Selected stories;

v. 1. Ball-of-Suet ; A family affair ; The artist's model ; The letters ; Cemetery sirens ; The dying peasant ; A madman's journal ; Checkmate! ; The shepherd's leap ; A husband's confession ; Madame Parisse ; The wedding night ; Father and son ; The false jewels ; The umbrella! ; The clock ; The dowry ; The lancer's wife ; Prisoners of war ; Woman's love ; The devil's visit ; Was it a dream? ; Simon's papa ; The diamond necklace ; Duchoux ; Timbuctoo ; Denis -- v. 2. The horla ; Monsieur Parent ; Miss Harriet ; Mad! ; Mademoiselle Pearl ; The farmer's wife ; A coward ; Mount Olivet ; The flight of years ; The old maid ; The Tellier house ; The parricide ; The fortune of war ; Humble happiness ; The mysterious groom ; The open door ; Wife and mistress ; The fathers ; The mountain inn ; Madame Husson's rosier ; An unfortunate resemblance -- v. 3. The Sunday outings of a bourgeois ; Little Louise Rocque ; A voice from the deep ; The father ; Magnetism ; The wrong house ; Moiron ; Monsieur Bombard's little game ; Madame Baptiste ; The Parisian accent ; A fashionable woman ; Mademoiselle Cocotte ; Who knows? ; Boitelle ; Uncle Jules ; The hand ; A lock of hair ; On the river ; My Uncle Sosthenes ; An artist ; Father Toine ; The viaticum ; True forgiveness ; A twelfth-night supper ; Father Matthew's saints ; A bit of string ; The minuet ; The relics ; A farm girl's story -- v. 4. The legacy ; Two little soldiers ; A state affair ; Old Amable ; Mademoiselle Fifi ; The ghost ; Useless beauty ; The fishing-hole ; The Rondoli family ; Châli ; The odalisque ; The wicked Mohammed ; Marroca ; Allouma ; A strange meeting ; Feminine wiles ; A strange night in Paris ; All over!

Van Bibber, and others /

Her first appearance. -- Van Bibber's man-servant. -- The hungry man was fed. -- Van Bibbler at the races. -- An experiment in economy. -- Mr. Traver's first hunt. -- Love me, love my dog. -- Eleanore Cuyler. -- A recruit at Christmas. -- A patron of art. -- Andy M'Gee's chorus girl. -- A Leander of the East River. -- How Hefty Burke got even. -- Outside the prison. -- An unfinished story.

Works.

v.1. Nature's serial story.--v.2. Without a home.--v.3. A knight of the nineteenth century.--v.4. Opening a chestnut burr.-v.5. Barriers burned away.--v.6. An original belle.--v.7. From jest to earnest.--v.8. Near to nature's heart.--v.9. Miss Lou and Driven back to Eden.--v.10. What can she do?--v.11. Taken alive and other stories with an autobiography [and] The home acre.--v.12. A face illumined.--v.13. His somber rivals.--v.14. A day of fate.--v.15. The earth trembled.--v.16. A young girl's wooing.--v.17. Success with small fruits.--v.18. He fell in love with his wife [and] E.P. Roe, Reminiscences of his life, by his sister, Mary A. Roe.

Tales and stories of the Irish peasantry.

v. 1. Tubber Derg. Barney Brady's goose. Tom Gressley, the Irish senachie. The castel of Aughentain. The white horse of the peppers. Mickey M'Rorey, the Irish fiddler.--v. 2 The poor scholar. A peasant girl's love. Tablot and Gaynor, the Irish pipers. Frank Finnegan, the foster brother.

Aloha collection of Hawaiian songs /

For voice and piano; most songs also include mixed chorus (SATB).

Good stories for great holidays, arranged for story-telling and reading aloud and for the children's own reading,

"Reference lists for story-telling and collateral reading": p. [429]-443.

A state secret, and other stories;

A state secret.--Sullivan's bargain.--The little blue jug.--Lady Mark Slattery.--The Glen Lammie shooting.--An unexpected invitation.--Mrs. Van Byl.--The clue.--Incognito.--The proud girl.

Soil and water conservation activities for scouts /

Cover title.

Selected poems,

"Introductory," by F.M. Hueffer, v. 1, p. xi-xvi.

Junior Girls Play 1914

On verso: Alice Lloyd - later Dean of Women, had leading man's part. Catherine Reighard - other male lead - was Pres. of the Women's League. Dorothy Roehm - leading female role, was the 1915 class Sec'y. Nona Fogerty - pirate with black eye patch - AA girl - later of Fogerty Hat Shop, Liberty St. Abigail Shay Bassett - AA, an active and loyal alumnae, who donated this picture (A.B. '15, A.B.L.S. '28). Prof. Kenyon was the play producer and director. No men were ever allowed to see these plays!

Clogging Bow

On verso: Clogging is another form of Gymnasium taught, two years of which is required before a girl may graduate.

Dicks' standard plays

(cont.) [v.8]. Wild oats; Serious family; Paul Pry; Charles II; Game of Love; Queen Mary's bower; Andy Blake; Naval engagements; Rochester; Artist's wife; Delicate ground; Two queens; Damon and Pythias; Rose of Arragon; Charles I; Mary Stuart; Love's frailties; Fanchon, the cricket; Lear of private life; Robert Macaire.

The humour of Homer, and other essays,

The humour of Homer.--Quis desiderio ...?--Ramblings in Cheapside.--The aunt, the nieces, and the dog.--How to make the best of life.--The sanctuary of Montrigone.--A medieval girl school.--Art in the valley of Saas.--Thought and language.--The deadlock in Darwinism.

Cheerful, by request,

Cheerful-by request.-The gay old dog.-The tough guy.-The eldest.-That's marriage.-The woman who tried to be good.-The girl who went right.-The hooker-up-the-back.-The guiding Miss Gowd. -Sophy-as-she-might-have-been.-The three of them.-Shore leave.

Royal Subjects : Feminist Perspectives on Diary Writing and the Diary Form in Meg Cabot's The Princess Diaries Series

Meg Cabot’s young adult (YA) novel series The Princess Diaries (2000-2009) is one of many modern-day examples of attempts to redefine what Western society considers the classic princess narrative: the story of a beautiful princess passively waiting for Prince Charming. As critics such as Kay Stone and Sarah Rothschild emphasize, the fictional princess is traditionally linked to notions of ideal femininity which, in turn, makes princess stories interesting texts from a feminist perspective. Rothschild notes a surge in YA princess novels in recent years, with YA writers such as Cabot aiming to challenge the traditional image of the princess as a passive feminine stereotype in their re-workings of the princess story. Previous feminist research on The Princess Diaries series celebrates the main character Mia as a symbol of third wave feminism and as such, a positive role model for Cabot’s predominantly young, female readers. Mia’s characteristic Dr Martens boots are frequently cited as an example of how greatly Mia differs from her princess predecessors. However, these critics ignore important changes in Mia’s personality over the course of the series. By the end of the series, the Dr Martens-wearing heroine introduced in the first book has replaced her combat boots with high heels. In my thesis, I will argue that Mia’s transformation in terms of appearance and preoccupation with mainstream fashion, from quirky outsider to stereotype girly girl, complicates the idea of The Princess Diaries series as feminist texts. Moreover, previous feminist research largely ignores diary writing’s prominent role in the series, and the ways in which the diary format influences the reader-narrator relationship in the novels. In my feminist reading of The Princess Diaries series, I therefore use Mia’s diary writing and the diary format of the series as my starting points. I argue that while Mia’s diary writing is portrayed as empowering, and thereby inspiring, the diary format as a narrative structure creates a rather ambiguous tone and effect; questioning but simultaneously conforming to traditional, restricting notions of femininity.