neuropathic or somatic component

BACKGROUND This study assesses the validity and reliability of the Spanish version of DN4 questionnaire as a tool for differential diagnosis of pain syndromes associated to a neuropathic (NP) or somatic component (non-neuropathic pain, NNP). METHODS A study was conducted consisting of two phases: cultural adaptation into the Spanish language by means of conceptual equivalence, including forward and backward translations in duplicate and cognitive debriefing, and testing of psychometric properties in patients with NP (peripheral, central and mixed) and NNP. The analysis of psychometric properties included reliability (internal consistency, inter-rater agreement and test-retest reliability) and validity (ROC curve analysis, agreement with the reference diagnosis and determination of sensitivity, specificity, and positive and negative predictive values in different subsamples according to type of NP). RESULTS A sample of 164 subjects (99 women, 60.4%; age: 60.4 +/- 16.0 years), 94 (57.3%) with NP (36 with peripheral, 32 with central, and 26 with mixed pain) and 70 with NNP was enrolled. The questionnaire was reliable [Cronbach's alpha coefficient: 0.71, inter-rater agreement coefficient: 0.80 (0.71-0.89), and test-retest intra-class correlation coefficient: 0.95 (0.92-0.97)] and valid for a cut-off value > or = 4 points, which was the best value to discriminate between NP and NNP subjects. DISCUSSION This study, representing the first validation of the DN4 questionnaire into another language different than the original, not only supported its high discriminatory value for identification of neuropathic pain, but also provided supplemental psychometric validation (i.e. test-retest reliability, influence of educational level and pain intensity) and showed its validity in mixed pain syndromes.

La Unión Europea frente a Darfur una vez más: EUFOR Chad/RCA

Los estados europeos se han mostrado impotentes ante el conflicto que asola Sudán, ejemplificado por la catástrofe humanitaria de Darfur. La creciente presión para “hacer algo” llegó a los despachos de los ministros de exteriores europeos hace cuatro años y desde entonces, tanto a nivel unilateral como europeo se han desarrollado diferentes (y fracasadas) iniciativas. A nivel de la PESD, por ejemplo, la Unión puso en marcha en coordinación con la OTAN, la operación de apoyo a la misión de la Unión Africana en Darfur, la operación AMIS II, pero pronto se vio desbordada por las dimensiones del conflicto. Este fracaso ha obligado a la Unión a ocupar un lugar protagonista en este conflicto imposible de desligar del enfrentamiento de Sudán con Chad, a través de la operación EUFOR Chad/RCA. Sin embargo, esta nueva operación se está convirtiendo en la última pesadilla europea en el terreno de la PESD. El complejo contexto bélico a escala regional así como las dificultades para construir una operación europea a gran escala han puesto en evidencia las diferencias entre socios europeos sobre el deber de intervenir en el conflicto de Darfur, así como las lagunas en la estrategia europea hacia un conflicto tan grave como el que asola el triángulo formado por Sudán, Chad y la República Centroafricana (RCA).

Tendències geopolítiques de l'extrema dreta a Europa: capacitat de transformació i adaptació al context de crisi econòmica i política actual

De fet tot va començar al principi dels anys 80, amb l’aparició electoral del Front Nacional (FN) francès, creat el 1972, i que va ferde França una excepció a Europa en aquell moment. Ara ja sabem que aquest no es el cas i tenim nombrosos països europeus on, els partits d’extrema dreta no solament obtenen resultats comparables o superiors als del Front National francès, sinó que, d’acordamb sistema electoral, formen part de coalicions governamentals per constituir majories de dretes. En aquest sentit, cal recordar que Àustria va ser el primer Estat europeu en tenir una coalició governamental en la que hi havien electes del partit d’extrema dreta FPÖ (Partit de la Llibertat). Era la primera vegada que això passava després de la Segona Guerra Mundial, i la inquietudpolítica va ser gran en els països de la Unió Europea (UE) doncs tothom recordava que el poble austríac, en la seva gran majoria, va ser favorable al “Anchluss” (annexió amb Alemanya) i els hi semblava que els responsables políticsactuals, eren tallats ala imatge de Kurt Waldheim i altres representantsd’aquell tristperíode. A partir d’aqui, la presencia de ministres d’extrema dreta en determinats governs europeus ja no provoca reaccions tan fortes, sens dubte perquè la seva historia no es idèntica a la de Àustria, i també perquèl’advertència als austríacs no ha tingut cap efecte i el FPÖ (Partit de la Llibertat) ha continuat prosperant inclous desprès de la mort accidental del seu líder,Jörg Haider, en 2008. En 2011, hem vist com els dirigents de la Unió Europea i la Secretaria d’Estat americana, Hillary Clinton, es mostraveninquiets davant de la deriva autoritària nacionalista del governhongarès dirigit pel“Fidesz” i el seu líder Viktor Orban, però sense cap mena de mitja per oposar-se a excepciód’una carta oficial de prevenció.

Applause identification and its relevance to archival of Carnatic music

A Carnatic music concert is made up of a sequence of pieces, where each piece corresponds to a particular genre and ra¯aga (melody). Unlike a western music concert, the artist may be applauded intra-performance inter-performance. Most Carnatic music that is archived today correspond to a single audio recordings of entire concerts.The purpose of this paper is to segment single audio recordings into a sequence of pieces using thecharacteristic features of applause and music. Spectral flux, spectral entropy change quite significantly from music to applause and vice-versa. The characteristics of these features for a subset of concerts was studied. A threshold based approach was used to segment the pieces into music fragments and applauses. Preliminary resultson recordings 19 concerts from matched microphones show that the EER is about 17% for a resolution of 0.25 seconds. Further, a parameter called CUSUM is estimatedfor the applause regions. The CUSUM values determine the strength of the applause. The CUSUM is used to characterise the highlights of a concert.

A method for extracting semantic information from on-line art music discussion forums

In this paper a method for extracting semantic informationfrom online music discussion forums is proposed. The semantic relations are inferred from the co-occurrence of musical concepts in forum posts, using network analysis. The method starts by defining a dictionary of common music terms in an art music tradition. Then, it creates a complex network representation of the online forum by matchingsuch dictionary against the forum posts. Once the complex network is built we can study different network measures, including node relevance, node co-occurrence andterm relations via semantically connecting words. Moreover, we can detect communities of concepts inside the forum posts. The rationale is that some music terms are more related to each other than to other terms. All in all, this methodology allows us to obtain meaningful and relevantinformation from forum discussions.

Analysis of the folksonomy of freesound

User generated content shared in online communities is often described using collaborative tagging systems where users assign labels to content resources. As a result, a folksonomy emerges that relates a number of tags with the resources they label and the users that have used them. In this paper we analyze the folksonomy of Freesound, an online audio clip sharing site which contains more than two million users and 150,000 user-contributed sound samplescovering a wide variety of sounds. By following methodologies taken from similar studies, we compute some metrics that characterize the folksonomy both at the globallevel and at the tag level. In this manner, we are able to betterunderstand the behavior of the folksonomy as a whole, and also obtain some indicators that can be used as metadata for describing tags themselves. We expect that such a methodology for characterizing folksonomies can be useful to support processes such as tag recommendation or automatic annotation of online resources.

Incorporating features of distribution and progression for automatic Makam classification

Automatic classification of makams from symbolic data is a rarely studied topic. In this paper, first a review of an n-gram based approach is presented using various representations of the symbolic data. While a high degree of precision can be obtained, confusion happens mainly for makams using (almost) the same scale and pitch hierarchy but differ in overall melodic progression, seyir. To further improve the system, first n-gram based classification is tested for various sections of the piece to take into account a feature of the seyir that melodic progression starts in a certain region of the scale. In a second test, a hierarchical classification structure is designed which uses n-grams and seyir features in different levels to further improve the system.

A Musically aware system for browsing and interacting with audio music collections

In the context of the CompMusic project we are developing methods to automatically describe/annotate audio music recordings pertaining to various music cultures. As away to demonstrate the usefulness of the methods we are also developing a system to browse and interact with specific audio collections. The system is an online web application that interfaces with all the data gathered (audio, scores plus contextual information) and all the descriptions that are automatically generated with the developed methods. In this paper we present the basic architecture of the proposed system, the types of data sources that it includes,and we mention some of the culture specific issues that we are working on for its development. The system is in a preliminary stage but it shows the potential that MIR technologies can have in browsing and interacting with musiccollections of various cultures.

Opportunities for a cultural specific approach in the computational description of music

The current research in Music Information Retrieval (MIR) is showing the potential that the Information Technologies can have in music related applications. Amajor research challenge in that direction is how to automaticallydescribe/annotate audio recordings and how to use the resulting descriptions to discover and appreciate music in new ways. But music is a complex phenomenonand the description of an audio recording has to deal with this complexity. For example, each musicculture has specificities and emphasizes different musicaland communication aspects, thus the musical recordings of each culture should be described differently. At the same time these cultural specificities give us the opportunity to pay attention to musical concepts andfacets that, despite being present in most world musics, are not easily noticed by listeners. In this paper we present some of the work done in the CompMusic project, including ideas and specific examples on how to take advantage of the cultural specificities of differentmusical repertoires. We will use examples from the art music traditions of India, Turkey and China.

La relation entre les acteurs politiques et les gestionnaires publics: complémentarité ou séparation? Le constat dans trois cantons suisses

La recherche, faisant l'objet de la présente communication, interroge cette nouvelle répartition des rôles telle qu'elle a été théorisée dans les écrits gestionnaires portant sur la NGP. Nous investiguons donc la véracité de l'affirmation selon laquelle une gestion moderne, efficiente et efficace des affaires publiques implique une séparation plus stricte des sphères politiques et administratives. Autrement dit, est-ce que la mise en oeuvre des réformes managériales au sein des administrations cantonales de Suisse romande change effectivement la nature de la relation entre les hauts fonctionnaires et leurs ministres de tutelle ? Pour apporter un début de réponse à cette question, nous avons décidé de nous approcher de trois cantons romands qui se trouvent dans des dynamiques de réforme administrative d'ampleur différentes. Aussi, notre choix de terrain s'est porté sur le canton du Valais, qui est l'un des plus avancés en matière de NGP, sur le canton de Neuchâtel, qui se trouve dans une dynamique hybride puisque certains services administratifs ont adopté les principes de la contractualisation sur base volontaire et d'autres non, ansi que le canton du Jura qui n'a pas, pour l'instant, opté pour les nouveaux principes et outils de la NGP. La comparaison de ces trois entités, dont les trajectoires de modernisation diffèrent, nous permettra de constater ou non des différences d'appréciation dans la nature des relations politico-administratives des trois cantons. Si l'on se réfère à la description idéale-typique proposée par les tenants de la NGP, nous devrions constater d'importantes divergences. Enfin, il est à relever que cette recherche est pionnière en Suisse puisqu'aucune autre étude à ce jour ne s'est attelée à décrire ces changements relationnels, comme cela a été le cas dans la plupart des pays de l'OCDE.