Entre Jesus e Barrabás: realidade, expectativas e a escolha da multidão em Marcos 15,6-15

trabalho a seguir visa apresentar um estudo da palavra multidão no Evangelho de Marcos, considerando-a como personagem importante na estrutura literária concebida pelo autor, destacando especialmente sua atuação na cena da apresentação de Jesus diante de Pilatos em que é dada a ela a multidão a oportunidade de escolher pela libertação de Jesus ou de Barrabás. O texto em referência será estudado levando-se em conta o contexto de dominação romana em que estava inserido, como composição literária que reproduz a estrutura dos munera (combate ente gladiadores), fenômeno característico da civilização romana e símbolo de sua dominação, fazendo com que o escrito de Marcos seja uma paródia que visa esclarecer seu público acerca de sua própria situação.(AU)

Quem é Este? Poder, Medo e Identidade Mítica na Narrativa de Marcos 4. 35 41

Esta dissertação elabora uma exegese de Marcos 4. 35 41, Jesus Acalma uma Tempestade . Para tanto, parte da revisão crítica da pesquisa atual do Jesus Histórico em diálogo com a História Cultural, Micro-história e Psicologia Histórica, com o intuito de levantar questões pertinentes às narrativas míticas e sua importância para o saber histórico. Do mapeamento literário dos Papiros Mágicos Gregos, bem como referência ao Hino de Auto-Exaltação de Qumran, ao antigo testamento e a textos rabínicos posteriores ao Novo Testamento, emergem paralelos que são fundamentais para a compreensão da perícope analisada. Assim, a exegese do texto em questão lança luz sobre os elementos de poder, medo e identidade mítica presentes na narrativa.(AU)

Eastern European capitalism in the making by Elena A. Iankova

Book review: Eastern European capitalism in the making, by Elena A. Iankova Cambridge: Cambridge University Press, 2002. 237, £37.50, ISBN 0 521 81314 X

Using an Infra-red sensor to measure the dynamic behaviour of N2O gas escaping through different sized holes

An anastomosis is a surgical procedure that consists of the connection of two parts of an organ and is commonly required in cases of colorectal cancer. About 80% of the patients diagnosed with this problem require surgery. The malignant tissue located on the gastrointestinal track must be resected and the most common procedure adopted is the anastomosis. Therefore, an anastomotic leak represents a significant problem and increases the duration of hospital stay, which is associated with remedial treatment and recovery, causing, as a result, a negative financial impact. A number of techniques to treat, prevent and even detect an anastomotic leakage are under investigation. However, studies show that these techniques are not always able to prevent an anastomotic leak from occurring. This paper discusses the monitoring of leakage through differently sized and differently positioned leak holes in phantom colons, using physical experiments and a Computational Fluid Dynamics package called FloWorks. © 2011 Taylor & Francis Group.

La kabala dentro del discurso contemporaneo y urbano: El ejemplo de Marcos Ricardo Barnatan

This dissertation analyzes the relationship between several mystic Sephardic texts called the Kabalah which include the three basic mystic books of Judaism: Sefer Yetsira, Sefer Bahir, and Sefer Zohar, and Argentine writer of Jewish descent, Marcos Ricardo Barnatan’s experimental work. The premise is that several mystic Sephardic texts have certain literary characteristics that make them fertile sources for the inspiration of writers like Barnatan. This thesis proves that Barnatan’s poetry and his first novel El Laberinto De Sion both use the most general concepts of the Kabalah in developing his literary and artistic creations. ^ This study is focuses on the concept that there exists a possibility of reading kabalistic texts not only in an exegetical way, but also in a poetic way. Barnatan’s literature is prone to this kind of reading of the texts. He creates a surprisingly expressive structure without ties to established models. This expressive structure is built on a vast amount of symbols, which results from this freedom. Barnatan adopts multiple symbols from cosmogenic theories and makes use of them, thus incorporating both the spirit and style of kabalistic texts into his own work. ^ Instead of addressing some of the main concerns of Kabbalistic study and its commentary, Barnatan avoids the concern for Law, the study of the Torah and its commentaries, while avoiding the use of the Hebrew language. For this reason Barnatan is too deviant to be considered an extension from the mainstream Kabbalistic commentary. Barnatan’s work is destined for a reader who cannot only understand his experimental methods, but who can also assemble a disjointed text while accepting a fundamental instability of space and time.^

Toward a Civil Law in Cuba , Lecture by María Elena Cobas Cobiella

The event promotes the event " Toward a Civil Law in Cuba : Lecture by María Elena Cobas Cobiella" cosponsored by the Cuban Research Institute and the FIU College of Law.

Um retrato do marginal brasileiro mediante o trabalho do ator com as personagens de Plínio Marcos em “Navalha na carne"

This thesis presented is to research the actor's work in the construction of physical actions, according to the methodology developed by Constantin Stanislavski in his analysis of dramatic action, called "method of physical action", applied to questions of scenic representation of the Brazilian marginal, according to the look "cruel" and realistic / naturalistic Plinio Marcos playwright. Based on the circumstances given by Pliniano universe, the intention is to contribute to the reflection on the actor's work on the scene with the marginal characters in "Razor in the Flesh", highlighting some important aspects, to assist in the construction of this fictional world. You want to create conditions for the formation of an actor that leverages the scene the contradictions and conflicts of this work. The research aims from the theoretical and practical study as a methodological hypothesis, producing critical reflection from the creative process of the agent with the realization of a scenic experiment focused on psychophysical technique of this Russian pedagogue. Thus, we intend to have a look at the method of physical actions focusing on his last great contribution to the work, especially the procedure of active analysis by doing a reading from "Razor in the Flesh" through this creative scenic exercise, extending the studies concerning the actor's art. This research is a general explanation about the trajectory of Stanislavski to his encounter with the physical action, while, highlights the inconsistencies of understanding of his work around the world. Stanislavski initially developed the "method" having as a backdrop, the realist aesthetic - a dialogue relationship between reality and the scene - through a style which creates a theatrical reality, and consequently, artistic, not literally naturalistic way through an integral mimicry. That is, the representation of work in realistic theater aesthetics should be developed in order to create a theatrical reality. Stanislavski believes that theater is convention, since the actor's work on himself should encourage this second nature, scenic.

A inserção da educação a distância no ensino superior do Brasil: diretrizes e marcos regulatórios

This article aims to critically review the regulatory frameworks that guided the institutionalization of distance education (DE) course offerings in higher education institutions in Brazil, taking as a reference 50 (fifty) documents which were analyzed for the research titled Expansion of Higher Education pos-LDB 96. The need for systematization of DE, legitimated by this Act (LDB-96), proved to be part of the guidelines of international agencies as a strategy for expansion of higher education and that the first initiatives of the Brazilian government were associated with the use of technology in education. A contextualized analysis of regulatory frameworks showed, initially, the quantitative and massified explosion of DE, without the state having proper instruments for its effective regulation. From 2005, new regulatory acts and the creation of the Open University of Brazil seek to maintain this expansion without losing quality.

Estudio de productos dietéticos utilizados para el control de peso

El control de peso es uno de los temas que mayor interés sanitario y estético tiene para la población y las autoridades sanitarias. Es muy elevado el porcentaje de individuos que intentan perder peso de manera habitual, o esporádica, pensando en una mejora de su salud y de su aspecto físico. La demanda de información trasciende a la Oficina de Farmacia, donde se pueden dispensar productos dietéticos que tienen como objetivo el perder peso o evitar su incremento, junto con otros beneficios asociados en muchas ocasiones. También en Parafarmacia se venden dietéticos y productos encaminados a lograr una reducción I control del peso corporal. El farmacéutico tiene que conocer las ventajas y riesgos asociados a la utilización de estos productos, para aconsejar y controlar su utilización en un contexto de eficacia y seguridad. Sería deseable que en Parafarmacia también hubiera profesionales con la formación adecuada para aconsejar ó desaconsejar productos en función de la problemática de cada individuo. Por todo lo anterior, el objeto del presente estudio, es profundizar en el conocimiento de la composición, efectos de los componentes, beneficios, riesgos y posible utilidad de diversos dietéticos que se pueden adquirir en la Oficina de Farmacia y en Parafarmacias...

El arte camaleónico de Marcos Irizarry: entre el modernismo europeo y la abstracción americana, (1950-1970)

Marcos Irizarry (Mayagüez, Puerto Rico 1936-San Juan, Puerto Rico 1995) es uno de los artistas plásticos puertorriqueños más destacados e influyentes que creó una de las obras gráficas y pictóricas abstractas más significativas en Puerto Rico y España. La presente investigación tiene como objetivo el estudio y análisis de la obra de Marcos Irizarry. El estudio de la obra de Marcos Irizarry es importante, ya que los trabajos y escritos realizados tanto en Puerto Rico como en España son limitados, y mayormente se basan en el contexto puertorriqueño. El objetivo de esta investigación es contribuir a la historia del arte de Puerto Rico, de modo que se fomente el estudio, y se logre un mayor entendimiento de la abstracción y de la extensa obra gráfica del artista puertorriqueño Marcos Irizarry, sobre todo el que se dio durante las décadas sugeridas y mostrar su trascendencia, su gran legado, su amplio alcance y reafirmar su carácter universal. La hipótesis fundamental de este trabajo se basa en que la obra del artista puertorriqueño, Marcos Irizarry posee características, estéticas, conceptos y rasgos que pueden responder a las estipuladas tanto por el informalismo europeo-español o por la abstracción americana-puertorriqueña. Se concluyó que la obra gráfica realizada entre finales de los cincuenta hasta finales de los setenta, cobra carácter distinto si se ve como parte del proceso estético español de la posguerra o si se la sitúa en el ámbito del arte puertorriqueño...

Memoria transatlántica : Tío Boris, de Graciela Mochkofsky, y 'su' guerra de España

Fil: Sánchez, Mariela. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP-CONICET); Argentina.

Memoria transatlántica : Tío Boris, de Graciela Mochkofsky, y 'su' guerra de España

Fil: Sánchez, Mariela. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP-CONICET); Argentina.