882 resultados para 3D Visualization
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The use of roll-formed products in automotive, furniture, buildings etc. increases every year due to the low part-production cost and the complicated cross-sections that can be produced. The limitation with roll-forming until recent years is that one could only produce profiles with a constant cross-section in the longitudinal direction. About eight years ago ORTIC AB [1] developed a machine in which it was possible to produce profiles with a variable width (“3D roll-forming”) for the building industry. Experimental equipment was recently built for research and prototyping of profiles with variable cross-section in both width and depth for the automotive industry. The objective with the current study is to investigate the new tooling concept that makes it possible to roll-form hat-profiles, made of ultra high strength steel, with variable cross-section in depth and width. The result shows that it is possible to produce 3D roll-formed profiles with close tolerances.
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The paper is analyzing how people in late modern society characterized by de-traditionalization, use moving images as a cultural resource for the construction of meaningful subjective world views. As a theoretical concept with several dimensions, “sacralization of the self” (Woodhead & Heelas 2000: 344), is related to media theory. With a critical focus on ‘the self’, as a core aspect in contemporary media society Eric W. Rothenbuhler labels the individual self as one of “the sacred objects of modern culture” (Rothenbuhler 2006: 31).I want to emphasize the need for case studies in order to undertake a critical investigation about ‘the self’ and how consumption of fiction film is interconnected to spectator´s creation of self images, but also to understand how film engagement elicits self-reflection (Giddens 1991, Axelson 2008, Vaage 2009a). The paper make use of empirical data to illustrate and theoretically develop perspectives on how the audience uses fiction film in every-day life for the construction of the self, as well for the construction of more profound and long-lasting ideas of being part of a moral community (Brereton 2005, Jerslev 2006, Klinger 2008, Mikkola et al. 2007, Vaage 2009b). Some empirical findings support a conclusion that moving images creates a transitional space for the human mind, with the capacity of transporting the spectator from real life to fiction and back to real life again, helping the individual with an ongoing process of transforming the self, dealing with who you actually are, and who you want to become (Axelson 2008, Vaage 2009b).
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Objective: To investigate whether advanced visualizations of spirography-based objective measures are useful in differentiating drug-related motor dysfunctions between Off and dyskinesia in Parkinson’s disease (PD). Background: During the course of a 3 year longitudinal clinical study, in total 65 patients (43 males and 22 females with mean age of 65) with advanced PD and 10 healthy elderly (HE) subjects (5 males and 5 females with mean age of 61) were assessed. Both patients and HE subjects performed repeated and time-stamped assessments of their objective health indicators using a test battery implemented on a telemetry touch screen handheld computer, in their home environment settings. Among other tasks, the subjects were asked to trace a pre-drawn Archimedes spiral using the dominant hand and repeat the test three times per test occasion. Methods: A web-based framework was developed to enable a visual exploration of relevant spirography-based kinematic features by clinicians so they can in turn evaluate the motor states of the patients i.e. Off and dyskinesia. The system uses different visualization techniques such as time series plots, animation, and interaction and organizes them into different views to aid clinicians in measuring spatial and time-dependent irregularities that could be associated with the motor states. Along with the animation view, the system displays two time series plots for representing drawing speed (blue line) and displacement from ideal trajectory (orange line). The views are coordinated and linked i.e. user interactions in one of the views will be reflected in other views. For instance, when the user points in one of the pixels in the spiral view, the circle size of the underlying pixel increases and a vertical line appears in the time series views to depict the corresponding position. In addition, in order to enable clinicians to observe erratic movements more clearly and thus improve the detection of irregularities, the system displays a color-map which gives an idea of the longevity of the spirography task. Figure 2 shows single randomly selected spirals drawn by a: A) patient who experienced dyskinesias, B) HE subject, and C) patient in Off state. Results: According to a domain expert (DN), the spirals drawn in the Off and dyskinesia motor states are characterized by different spatial and time features. For instance, the spiral shown in Fig. 2A was drawn by a patient who showed symptoms of dyskinesia; the drawing speed was relatively high (cf. blue-colored time series plot and the short timestamp scale in the x axis) and the spatial displacement was high (cf. orange-colored time series plot) associated with smooth deviations as a result of uncontrollable movements. The patient also exhibited low amount of hesitation which could be reflected both in the animation of the spiral as well as time series plots. In contrast, the patient who was in the Off state exhibited different kinematic features, as shown in Fig. 2C. In the case of spirals drawn by a HE subject, there was a great precision during the drawing process as well as unchanging levels of time-dependent features over the test trial, as seen in Fig. 2B. Conclusions: Visualizing spirography-based objective measures enables identification of trends and patterns of drug-related motor dysfunctions at the patient’s individual level. Dynamic access of visualized motor tests may be useful during the evaluation of drug-related complications such as under- and over-medications, providing decision support to clinicians during evaluation of treatment effects as well as improve the quality of life of patients and their caregivers. In future, we plan to evaluate the proposed approach by assessing within- and between-clinician variability in ratings in order to determine its actual usefulness and then use these ratings as target outcomes in supervised machine learning, similarly as it was previously done in the study performed by Memedi et al. (2013).
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Wider economic benefits resulting from extended geographical mobility is one argument for investments in high-speed rail. More specifically, the argument for high-speed trains in Sweden has been that they can help to further spatially extend labor market regions which in turn has a positive effect on growth and development. In this paper the aim is to cartographically visualize the potential size of the labor markets in areas that could be affected by possible future high-speed trains. The visualization is based on the forecasts of labor mobility with public transport made by the Swedish national mobility transport forecasting tool, SAMPERS, for two alternative high-speed rail scenarios. The analysis, not surprisingly, suggests that the largest impact of high-speed trains results in the area where the future high speed rail tracks are planned to be built. This expected effect on local labor market regions of high-speed trains could mean that possible regional economic development effects also are to be expected in this area. However, the results, in general, from the SAMPERS forecasts indicaterelatively small increases in local labor market potentials.
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Woodworking industries still consists of wood dust problems. Young workers are especially vulnerable to safety risks. To reduce risks, it is important to change attitudes and increase knowledge about safety. Safety training have shown to establish positive attitudes towards safety among employees. The aim of current study is to analyze the effect of QR codes that link to Picture Mix EXposure (PIMEX) videos by analyzing attitudes to this safety training method and safety in student responses. Safety training videos were used in upper secondary school handicraft programs to demonstrate wood dust risks and methods to decrease exposure to wood dust. A preliminary study was conducted to investigate improvement of safety training in two schools in preparation for the main study that investigated a safety training method in three schools. In the preliminary study the PIMEX method was first used in which students were filmed while wood dust exposure was measured and subsequently displayed on a computer screen in real time. Before and after the filming, teachers, students, and researchers together analyzed wood dust risks and effective measures to reduce exposure to them. For the main study, QR codes linked to PIMEX videos were attached at wood processing machines. Subsequent interviews showed that this safety training method enables students in an early stage of their life to learn about risks and safety measures to control wood dust exposure. The new combination of methods can create awareness, change attitudes and motivation among students to work more frequently to reduce wood dust.
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As far back as I can remember, I have always been interested in studio art. Whether it be painting, drawing, printmaking, or photography, it has consistently been a part of my life. Upon enrolling in Colby, I became interested in computers and decided to major my undergraduate college career in Computer Science. Not forgetting past interests, I continued my studio art education, taking several classes within the Art department. In due time, I began combining interests and began studying Computer Graphics and Design. With limited resources in this field at Colby, the majority of my computer graphic education and experience has been done on my own time apart from regular classroom work. As time progressed, so did my interests. Starting with simple image manipulation of digitally scanned photographs, I moved on to Web Page design, eventually leading to Desktop Publishing. Ultimately, I wanted to take a step further and expand my overall computer graphic knowledge by learning 3D modeling and animation. With even fewer resources in 3D animation at Colby, I perceived having trouble finding the information and tools I would need to gain the necessary skills for this new field. The Senior Scholars program gave me the opponunity to find and acquire the necessary tools to pursue my interest. This program also allowed me to devote the proper amount of time required for learning these new tools.
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Running hydrodynamic models interactively allows both visual exploration and change of model state during simulation. One of the main characteristics of an interactive model is that it should provide immediate feedback to the user, for example respond to changes in model state or view settings. For this reason, such features are usually only available for models with a relatively small number of computational cells, which are used mainly for demonstration and educational purposes. It would be useful if interactive modeling would also work for models typically used in consultancy projects involving large scale simulations. This results in a number of technical challenges related to the combination of the model itself and the visualisation tools (scalability, implementation of an appropriate API for control and access to the internal state). While model parallelisation is increasingly addressed by the environmental modeling community, little effort has been spent on developing a high-performance interactive environment. What can we learn from other high-end visualisation domains such as 3D animation, gaming, virtual globes (Autodesk 3ds Max, Second Life, Google Earth) that also focus on efficient interaction with 3D environments? In these domains high efficiency is usually achieved by the use of computer graphics algorithms such as surface simplification depending on current view, distance to objects, and efficient caching of the aggregated representation of object meshes. We investigate how these algorithms can be re-used in the context of interactive hydrodynamic modeling without significant changes to the model code and allowing model operation on both multi-core CPU personal computers and high-performance computer clusters.
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Dissertação apresentada ao Programa de Pós-graduação em Comunicação da Universidade Municipal de São Caetano do Sul
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Através de um estudo de caso, este trabalho apresenta evidências empíricas que reforçam e ampliam as descobertas de trabalhos anteriores sobre as contribuições dos modelos 3D digitais no processo de inovação tecnológica de uma empresa da indústria de manufatura, e oferece contribuições para a academia e para a prática. A inovação tecnológica é um dos fatores essenciais da competição e do desenvolvimento industrial. Na medida em que as mudanças tecnológicas ocorrem em complexidade e ritmo crescentes, as empresas têm procurado aumentar a flexibilidade e a velocidade de suas atividades através de sofisticados sistemas de tecnologia de informação e de comunicações. Na indústria de manufatura, os modelos 3D digitais têm sido cada vez mais utilizados ao longo do ciclo de vida dos produtos das empresas e a sua difusão não apenas tornou-os elementos chave para o processo de inovação tecnológica, mas a sua adoção está forçando muitas empresas a rever a forma como elas conduzem e gerenciam suas atividades de inovação.
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O presente trabalho analisa os reservatórios turbidíticos do Campo de Namorado, Bacia de Campos – RJ, com a apresentação de um novo modelo evolutivo para o intervalo entre o Albiano superior e Cenomaniano, na área do referido campo. As ferramentas utilizadas neste estudo consistiram da interpretação sísmica em ambiente tridimensional com o software VoxelGeo®, e da análise faciológica junto à perfilagem de poços do referido campo. A análise desenvolvida permitiu a individualização e a posterior visualização tridimensional de um paleocanal meandrante na base do intervalo estudado, feição esta até então não relatada em interpretações anteriores neste reservatório. Como resultado das análises sísmicas e faciológicas, foi possível elaborar um modelo deposicional, onde foram definidos quatro sistemas turbidíticos distintos, inclusos em duas seqüências de 3ª Ordem. Esses sistemas turbidíticos estariam, portanto, associados às seqüências de 4ª Ordem, que são interpretadas como parasseqüências, inseridas nos dois ciclos de 3ª Ordem. As seqüências de 3ª Ordem, que englobam os reservatórios do Campo de Namorado, representariam intervalos de alta freqüência no registro estratigráfico, dentro do contexto de afogamento (2ª Ordem) da Bacia de Campos. Pelas características da calha deposicional observada para o Campo de Namorado, é possível concluir que o sistema, como um todo, foi depositado em um complexo de canais, junto a sistemas de frentes deltaicas. Esses canais, provavelmente, foram esculpidos por fluxos hiperpicnais, formados a partir de inundações catastróficas. As informações provenientes deste estudo, proporcionaram uma melhor compreensão da gênese dos depósitos turbidíticos, acumuladores de hidrocarbonetos, no intervalo estudado, e cuja ocorrência está relacionada com etapas de rebaixamento relativo do nível do mar.
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Este trabalho apresenta um conjunto de ferramentas que exploram as capacidades recentes das placas gráficas de computadores pessoais para prover a visualização e a interação com volumes de dados. O objetivo é oferecer ao usuário ferramentas que permitam a remoção interativa de partes não relevantes do volume. Assim, o usuário é capaz de selecionar um volume de interesse, o que pode tanto facilitar a compreensão da sua estrutura quanto a sua relação com os volumes circundantes. A técnica de visualização direta de volumes através do mapeamento de texturas é explorada para desenvolver estas ferramentas. O controle programável dos cálculos realizados pelo hardware gráfico para gerar a aparência de cada pixel na tela é usado para resolver a visibilidade de cada ponto do volume em tempo real. As ferramentas propostas permitem a modificação da visibilidade de cada ponto dentro do hardware gráfico, estendendo o benefício da visualização acelerada por hardware. Três ferramentas de interação são propostas: uma ferramenta de recorte planar que permite a seleção de um volume de interesse convexo; uma ferramenta do tipo “borracha”, para eliminar partes não relevantes da imagem; e uma ferramenta do tipo “escavadeira”, para remover camadas do volume Estas ferramentas exploram partes distintas do fluxo de visualização por texturas, onde é possível tomar a decisão sobre a visibilidade de cada ponto do volume. Cada ferramenta vem para resolver uma deficiência da ferramenta anterior. Com o recorte planar, o usuário aproxima grosseiramente o volume de interesse; com a borracha, ele refina o volume selecionado que, finalmente, é terminado com a escavadeira. Para aplicar as ferramentas propostas ao volume visualizado, são usadas técnicas de interação conhecidas, comuns nos sistemas de visualização 2D. Isto permite minimizar os esforços do usuário no treinamento do uso das ferramentas. Finalmente, são ilustradas as aplicações potenciais das ferramentas propostas para o estudo da anatomia do fígado humano. Nestas aplicações foi possível identificar algumas necessidades do usuário na visualização interativa de conjuntos de dados médicos. A partir destas observações, são propostas também novas ferramentas de interação, baseadas em modificações nas ferramentas propostas.
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Vídeos são dos principais meios de difusão de conhecimento, informação e entretenimento existentes. Todavia, apesar da boa qualidade e da boa aceitação do público, os vídeos atuais ainda restringem o espectador a um único ponto de vista. Atualmente, alguns estudos estão sendo desenvolvidos visando oferecer ao espectador maior liberdade para decidir de onde ele gostaria de assistir a cena. O tipo de vídeo a ser produzido por essas iniciativas tem sido chamado genericamente de vídeo 3D. Esse trabalho propõe uma arquitetura para captura e exibição de vídeos 3D em tempo real utilizando as informações de cor e profundidade da cena, capturadas para cada pixel de cada quadro do vídeo. A informação de profundidade pode ser obtida utilizando-se câmeras 3D, algoritmos de extração de disparidade a partir de estéreo, ou com auxílio de luz estruturada. A partir da informação de profundidade é possível calcular novos pontos de vista da cena utilizando um algoritmo de warping 3D. Devido a não disponibilidade de câmeras 3D durante a realização deste trabalho, a arquitetura proposta foi validada utilizando um ambiente sintético construído usando técnicas de computação gráfica. Este protótipo também foi utilizado para analisar diversos algoritmos de visão computacional que utilizam imagens estereoscópias para a extração da profundidade de cenas em tempo real. O uso de um ambiente controlado permitiu uma análise bastante criteriosa da qualidade dos mapas de profundidade produzidos por estes algoritmos, nos levando a concluir que eles ainda não são apropriados para uso de aplicações que necessitem da captura de vídeo 3D em tempo real.
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A presente monografia tem como objeto a análise dos possíveis impactos causados no campo da Propriedade Intelectual oriundos do desenvolvimento da tecnologia de impressão 3D. Este trabalho se estrutura em torno de três grandes seções. A primeira visa à apresentação das impressoras 3D ao leitor, descrevendo um pouco de sua história e, também, suas aplicações. A segunda expõe os principais contornos jurídicos que caracterizam a Propriedade Intelectual e os direitos dela decorrentes, relacionando-os com a impressão 3D. Na última seção, por fim, realiza-se uma reflexão quanto aos desafios apresentados no decorrer do texto e, também, a apresentação de situações que indicam possíveis rumos para a interação entre a tecnologia em questão e a Propriedade Intelectual.
WVIS 2014 - 5th Workshop on Visual Analytics, Information Visualization and Scientific Visualization