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The weed presence on ornamental beds is a main aspect that interferes with the garden maintenance, especially in tropical countries, as it causes an unpleasant effect and competes with the ornamentals. The use of herbicides is not always economically viable, besides, it causes phytotoxic effects on the ornamental plants, so the alternative to minimize this problem is the use of mulch; however, there is little information on the literature about it. Thus, the aim of this work was to evaluate the effect of rice straw mulching on the weed management of Salvia splendens beds. There were four treatments (0, 4, 6 and 8 t ha-1 of rice straw) and five replications. Brachiaria decumbens (200 plants m-2) and Amaranthus viridis (50 plants m-2) were sown in each plot in order to ensure the weed presence. The evaluation of the weed community was performed 60 days after sowing. The weeds on the plots of 0.48 m2 were identified and removed by hand and then dried in a chamber of forced air ventilation (under 703C) for the dry matter determination which later helped to calculate the phytosociological indexes like the Relative Density, Relative Frequency, Relative Dominance and the Importance Value Index. Nineteen species of weeds were identified. Among them, B. decumbens and A. viridis presented the highest Relative Importance level and the use of 8 t ha-1 of rice straw mulching helped to minimize the Relative Importance of these plants; however, the weed management with the use of rice straw was not effective.

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Because it belongs to a cultural practice, the adaptation of a novel into a feature film will always exist within a context and, for being subject to changes, corresponding modifications in the political sphere and even variations in the meaning of the story may occur. This seems to be precisely the result of the transformation of Angela Carter's second novel, The Magic Toyshop, into the homonymous film, directed by David Whealtey in 1987. Removed from the context of the book's production and publication, a crucial period of questioning about the importance of women in society and culture, the plot created by the English author in the sixties, rewritten two decades later, with the author herself as the script writer, seems to have acquired another meaning during this time. Although the film maintains the same plot of the novel, the political engagement visibly present in the narrative, namely Carter's critical stance about the model of patriarchal society, seems to lose its strength, highlighting now its fantastic character. Briefly discussing issues such as loyalty and betrayal of one gender to another, we seek in this paper to observe the film, based on the re-writers perspective, in other words, the prospects of both writer and director, as a process of rebuilding the story. In this dialogue, the script was also used as an intertext for a better understanding of this process.

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Contiene los estatutos de implementación de las resoluciones de la undécima sesión del CDCC incluyendo las recomendaciones propuestas por el Ministro de Relaciones Exteriores y Comercio Internacional de Trinidad y Tabago.