983 resultados para Ford, Leonard
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Postcards of the Wiener Werkstätte: Selections from the Leonard A. Lauder Collection With additional works from the collection of The Wolfsonian--Florida International University, Miami Beach, Florida The exhibition is organized by the Neue Galerie New York and curated by Christian Witt-Dörring and Janis Staggs. Exhibition on view at The Wolfsonian--FIU November 15, 2012--March 31, 2013 The Wolfsonian's presentation was curated by Silvia Barisione and designed by Richard Miltner.
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General note: Title and date provided by Bettye Lane.
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General note: Title and date provided by Bettye Lane.
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General note: Title and date provided by Bettye Lane.
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El presente trabajo consta de un análisis y evaluación de errores de una interpretación simultánea desde el inglés hacia el español de un discurso oficial del cantautor y poeta Leonard Cohen.
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The subject of the thesis is Parade's End (1924–1928) by Ford Madox Ford. The thesis focuses on the portrayal of female identities and femininity in the context of societal changes in the beginning of 1900s and also uses two of Ford's essays about gender and women's rights as background. The construction of female identities is discussed via different themes. The themes are marriage, divorce and infidelity; motherhood, modernity and emergence of new gender identities in post-World War I environment, and polyamory as a solution for adulterous practices and empty, unhappy marriages. Parade's End portrays superficially modern female identities, but ends up enforcing women's role as mother and traditional femininity. However, the novel suggests that the strict gender boundaries are starting to fracture after WWI. This is depicted by portraying the men representing new masculinity as feminised and emphasising androgyny and boyishness when discussing representations of new femininity.