Brief an die nachwelt; Gespräche über die weltverachtung; Von seiner und vieler leute unwissenheit. Übersetzt und eingeleitet von Hermann Hefele.

Mode of access: Internet.

Über den Wert der hochdeutschen Reinke-Übersetzung vom Jahre 1544 und ihr Verhältnis zu der niederdeutschen Vorlage einerseits und zu der späteren lateinischen Bearbeitung von Hermann Schopper andrerseits.

Vita.

Fastnachtsfreuden : oder, Die Stiefzwillinge : Der Komödie "Johannisfeuer" von Hermann Sudermann II. Teil : Ein litterarisch--ästhetisch--dramatisch--moralisch--realistisch-analitisch--parodistisch--satirischer Katzenjammer in einem Acte /

Mode of access: Internet.

Wilhelm von Humboldt's aesthetische versuche über Goethe's Hermann und Dorothea.

Mode of access: Internet.

Frauenbriefe von und an Hermann fürsten Pückler-Muskau,

Pückler und Bettina von Arnim.--Pückler und die gräfin Ida Hahn-Hahn.--Pückler und E. Marlitt [pseud. of Eugenie John]

Aus Forst und Flur : Tiernovellen / von Hermann Löns.

Mode of access: Internet.

Das moderne Landhaus, und seine innere Ausstattung : 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. Mit einleitendem Text von Hermann Muthesius.

Mode of access: Internet.

Hermann Cohen : Mit einem bildnis von Hermann Cohen nach einer radierung von Hermann Struck.

"Cohen-bibliographie": p. 127-131, [1]

Handbuch der blütenbiologie : unter zugrundelegung von Hermann Müllers werk: "Die befruchtung der blumen durch insekten" /

"Systematisch-alphabetisches verzeichnis der im zweiten[-dritten] bande dieses handbuches aufgeführten blumenbesuchenden tierarten nebst angabe der von jeder art besuchten blumen": v.2, pt.2, p. [559]-672 ; v.3, pt.2, p. [359]-470.

Das kassen- und rechnungswesen bei den preussischen staats- und unter staats-verwaltung stehenden privateisenbahnen .. nebst einschlägigen bestimmungen und einem anhange ... ausgearb. und zusammengestellt von Hermann Kosub ...

Mode of access: Internet.

Hermann Kaulbach Bilderbuch. Mit 45 Bildern von Hermann Kaulbach und einem Porträt des Künstlers.

Illus. on p.[68] dated: 1906.

Die Behandlung englischen Kulturgutes im Wiener fin de siècle:am Beispiel von Hugo von Hofmannsthal, Hermann Bahr und Peter Altenberg

This study explores the fascination which English culture represented in turn-of-the-century Vienna. The writers that are going to be discussed are the renowned Anglophile Hugo von Hofmannsthal, the more ambivalent Hermann Bahr and the idealizing, but Janus-faced Peter Altenberg. With the more widely known poet, prose writer and playwright, Hofmannsthal, individual aspects of his engagement with English culture have already been well researched; the same, however, cannot be said in the case of Hermann Bahr, whose extensive literary oeuvre has now largely been forgotten, and who has, instead, come to be valued as a prominent figure in the culture life of modernist Vienna, and Peter Altenberg, whose literary fame rests mainly on his prose poems and who, a legend in his life-time, has in recent years also increasingly attracted research interest as a phenomenon and ‘embodiment’ of the culture of his time: while their engagement with French literature, for example, has long received its due share of attention, their debt to English culture has, until now, been neglected. This thesis, therefore, sets out to explore Hofmannsthal’s, Bahr’s and Altenberg’s perception and portrayal of English civilization – ranging from English character and stereotypes, to what they saw as the principles of British society; it goes on to investigate the impulses they derive from Pre-Raphaelite art (Rossetti, Burne-Jones, Whistler) and the art and crafts-movement centred around William Morris, as well as their inspiration by the art criticism of John Ruskin and Walter Horatio Pater. In English literature one of the focal points will be their reading and evaluation of aestheticism as it was reflected in the life and writings of the Dubliner Oscar Wilde, who was perceived, by these Austrian authors, as a predominant figure of London’s cultural life. Similarly, they regarded his compatriot George Bernard Shaw as a key player in turn-of-the-century English (and European) culture. Hermann Bhar largely identified with him. Hofmannsthal, on the other hand, while having some reservations, acknowledged his importance and achievements, whereas Peter Altenberg saw in Shaw a model to reassure him, as his writings were becoming more openly didactic and even more miniaturistic than they had already been. He turned to Shaw, too, to explain and justify his new goal of making his texts more intelligent to a wider circle of readers.

Rediscovery of the syntypes of Corydoras meridionalis R. von Ihering, 1911 (Teleostei, Siluriformes, Callichthyidae) and designation of lectotype

Os síntipos de Corydoras meridionalis Rodolpho von Ihering, 1911, tidos como desaparecidos da coleção de peixes do Museu de Zoologia da USP, foram encontrados; os exemplares tinham sido identificados como C. ehrhardti Steindachner, 1910, espécie atualmente considerada sinônimo sênior da primeira. O exame desses sintipos permite confirmar a sinonímia proposta. Dados sobre os síntipos são apresentados e comparados com os dados das descrições originais de C. ehrhardti e C. meridionalis, sendo comentadas as poucas diferenças encontradas entre eles. É designado o lectótipo de C. meridionalis e uma fotografia deste é apresentada.

Status of Early 19th-Century Names Authored in Parallel by Wied and Schinz for South American Reptiles and Amphibians, with Designations of Three Nomina Protecta

Prince Maximilian zu Wied's great exploration of coastal Brazil in 1815-1817 resulted in important collections of reptiles, amphibians, birds, and mammals, many of which were new species later described by Wied himself The bulk of his collection was purchased for the American Museum of Natural History in 1869, although many ""type specimens"" had disappeared earlier. Wied carefully identified his localities but did not designate type specimens or type localities, which are taxonomic concepts that were not yet established. Information and manuscript names on a fraction (17 species) of his Brazilian reptiles and amphibians were transmitted by Wied to Prof. Heinrich Rudolf Schinz at the University of Zurich. Schinz included these species (credited to their discoverer ""Princ. Max."") in the second volume of Das Thierreich ... (1822). Most are junior objective synonyms of names published by Wied. However, six of the 17 names used by Schinz predate Wied's own publications. Three were manuscript names never published by Wied because he determined the species to be previously known. (1) Lacerta vittata Schinz, 1822 (a nomen oblitum) = Lacerta striata sensu Wied (a misidentification, non Linnaeus nec sensu Merrem) = Kentropyx calcarata Spix, 1825, herein qualified as a nomen protectum. (2) Polychrus virescens Schinz, 1822 = Lacerta marmorata Linnaeus, 1758 (now Polychrus marmoratus). (3) Scincus cyanurus Schinz, 1822 (a nomen oblitum) = Gymnophthalmus quadrilineatus sensu Wied (a misidentification, non Linnaeus nec sensu Merrem) = Micrablepharus maximiliani (Reinhardt and Lutken, ""1861"" [1862]), herein qualified as a nomen protectum. Qualifying Scincus cyanurus Schinz, 1822, as a nomen oblitum also removes the problem of homonymy with the later-named Pacific skink Scincus cyanurus Lesson (= Emoia cyanura). The remaining three names used by Schinz are senior objective synonyms that take priority over Wied's names. (4) Bufo cinctus Schinz, 1822, is senior to Bufo cinctus Wied, 1823; both, however, are junior synonyms of Bufo crucifer Wied, 1821 = Chaunus crucifer (Wied). (5) Agama picta Schinz, 1822, is senior to Agama picta Wied, 1823, requiring a change of authorship for this poorly known species, to be known as Enyalius pictus (Schinz). (6) Lacerta cyanomelas Schinz, 1822, predates Teius cyanomelas Wied, 1824 (1822-1831) both nomina oblita. Wied's illustration and description shows cyanomelas as apparently conspecific with the recently described but already well-known Cnemidophorus nativo Rocha et al., 1997, which is the valid name because of its qualification herein as a nomen protectum. The preceding specific name cyanomelas (as corrected in an errata section) is misspelled several ways in different copies of Schinz's original description (""cyanom las,"" ""cyanomlas,"" and cyanom""). Loosening, separation, and final loss of the last three letters of movable type in the printing chase probably accounts for the variant misspellings.