990 resultados para Sault Sainte Marie (Mich.)


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Estudiar en las obras 'Dios hablará esta noche' y 'El silencio de un adolescente' de Jean Marie de Buck. Las principales ideas pedagógicas contenidas en estas novelas se reducen a: realismo pedagógico. El educando tiene múltiples posibilidades y la educación actuando sobre ellas produce resultados positivos. Por estos motivos, hay que mantener en el adolescente un alto nivel de exigencia en los aspectos personal, social y trascendente. La educación es una obra que se tiene que llevar a cabo en común entre el educando y los distintos educadores que le ayudan. Dios habla a través de las personas, de las cosas de los acontecimientos. Hay que fomentar en el educando una disposición de apertura al mensaje que se le dirige y que únicamente él puede realizar.

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Resumen de la experiencia de intercambio escolar entre los centros IESO Valles de Gata de Hoyos (Cáceres) y Collège Marie de la Tour d’Auvergne de Thouars (Francia) en diciembre de 2012 y abril de 2103. Se describen las actividades realizadas para el desarrollo de las competencias básicas en comunicación lingüística, matemáticas, conocimiento e interacción con el mundo físico, competencia social y ciudadana, cultural y artística, tratamiento de la información, competencia digital y competencia para aprender a aprender

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This paper studies the effectiveness of the recorded books and teaching method developed by Dr. Marie Carbo in the aural habilitation of pre-lingual deaf children with cochlear implants.

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This essay traces the development of Otto Neurath’s ideas that led to the publication of one of the first series of children’s books produced by the Isotype Institute in the late 1940s, the Visual History of Mankind. Described in its publicity material as ‘new in content’ and ‘new in method’, it embodied much of Otto Neurath’s thinking about visual education, and also coincided with other educational ideas in the UK in the 1930s and 1940s. It exemplified the Isotype Institute’s approach: teamwork, thinking about the needs of younger readers, clear explanation, and accessible content. Further, drawing on correspondence, notes and drawings from the Otto and Marie Neurath Isotype Collection at the University of Reading, the essay presents insights to the making of the books and the people involved, the costs of production and the influence of this on design decisions, and how the books were received by teachers and children.

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This essay contributes to debates about theatre and cross-cultural encounter through an analysis of Irina Brook’s 1999 Swiss / French co-production of Irish playwright Brian Friel’s Dancing at Lughnasa, in a French translation by Jean-Marie Besset. While the translation and Brook’s mise en scène clearly identified the source text and culture as Irish, they avoided cultural stereotypes, and rendered the play accessible to francophone audiences without entirely assimilating it to a specific Swiss or French cultural context. Drawing on discourses of theatre translation, and concepts of cosmopolitanism and conviviality, the essay focuses on the potential of such textual and theatrical translation to acknowledge specific cultural traces but also to estrange the familiar perceptions and boundaries of both the source and target cultures, offering modes of interconnection across diverse cultural affiliations.

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