[ Ghaṭpāṭjī dhoā]

Prayers to be recited during the ghaṭpāṭ ceremony; prayer includes recitation of the name of Ismāʻīlī Imāms as well as those of Pīrs.

al- Majallah: wa-hiya taḥtawī ʻalá al-qawānīn al-sharʻīyah wa-al-aḥkām al-ʹadlīyah al-muṭābiqah lil-kutub al-fiqhīyah

ḥarrarathā lajnah muʼallafah min al-ʹulamāʼ al-muḥaqqiqīn wa-al-fuqahāʼ al-mudaqqiqīn wa-baʻda an waqaʻat ladá al-Bāb al-ʻĀlī mawqiʻ al-istiḥsān taʻallaqat al-irādah al-sanīyah bi-an takūna dustūr lil-ʻamal bihā.

Nova ac verissima Maris Caspii ante hac maximam fere partem nobis incogniti ac regionum adjacentium delineatio: jussu invictissimi principis Petri Alexii fil. magni Russorum imperatoris

immenso labore et maximis sumptibus facta, atque ex autographo in lucem edita per Reinerum Ottens geographum Amstelaedam ; Iacob Keyser sculp.

Kitāb ʻAjāyib al-makhlūqāt wa-gharāyib al-mawjūdāt : manuscript, [circa 1650-1700]

On wonders of creation.

The natural history of Aleppo: containing a description of the city, and the principal natural productions in its neighbourhood : together with an account of the climate, inhabitants, and diseases, particularly of the plague

by Alex. Russell.

Akhtal, encomium Omayadarum e cod. Petropolit. et Lugdun, descriptum ed.,

Arabic and Latin on opposite pages.

Trattato delle sepolcrali iscrizioni in cufica, tamurea e nischia lettera da' Maomettani operate.

Mode of access: Internet.

The treatise of al-Jazarī on automata; leaves from a manuscript of the Kitāb fī maʻarifat al-hiyal al handasiya in the Museum of fine arts. Boston, and elsewhere,

Plates, accompanied by unnumbered leaf, laid in.

Aḥmad b. aṭ-Tayyib as-Saraḫsî,

Includes "Unpublished texts" (p. 127-135) in Arabic characters.

Scriptorum Arabum loci de Abbadidis nunc primum

Arabic texts followed by Latin translations.

[Calligraphic specimen, 1205?, i.e. 1790 or 1791?].

Exquisite album of calligraphy (muraqqaʻ or murakkaa) with design for a monumental inscription to appear in stone on a commemorative range marker (menzil taşı) of Bilâl Ağa (d.1807?), likely executed by Yesari Mehmed Esad Efendi (d.1798), the great Ottoman master of nastaʻlīq (talik).

Koran : manuscript, [1887 or 8].

Illumination on pp. [1-2]; chapter headings illuminated; gold dots and foliate flourishes mark verse and chapter endings; text enclosed in wide gold borders; illuminated marginal rosettes mark division of text into thirtieths (juzʼ) and sixtieths (ḥizb); gilder's name at bottom of p. [522]: dhahhabahu Bahāʼ al-Dīn bin Tawfīq; edges gilded with foliate patterns; green leather endpages painted with gold and silver sunburst designs; binding gold-stamped and painted in silver and gold foliate designs.

[Calligraphic specimen, 1206, i.e. 1791 or 1792].

Exquisite album of calligraphy (muraqqaʻ / murakkaa) employing ḥadīth of the Prophet executed by the celebrated Ottoman calligrapher Mahmud Celâleddin Efendi (d.1829) in imitation of a model executed by the master calligrapher Hafız Osman Efendi (d.1698).

[Calligraphic specimen, early to mid 18th century].

Exquisite album of calligraphy (muraqqaʻ or murakkaa) comprising kıt'alar employing ḥadīth of the Prophet executed by the celebrated Ottoman calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756), renowned student of Seyyid Abdullah of Yedikule (d.1731).

Epigraphia Indica.

A list of the inscriptions of Northern India in Brahmi and its derivative scripts, from about 200 A. C., by D. R. Bhandarkar, issued as appendix to v. 19-23.