Euryanthe: grosse romantische Oper in 3 Aufzügen

Dichtung von Helmine von Chezy, geb. Freyinn von Klencke ; in Musik gesetzt ... von Carl Maria von Weber ... ; vollständiger vom Componisten verfertigter Clavier-Auszug.

Commandeering Aesop’s Bamboo Canon: A 19th Century Confederacy of Creole Fugitive Fables

In my thesis, “Commandeering Aesop’s Bamboo Canon: A 19th Century Confederacy of Creole Fugitive Fables,” I ask and answer the ‘Who? What? Where? When? Why?” of Creole Literature using the 19th century production of Aesopian fables as clues to resolve a set of linguistic, historical, literary, and geographical enigmas pertaining the ‘birth-place(s)’ of Creolophone Literatures in the Caribbean Sea, North and South America, as well as the Indian Ocean. Focusing on the fables in Martinique (1846), Reunion Island (1826), and Mauritius (1822), my thesis should read be as an attempt capture the links between these islands through the creation of a particular archive defined as a cartulary-chronicle, a diplomatic codex, or simply a map in which I chart and trace the flight of the founding documents relating to the lives of the individual authors, editors, and printers in order to illustrate the articulation of a formal and informal confederation that enabled the global and local institutional promotion of Creole Literature. While I integrate various genres and multi-polar networks between the authors of this 19th century canon comprised of sacred and secular texts such as proclamations, catechisms, and proverbs, the principle literary genre charted in my thesis are collections of fables inspired by French 17th century French Classical fabulist, Jean de la Fontaine. Often described as the ‘matrix’ of Creolophone Literature, these blues and fables constitute the base of the canon, and are usually described as either ‘translated,’ ‘adapted,’ and even ‘cross-dressed’ into Creole in all of the French Creolophone spaces. My documentation of their transnational sprouting offers proof of an opaque canonical formation of Creole popular literature. By constituting this archive, I emphasize the fact that despite 200 years of critical reception and major developments and discoveries on behalf of Creole language pedagogues, literary scholars, linguists, historians, librarians, archivist, and museum curators, up until now not only have none have curated this literature as a formal canon. I also offer new empirical evidence in order to try and solve the enigma of “How?” the fables materially circulated between the islands, and seek to come to terms with the anonymous nature of the texts, some of which were published under pseudonyms. I argue that part of the confusion on the part of scholars has been the result of being willfully taken by surprise or defrauded by the authors, or ‘bamboozled’ as I put it. The major paradigmatic shift in my thesis is that while I acknowledge La Fontaine as the base of this literary canon, I ultimately bypass him to trace the ancient literary genealogy of fables to the infamous Aesop the Phrygian, whose biography – the first of a slave in the history of the world – and subsequent use of fables reflects a ‘hidden transcript’ of ‘masked political critique’ between ‘master and slave classes’ in the 4th Century B.C.E. Greece.

This archive draws on, connects and critiques the methodologies of several disciplinary fields. I use post-colonial literary studies to map the literary genealogies Aesop; use a comparative historical approach to the abolitions of slavery in both the 19th century Caribbean and the Indian Ocean; and chart the early appearance of folk music in early colonial societies through Musicology and Performance Studies. Through the use of Sociolinguistics and theories of language revival, ecology, and change, I develop an approach of ‘reflexive Creolistics’ that I ultimately hope will offer new educational opportunities to Creole speakers. While it is my desire that this archive serves linguists, book collectors, and historians for further scientific inquiry into the innate international nature of Creole language, I also hope that this innovative material defense and illustration of Creole Literature will transform the consciousness of Creolophones (native and non-native) who too remain ‘bamboozled’ by the archive. My goal is to erase the ‘unthinkability’ of the existence of this ancient maritime creole literary canon from the collective cultural imaginary of readers around the globe.

Contraprestaciones por los servicios financieros del Consulado de México y sus miembros: los fondos extraordinarios para la guerra contra Gran Bretaña, 1779-1783

Nueva España aportó la mayor parte de los recursos que sostuvieron a las fuerzas armadas españolas durante la guerra contra Gran Bretaña que se desarrolló en el Caribe entre 1779 y 1783. En el artículo se analizan las medidas a las que recurrieron las autoridades reales para obtener recursos extraordinarios del Consulado y varios mercaderes de la ciudad de México. Asimismo se exponen algunas de las contraprestaciones que negociaron a cambio de dichos servicios financieros y se plantean diversas hipótesis acerca de los motivos económicos, sociales y políticos que los llevaron a colaborar con el monarca, teniendo en cuenta los negocios que realizaban durante el conflicto bélico y la forma en que eran afectados por la reciente apertura comercial.

Diario, pour piano seul, de Heber Schuenemann - du déchiffrage de l'oeuvre à son interprétation: démarche et réflexions d'une pianiste

Cette thèse porte sur la recherche-création ayant menée à l’apprentissage et l’exécution publique de Diário, œuvre pour piano du compositeur brésilien Heber Schuenemann (né en 1971). Dans ce cycle, qui comprend 23 courtes pièces, le compositeur explore la notion de « hasard », propre à la musique aléatoire. Il utilise également des techniques de composition s’apparentant au sérialisme et au minimalisme. Après avoir présenté les principales caractéristiques des courants musicaux propres à l’œuvre, la chercheuse-pianiste procède à une analyse de l’œuvre, décrivant la structure et les techniques de composition de chaque pièce. Par la suite, elle décrit sa propre démarche d’interprète – du déchiffrage de l’œuvre à sa prestation publique et à son enregistrement en studio – et elle commente son expérience à la lumière de la littérature pertinente. Sont abordées, notamment, les difficultés inhérentes au déchiffrage d’une œuvre atonale et les diverses étapes menant à l’identification de ses éléments structuraux; les difficultés relatives à la technique pianistique; l’importance du regroupement d’unités et de l’acquisition d’automatismes corporels; la définition de l’image artistique. Des pistes pédagogiques favorisant l’enseignement et l’apprentissage de l’œuvre sont également présentées.

"Je ne vous dirai point, mon très cher fils" Correspondance de Catherine de Charrière de Sévery 1780-1783

This dissertation examines the principles of education imbued in a three year correspondence between an eighteenth century woman and her teenage son from the French speaking region of Vaud, current day Switzerland. Despite her great respect for the literature and ideas of the new pedagogues of the Enlightenment, especially J.J. Rousseau and Mme de Genlis, Catherine de Charrière de Sévery maintained the traditional perspective of education of the Ancien Régime. To explore the concepts of education and instruction through the epistolary practice, this research is based on the corpus of 107 letters that Mme de Sévery wrote to her son Vilhelm between 1780 and 1783. Additional documents - among them Mme de Sévery’s diaries - from the particularly rich archival holdings of this aristocratic family have been used to complement her correspondence. Most previous studies on family correspondence have dealt with mothers to daughters, or fathers to sons, whereas this research is centered on letters between a mother and her son. The location of this family – Lausanne and the Pays de Vaud – provides a particular regional perspective due to two factors: immersion into a region uniformly Protestant, and the dual-influence of Germanic and French cultures. The study analyzes the educational principles that appear throughout Mme de Sévery’s letters by comparison with three literary works of the 18th century: a familiar correspondence, the Lettres du Lord Chesterfield à son fils (1776); the fundamental education treatise by J.J. Rousseau, Émile, ou de l’Éducation (1762); and a pedagogical treatise written by Mme de Genlis as an epistolary novel, Adèle et Théodore, ou lettres sur l’éducation. Using letters as the main tool to guide her son’s upbringing, Mme de Sévery highlights the moral and family values that are most important to her and leads him to find his place in society.

The Scots in Ireland: culture, colonialism and memory, 1315-1826

This thesis examines three key moments in the intersecting histories of Scotland, Ireland and England, and their impact on literature. Chapter one Robert Bruce and the Last King of Ireland: Writing the Irish Invasion, 1315- 1826‘, is split into two parts. Part one, Barbour‘s (other) Bruce‘ focuses on John Barbour‘s The Bruce (1375) and its depiction of the Bruce‘s Irish campaign (1315-1318). It first examines the invasion material from the perspective of the existing Irish and Scottish relationship and their opposition to English authority. It highlights possible political and ideological motivations behind Barbour‘s negative portrait of Edward Bruce - whom Barbour presents as the catalyst for the invasion and the source of its carnage and ultimate failure - and his partisan comparison between Edward and his brother Robert I. It also probes the socio-polticial and ideological background to the Bruce and its depiction of the Irish campaign, in addition to Edward and Robert. It peers behind some of the Bruce‘s most lauded themes such as chivalry, heroism, loyalty, and patriotism, and exposes its militaristic feudal ideology, its propaganda rich rhetoric, and its illusions of freedom‘. Part one concludes with an examination of two of the Irish section‘s most marginalised figures, the Irish and a laundry woman. Part two, Cultural Memories of the Bruce Invasion of Ireland, 1375-1826‘, examines the cultural memory of the Bruce invasion in three literary works from the Medieval, Early Modern and Romantic periods. The first, and by far the most significant memorialisation of the invasion is Barbour‘s Bruce, which is positioned for the first time within the tradition of ars memoriae (art of memory) and present-day cultural memory theories. The Bruce is evaluated as a site of memory and Barbour‘s methods are compared with Icelandic literature of the same period. The recall of the invasion in late sixteenth century Anglo-Irish literature is then considered, specifically Edmund Spenser‘s A View of the State of Ireland, which is viewed in the context of contemporary Ulster politics. The final text to be considered is William Hamilton Drummond‘s Bruce’s Invasion of Ireland (1826). It is argued that Drummond‘s poem offers an alternative Irish version of the invasion; a counter-memory that responds to nineteenth-century British politics, in addition to the controversy surrounding the publication of the Ossian fragments. Chapter two, The Scots in Ulster: Policies, Proposals and Projects, 1551-1575‘, examines the struggle between Irish and Scottish Gaels and the English for dominance in north Ulster, and its impact on England‘s wider colonial ideology, strategy, literature and life writing. Part one entitled Noisy neighbours, 1551-1567‘ covers the deputyships of Sir James Croft, Sir Thomas Radcliffe, and Sir Henry Sidney, and examines English colonial writing during a crucial period when the Scots provoked an increase in militarisation in the region. Part two Devices, Advices, and Descriptions, 1567-1575‘, deals with the relationship between the Scots and Turlough O‘Neill, the influence of the 5th Earl of Argyll, and the rise of Sorley Boy MacDonnell. It proposes that a renewed Gaelic alliance hindered England‘s conquest of Ireland and generated numerous plantation proposals and projects for Ulster. Many of which exhibit a blurring‘ between the documentary and the literary; while all attest to the considerable impact of the Gaelic Scots in both motivating and frustrating various projects for that province, the most prominent of which were undertaken by Sir Thomas Smith in 1571 and Walter Devereux, 1st Earl of Essex in 1573.

Graphic satire and the rise and fall of the First British Empire: political prints from the Seven Years' War to the Treaty of Paris, c. 1756-1783

This thesis examines the early stages of the transformation of emblematic political prints into political caricature from the beginning of the Seven Years' War (1756) to the Treaty of Paris, which ended the American Revolutionary War (1783). Both contextual and iconographical issues are investigated in relation to the debates occasioned by Britain's imperial project, which marked a period of dramatic expansion during the Seven Years' War, and ended with the loss of the American colonies, consequently framing this thesis as a study of political prints during the rise and fall of the so-called 'First British Empire'. Previous studies of eighteenth-century political prints have largely ignored the complex and lengthy evolutionary process by which the emblematic mode amalgamated with caricatural representation, and have consequently concluded that political prints excluded emblems entirely by the end of the 1770s. However, this study emphasizes the significance of the Wilkite movement for the promotion and preservation of emblems, and investigates how pictorial political argument was perceived and received in eighteenth-century British society, arguing that wider tastes and opinions regarding the utilization of political prints gradually shifted to accept both modes of representation. Moreover, the marketplace, legal status, topicality, and manufacturing methods of political prints are analyzed in terms of understanding the precarious nature of their consumption and those that endeavoured to engage in political printmaking. The evolution, establishment, and subsequent appropriation of pictorial tropes is discussed from the early modern period to the beginning of the so-called Golden Age of caricature, while tracing the adaptation of representational models in American colonial prints that employed emblems already entrenched in British pictorial political debate. Political prints from the two largest print collections, the British Museum and the Lewis Walpole Library at Yale are consulted, along with a number of eighteenth-century newspapers and periodicals, to develop the earlier research by M. Dorothy George, Charles Press, Herbert Atherton, Diana Donald, Amelia Rauser, and Eirwen Nicholson.

Annaes do Parlamento Brazileiro. Tomo I [1826]

Anais do Parlamento Brasileiro, 1826.

Annaes do Parlamento Brazileiro. Tomo III [1826]

Anais do Parlamento Brasileiro, 1826.

Annaes do Parlamento Brazileiro. Tomo IV [1826]

Anais do Parlamento Brasileiro, 1826.

Annaes do Parlamento Brazileiro. Tomo II [1826]

Anais do Parlamento Brasileiro, 1826.

Cymo andreossyi (Audouin, 1826)

Cymo andreossyi is found both in the live and dead branching corals of coral Pacillopora, Acropora and Montipora. Compared to the occurrence its compatriot C. melanodactylus, this species found in large numbers. The relationship is mutualistic, with the species occupying a niche similar to that occupied by the more colorful Trapezia species.

Map of Elizabeth Town, N.J. at the time of the Revolutionary War, 1775-1783. Showing that part of the free borough and town of Elizabeth, which is now the site of the city of Elizabeth.

Scale ca. 1:7,300.

Invención e innovación tecnológica en el ciclismo en España a través de la documentación de patentes : 1826-1929

El objetivo general de esta investigación consiste en sacar a la luz un conjunto de documentos, los documentos de patentes presentadas en España, sobre un tema concreto, la bicicleta y el ciclismo, y durante un periodo determinado, 1826-1929, presentes en la Oficina Española de Patentes y Marcas (OEPM), organizando esta documentación para su posterior utilización por la comunidad científica. Para ello se han identificado y sistematizado las patentes referidas a la bicicleta, presentadas entre 1826 y 1929, realizando tablas de frecuencia que permitan extraer datos de su incidencia en la invención en el periodo considerado. Ello ha permitido conocer una serie de datos de los inventores, que, en definitiva son los creadores del desarrollo tecnológico en este campo, extrayendo, ordenando y categorizando la información sobre lugar de origen, tipo de inventor (empresa o particular), sexo, práctica de colaboración y profesión. Finalmente se ha estudiado el tipo de inventos, mostrando los sectores en los que se producen las invenciones, identificando si se han puesto en práctica, y determinando aspectos tales como su carácter de invención incremental, su posible consideración como invento raro y curioso, y su coexistencia con una marca registrada. El trabajo se inicia con la introducción seguida de un apartado en el que se presenta el marco teórico en el que se desarrolla la investigación, en una doble vía: en primer lugar el contexto de los documentos de patente, su relación con la innovación y su utilidad como fuentes de información, y en segundo lugar el marco de la invención en el ciclismo, presentando las fases esenciales de la evolución de la bicicleta (capítulo 2). En el marco metodológico (capítulo 3) se explican fuentes y metodología, presentando a continuación el diseño de la investigación, que se resume como sigue: 1- Determinación del universo de datos, 2- Consulta en el Archivo Histórico de la OEPM, 3- Diseño y creación de la base de datos propia, 4- Consulta de los expedientes y toma de imágenes, 5- Tratamiento y análisis de los datos, 6- Búsqueda de información en fuentes para patentes extranjeras, y 7- Consulta a la base de datos de Marcas de la OEPM. El capítulo 4 está dedicado a la investigación propiamente dicha, estructurado en tres grandes bloques. El primero recoge las cuantificaciones tabuladas del total de patentes y el análisis de determinados aspectos generales como la cronología de la invención y diversas comparaciones con resultados obtenidos en otros trabajos. El segundo bloque está centrado en los estudios de solicitantes de patentes, protagonistas de las invenciones. De ellos se contemplan una serie de datos extraídos de los expedientes, y posteriormente tabulados y cuantificados: su procedencia geográfica, su adscripción como empresas o solicitantes particulares, y sus datos de colaboración, finalizando el bloque con un apartado que dedicamos a la innovación femenina, que consideramos una línea de investigación interés. El tercer bloque, el más amplio de todos, está dedicado a la descripción y análisis de los datos referidos a los propios inventos, puesto que es la aplicación de los inventos lo que marca el desarrollo tecnológico de la máquina bicicleta, y su consiguiente evolución histórica y social. Se estructura asimismo en varias secciones. La primera es la más amplia, donde se muestran y explican los datos que tienen que ver con la adscripción de los inventos a sectores temáticos, es decir, que desarrolla las funciones o componentes de la bicicleta que han sido objeto de invención. Los apartados siguientes muestran datos y consideraciones sobre las patentes puestas en práctica, las invenciones incrementales, los inventos curiosos, y las patentes con posible marca registrada de su nombre. Finalmente, las conclusiones del estudio, el establecimiento de posibles líneas abiertas de investigación, la relación de fuentes consultadas y los anexos cerrarán la exposición de esta tesis. ABSTRACT The main goal of this research thesis is to shed light on a specific documentary record: patents presented in Spain, regarding a specific theme: bicycles and cycling, within a given period: 1826-1929. This record is organized for the ulterior use by the scientific community. In order to carry out this goal, the mentioned patents have been identified and systematized, and analyzed for frequency in order to infer the incidence of its invention in the period under consideration. This has brought to light some information on the inventors which are, after all, the creators in the technological development of that field. Their bibliographical information: origin, type of inventor (company or individual), gender, collaboration behavior and profession. Finally, the type of inventions has been studied, showing the sectors in which inventions are produced, whether these were transferred to practice, and other key information like the incremental nature of their invention, their possible consideration as ‘rare or curious invention’, and their coexistence with a registered trademark. This thesis is organized with an initial introduction, after which a section outlines the theoretical framework for the research along two axes: first the context of the patent documents, their relation with innovation and their usefulness as information sources; second, the invention of cycling and the development phases of bicycles. In the methodological section the sources and methodology are explained and reasoned, followed by the research design: 1-determination of the data universe, 2-consultation at the historical archive of the OEPM (National Patent Office), 3-design and creation of a database, 3-analysis of the files and image catchment, 5-treatment and analysis of data, 6-browsing of source information for foreign patents, and 7-consultation of the trademark information at the OEPM. Chapter 4 is dedicated to research itself, in three main sections. The first one has the quantification of the patent total in tables and the analysis of specific overall chronological aspects of the invention, and some comparisons with the results obtained in other research. The second section is centered on the studies of patent requests and inventors. Some data extracted from the files has been systematized: geographical origin, adscriptions as companies or individuals, and their collaboration data, ending with a sub-section on women’s invention, which we consider an interesting research line. The third section, the biggest one of them all, is dedicated to the description and analysis of the data referred to the inventions themselves, because it is the application of the inventions which constitutes the technological development of the bicycle, and therefore its historical and social evolution. It is also structured in various sub-sections. The first one is the longest one, with information regarding the thematic typology of the inventions: functions and bicycle components which are innovated. The other ensuing subsections study patents which were actually incorporated and used, incremental inventions, curious inventions and patents with possible associated trademarks. Finally, the study conclusions, the establishment of lines of potential further research, the references used, and the annexes which culminate the thesis exposition.

Utilização de minhocas (Eisenia fetida Savigny, 1826) na alimentação de achigãs (Micropterus salmoides, Lacépède, 1802) - resultados preliminares

A minhoca (Eisenia fetida Savigny, 1826) é uma boa fonte de proteína. O elevado teor em humidade (82,80% ±2,128) e cinzas (10,70% ±2,345), principalmente terra, poderão ser um fator limitante à sua utilização como alimento para peixes. Com o objetivo de avaliar o interesse da utilização de E. fetida na alimentação de peixes, em 23 setembro 2014 foram capturados 22 juvenis de achigã (Micropterus salmoides Lacépède, 1802) (0+ anos) numa pequena barragem de rega Os achigãs foram colocados em três aquários para habituação a um alimentos compostos comercial. Três semanas depois 86,4% já ingeriam o alimento. A taxa de sobrevivência foi de 100%. Em 13 outubro 2014 foram escolhidos aleatoriamente 16 achigãs e colocados em dois aquários (8 peixes/aquário; 0,048 m3 de água). Os valores médios iniciais de peso, comprimento, fator K e densidade foram semelhantes nosdois aquários. No aquário G1 (minhocas) e aquário G2 (alimento composto) o peso, o comprimento, o fator K e a densidade iniciais foram, respetivamente, 13,62 g (±3,171) e 13,40 g (±3,002) (P>0,05); 10,49 cm (±0,757) e 10,39 cm (±0,649) (P>0,05); 1,160 (±0,043) e 1,179 (±0,082) (P>0,05); 2,27 kg/m3 e 2,23 kg/m3. No nosso estudo laboratorial a temperatura média da água variou entre 19,9ºC e 16,8ºC. Como em Portugal não se produzem alimentos específicos para achigãs foi utilizado um alimento composto comercial formulado para douradas (Sparus aurata L., 1758) e robalos (Dicentrarchus labrax L., 1758) (proteína 49,74%MS; gordura 18,07%MS; cinzas 11,57%MS; fibra bruta 0,84%MS; humidade 6,55%). No dia 88 do estudo (09 janeiro 2015) os valores médios de peso, comprimento, fator K e densidade nos aquários G1 e G2 foram, respetivamente, 17,57 g (±4,071) e 19,19 g (±4.811) (P<0,05); 10,88 cm (±0,875) e 11,29 cm (±0,871) (P<0,05); 1,346 (±0,051) e 1,311 (±0,061) (P>0,05); 2,93 kg/m3 e 3,20 kg/m3). Os resultados obtidos até agora parecem indicar que a E. fetida pode ser utilizada na alimentação de achigãs.