Manual of the arts employed in the fabrication of the Cathedral of Washington.

Pt. 1. On stained glass.

The Arts.

Publication suspended Mar.-Dec. 1922.

Christianity in the nineteenth century.

Mode of access: Internet.

Christianity and history /

Includes bibliographies.

The truth and the witness,

Mode of access: Internet.

Grant administration : implementation of National Endowment for the Arts Reauthorization Act : fact sheet for Congressional committees /

"September 1991."

A theoretic explanation of the science of sanctity : according to reason, Scripture, common sense, and the analogy of things : containing an idea of God, of his creations and kingdoms, of the Holy Scriptures, of the Christian trinity, and of the Gospel system /

Mode of access: Internet.

A treatise concerning the causes of the present corruption of Christians, and the remedies thereof. /

Pages 320 and 451 misnumbered 20 and 417 respectively.

Religion in history and in modern life; together with an essay on the church and the working classes,

Mode of access: Internet.

The Federal Convention and the formation of the Union of the American States.

"The Federal Convention: Madison's notes of debates": p. [65]-344.

Broom; an international magazine of the arts.

Edited by Harold A. Loeb and others.

The arts in early England,

The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.

Beauty and the market: Actress postcards and their senders in early twentieth century Australia

A hundred years ago the international craze for picture postcards distributed millions of images of popular stage actresses around the world. The cards were bought, sent, and collected by many whose contact with live theatre was sometimes minimal. Veronica Kelly's study of some of these cards sent in Australia indicates the increasing reach of theatrical images and celebrity brought about by the distribution mechanisms of industrial mass modernity. The specific social purposes and contexts of the senders are revealed by cross-reading the images themselves with the private messages on the backs, suggesting that, once outside the industrial framing of theatre or the dramatic one of specific roles, the actress operated as a multiply signifying icon within mass culture – with the desires and consumer power of women major factors in the consumption of the glamour actress card. A study of the typical visual rhetoric of these postcards indicates the authorized modes of femininity being constructed by the major postcard publishers whose products were distributed to theatre fans and non-theatregoers alike through the post. Veronica Kelly is working on a project dealing with commercial managements and stars in early twentieth-century Australian theatre. She teaches in the School of English, Media Studies, and Art History at the University of Queensland, is co-editor of Australasian Drama Studies, and author of databases and articles dealing with colonial and contemporary Australian theatre history and dramatic criticism. Her books include The Theatre of Louis Nowra (1998) and the collection Our Australian Theatre in the 1990s (1998).