« Le Livre du Jardin de contemplation », par « maistre JEHAN HENRY, chantre de l'eglise de Paris ».

Commençant par : « A religieuse et devote Seur en Jhesu Crist, l'abbesse du religieux colliege des Seurs minoriques de l'ordre Saincte Clare à Esgueperse... » et finissant par : «... nous vueille donner et ottroier icellui nostre Createur qui vit et regne in secula seculorum. Amen » . En tête du volume se trouve la lettre de « l'abbesse du colliege des Seurs minoriques de Saincte Clare à Aigueperse » à Jean Henry, pour le prier de composer le Jardin de contemplation.

Like Man, Like Woman: Roman Women, Gender Qualities and Conjugal Relationships at the Turn of the First Century

Modern scholarship often discusses Roman women in terms of their difference from their male counterparts, frequently defining them as 'other'. This book shows how Roman male writers at the turn of the first century actually described women as not so different from men: the same qualities and abilities pertaining to the domains of parenthood, intellect and morals are ascribed by writers to women as well as to men. There are two voices, however: a traditional, ideal voice and an individual, realistic voice. This creates a duality of representations of women, which recurs across literary genres and reflects a duality of mentality. How can we interpret the paradoxical information about Roman women given by the male-authored texts? How does this duality of mentality inform us about gender roles and gender hierarchy? This work analyses well-known, as well as overlooked, passages from the writings of Pliny the Younger, Tacitus, Suetonius, Quintilian, Statius, Martial and Juvenal and sheds new light on Roman views of women and their abilities, on the notions of private and public and on conjugal relationships. In the process, the famous sixth satire of Juvenal is revisited and its topic reassessed, providing further insights into the complex issues of gender roles, marriage and emotions. By contrasting representations of women across a broad spectrum of literary genres, this book provides consistent findings that have wide significance for the study of Latin literature and the social history of the late first and early second centuries.

Roman d'Aspremont.XIIIe siècle.

Barrois, Joseph. Manuscrit(s) provenant de sa collection

Pierre-Joseph Proudhon. Papiers. VI Cahiers de notes et extraits.

Fauré-Fremiet, Mme. Manuscrit(s) provenant d'elle

Nam Kim, pseudonyme de Pham Duy Khiêm. Ma Mère, roman. II Varia.

Contient : Mise au net du roman sur traitement de texte ; Claude Cuénot. Pham Duy Khiêm, tiré à part de l'article paru dans La Table ronde, n° 130-140, juillet-août 1959 ; Liste des œuvres de Pham Duy Khiem