1.te Mai-Scene: Herr Criminel' - ik wollte sagen, Herr Hofrath ...

Welsch (Projektbearbeiter): Karikatur auf die Ablehnung der deutschen Kaiserkrone durch Friedrich Wilhelm IV.: der vor einem bezopften Repräsentanten des Hauses Habsburg stramm stehende und seine Pickelhaube lüftende preußische König gibt die ihm von der Nationalversammlung angetragene Kaiserkrone symbolisch der Wiener Schatzkammer zurück

Die Höhle zu En-Gedi : eine biblische Scene

Lipmann Mose Büschenthal

Racial Bias in Motor Vehicle Searches: Additional Theory and Evidence

Knowles, Persico, and Todd (2001) develop a model of police search and offender behavior. Their model implies that if police are unprejudiced the rate of guilt should not vary across groups. Using data from Interstate 95 in Maryland, they find equal guilt rates for African-Americans and whites and conclude that the data is not consistent with racial prejudice against African-Americans. This paper generalizes the model of Knowles, Persico, and Todd by accounting for the fact that potential offenders are frequently not observed by the police and by including two different levels of offense severity. The paper shows that for African-American males the data is consistent with prejudice against African-American males, no prejudice, and reverse discrimination depending on the form of equilibria that exists in the economy. Additional analyses based on stratification by type of vehicle and time of day were conducted, but did not shed any light on the form of equilibria that best represents the situation in Maryland during the sample period.

Scene istoriche del Medio Evo d'Italia

[Pietro di Santarosa]

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07726

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07727

Schneider-Scene i. "Ariadne auf Naxos"

Signatur des Originals: S 36/F07729

Friedrich Haase in: Die Royalisten von Raupach. Cromwell. Act II., Scene IV: "Der verstorbene Mann hatte scharfe Züge, man vergisst sie nie - diese Züge!"

Signatur des Originals: S 36/G03112

Friedrich Haase in: Die Royalisten von Raupach. Cromwell. Act II., Scene IV: "Der verstorbene Mann hatte scharfe Züge, man vergisst sie nie - diese Züge!"

Signatur des Originals: S 36/G03113

La Sonnambula. Act I. Scene XI. : Elvino: Al nuovo amante, sconoseente t'abbandono. Amina: Oh crudo istante! Deh mudite io rea von sono. ; Elvino: I abandon thee ungrateful, to thy new lover. Amina: Oh, cruel moment! I am not guilty.

Signatur des Originals: S 36/G03300

Robert il Diavolo, Act I., Scene 4 : Alice: Più non vie. Roberto: Che intendo! Ah madre! io gelo. ; Alice: She is no more. Robert: What! my mother? O torture.

Signatur des Originals: S 36/G03301

Ludwig Löwe als Holofernes. Act 5: Scene 2: Trink Wein Judith! Im Wein ist Alles was uns fehlt!

Signatur des Originals: S 36/G03339

Costume Bild zur Theaterzeitung : Die Spinn Scene aus der Oper "Martha", Text von Friedrich, Musik von Flotow

Signatur des Originals: S 36/G14524

Clitemnestra y la construcción de un discurso en dos obras de Marguerite Yourcenar: "Clytemnestre ou le crime" y "Electre ou la chute des masques" : Las palabras inscriptas en el cuerpo de una mujer con voz propia

Fil: Alvarez, Adriana. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.