Literatura dramática contemporánea (1950-2000)

El trabajo quiere ser una visión sintética que describa la evolución de la literatura dramática catalana de la segunda mitad del siglo XX y la primera década del actual, desde los primeros años de la dictadura franquista, en los cuales el teatro en catalán fue prohibido, pasando por el teatro independiente, y los diversos caminos emprendidos durante la etapa democrática o diferentes apuestas del teatro actual, un momento en el cual la escena catalana hace años que es un valor en alza. Se apuntan tanto los autores más consolidados y referentes de la moderna escritura, como los dramaturgos más maduros de las nuevas generaciones actuales. Unos y otros son autores ampliamente representados y traducidos a diversas lenguas.

Muro Mediterráneo: arquitecturas para la defensa de la Guerra de España (1936-1939)

Una década antes de que fuera construido el Muro Atlántico, fue ejecutado un sistema de defensas a lo largo de la costa del Mediterráneo español (1936-39). La recuperación de estas construcciones (de sus documentos gráficos y de las obras que existen) y su puesta en valor puede ayudar a consolidar una memoria propia del siglo XX. Las piezas militares se sitúan en muchas fronteras: ¿son estas defensas arquitectura o piezas industriales? ¿Son arquitectura moderna? Estas transitan entre dos mundos: uno que proyecta arquitecturas ligeras, flexibles y con caducidad frente a otro que construye obras compactas, rígidas y eternas. Espacio, tiempo y materia. Son las ruinas de hormigón más modernas de nuestra historia camufladas en la topografía: templos y tumbas a la vez.

Lugares de la arquitectura sacra contemporánea: luz mediática versus tiempo de meditación

En el siglo XX -más de ciencias que de letras- se constata que aún no tenernos todas las respuestas y que, quizás, por ello, se sigue construyendo arquitectura religiosa, de aquí este recorrido sintético por su arquitectura sacra. Este se realiza siguiendo un triple nivel de análisis de estos lugares siempre simbólicos. Uno: relativo al espacio de la arquitectura que renueva el imaginario mediante sus elementos esenciales. Dos: relativo a la capacidad de la luz y la imagen para transformar la liturgia en espectáculo de masas. Tres: relativo a la dimensión táctil que muestra el paso del tiempo. Porque ¿cuál es la arquitectura de lo trascendente? Quizás la que vuelve a los elementos: tierra (materia), aire (espacio), agua (tiempo) y fuego (luz), permitiendo al hombre mirar a su interior.

Treatise on mathematics and astronomy: written about the year 1680, in Boston

Bound volume containing a late 17th century handwritten mathematical and astronomical text in one hand. The text is separated into mathematical and astronomical sections with rules, instructions for performing calculations, tables, and drawings. The subjects include arithmetic, geometry, astronomy, and trigonometry, and segments have titles such as "Subtraction," "A decimal table of English coince," "Logarithes & their use," and "To find the true place of the sun." The text is undated and unattributed but references Briggs, Oughtred, Ramus, and Apollonius. Certain tables are calculated from latitudinal and longitudinal numbers associated with Boston, and many of the examples use dates in the 1670s and 1680. The manuscript pages are mounted onto unruled pages, and some of the manuscript pages are fragments.

Unfair Advantage: An Intriguing Example of Legal Transformation in the Swiss Private Law

This paper demonstrates a mixed approach to the theme of the instrumentality of law by both analysing the goal of a legal transformation and the techniques adapted to achieve it. The correct recognition of a certain practical necessity has lead the Swiss Federal Tribunal to an intriguing judgement “Fussballclub Lohn-Fall” of 1997. The legal remedies provided for cases of unfair advantage have been then creatively modified praeter legem. The adaptation was strongly influenced by foreign legal patterns. The Swiss Code of Obligations of 1911 provides a norm in art. 21 on unfair advantage (unconscionable contract), prescribing that if one party takes unjustified advantage over the weaknesses of another in order to receive an excessive benefit, such a contract is avoidable. Its wording has been shaped over a hundred years ago and still remains intact. However, over the course of the 20th century the necessity for a more efficient protection has arisen. The legal doctrine and jurisprudence were constantly pointing out the incompleteness of the remedies provided by art. 21 of the Code of Obligations. In the “Fussballclub Lohn-Fall” (BGE 123 III 292) the Swiss Federal Tribunal finally introduced the possibility to modify the contract. Its decision has been described as “a sign of the zeitgeist, spirit of the time”. It was the Swiss legal doctrine that has imposed the new measure under the influence of the German “quantitative Teilnichtigkeit” (quantitative partial nullity). The historical heritage of the Roman laesio enormis has also played its role.

Radiocarbon ages, dose rates, water isotopic composition and hydrochemistry of samples from Komakuk Beach and Herschel Island

Terrestrial permafrost archives along the Yukon Coastal Plain (northwest Canada) have recorded landscape development and environmental change since the Late Wisconsinan at the interface of unglaciated Beringia (i.e. Komakuk Beach) and the northwestern limit of the Laurentide Ice Sheet (i.e. Herschel Island). The objective of this paper is to compare the late glacial and Holocene landscape development on both sides of the former ice margin based on permafrost sequences and ground ice. Analyses at these sites involved a multi-proxy approach including: sedimentology, cryostratigraphy, palaeoecology of ostracods, stable water isotopes in ground ice, hydrochemistry, and AMS radiocarbon and infrared stimulated luminescence (IRSL) dating. AMS and IRSL age determinations yielded full glacial ages at Komakuk Beach that is the northeastern limit of ice-free Beringia. Herschel Island to the east marks the Late Wisconsinan limit of the northwest Laurentide Ice Sheet and is composed of ice-thrust sediments containing plant detritus as young as 16.2 cal ka BP that might provide a maximum age on ice arrival. Late Wisconsinan ice wedges with sediment-rich fillings on Herschel Island are depleted in heavy oxygen isotopes (mean d18O of -29.1 per mil); this, together with low d-excess values, indicates colder-than-modern winter temperatures and probably reduced snow depths. Grain-size distribution and fossil ostracod assemblages indicate that deglaciation of the Herschel Island ice-thrust moraine was accompanied by alluvial, proluvial, and eolian sedimentation on the adjacent unglaciated Yukon Coastal Plain until ~11 cal ka BP during a period of low glacio-eustatic sea level. The late glacial-Holocene transition was marked by higher-than-modern summer temperatures leading to permafrost degradation that began no later than 11.2 cal ka BP and caused a regional thaw unconformity. Cryostructures and ice wedges were truncated while organic matter was incorporated and soluble ions were leached in the thaw zone. Thermokarst activity led to the formation of ice-wedge casts and deposition of thermokarst lake sediments. These were subsequently covered by rapidly accumulating peat during the early Holocene Thermal Maximum. A rising permafrost table, reduced peat accumulation, and extensive ice-wedge growth resulted from climate cooling starting in the middle Holocene until the late 20th century. The reconstruction of palaeolandscape dynamics on the Yukon Coastal Plain and the eastern Beringian edge contributes to unraveling the linkages between ice sheet, ocean, and permafrost that have existed since the Late Wisconsinan.

Un siècle d'art : notes sur la peinture française à l'Exposition centennale des beaux-arts : suivies du catalogue complet des œuvres exposées /

Mode of access: Internet.

L'observateur au muséum, ou, La critique des tableaux, en vaudeville.

A series of satirical verses on some of the paintings exhibited at the 1802 Salon.

Plastic art and pure plastic art, 1937, and other essays, 1941-1943

Bibliography: p. 6.

Russkīĭ muzeĭ Imperatora Aleksandra III /

The plates are photogravures.

Mélanges sur l'art contemporain /

Mode of access: Internet.

Lijst der Kunstwerken van nog in leven zijnde nederlandsche meesters, welke zijn toegelaten tot de tentoonstelling van den Jare 1826.

Mode of access: Internet.

The Nineteenth century; its history, progress, and marvelous achievements; the wonderful story of the world for one hundred years...Embellished with nearly 100 full-page illus., including over 200 ports. of the world's great men.

Mode of access: Internet.

Perpetual motion; comprising a history of the efforts to attain self-motive mechanism, with a classified, illustrated, collection and explanation of the devices whereby it has been sought and why they failed, and comprising also a revision and re-arrangement of the information afforded by "Search for self-motive power during the 17th, 18th and 19th centuries," London, 1861, and "A history of the search for self-motive power from the 13th to the 19th century," London, 1870, by Henry Dircks ...

Mode of access: Internet.

The Making of Intermedia: John Cage to Yoko Ono, 1952 to 1972

Thesis (Ph.D.)--University of Washington, 2016-06