Profiling text comprehension impairments in aphasia

Background: Research in aphasia has focused on acquired dyslexias at the single word level, with a paucity of assessment techniques and rehabilitation approaches for individuals with difficulty at the text level. A rich literature from research with paediatric populations and healthy non-brain damaged, skilled adult readers allows the component processes that are important for text reading to be defined and more appropriate assessments to be devised. Aims: To assess the component processes of text reading in a small group of individuals with aphasia who report difficulties reading at the text level. Do assessments of component processes in reading comprehension reveal distinct profiles of text comprehension? To what extent are text comprehension difficulties caused by underlying linguistic and/or cognitive deficits? Methods & Procedures: Four individuals with mild aphasia who reported difficulties reading at the text level took part in a case-series study. Published assessments were used to confirm the presence of text comprehension impairment. Participants completed a range of assessments to provide a profile of their linguistic and cognitive skills, focusing on processes known to be important for text comprehension. We identified the following areas for assessment: reading speed, language skills (single word and sentence), inferencing, working memory and metacognitive skills (monitoring and strategy use). Outcomes & Results: Performance was compared against age-matched adult control data. One participant presented with a trend for impaired abilities in inferencing, with all other assessed skills being within normal limits. The other three had identified linguistic and working memory difficulties. One presented with a residual deficit in accessing single word meaning that affected text comprehension. The other two showed no clear link between sentence processing difficulties and text comprehension impairments. Across these three, data suggested a link between verbal working memory capacity and specific inferencing skills. Conclusions: Successful text reading relies on a number of component processes. In this paper we have made a start in defining those component processes and devising tasks suitable to assess them. From our results, assessment of verbal working memory and inferencing appears to be critical for understanding text comprehension impairments in aphasia. It is possible that rehabilitation input can capitalize on key meta-cognitive skills (monitoring, strategy use) to support functional reading in the face of existing linguistic, text comprehension and memory impairments.

Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents

This study explores how the typographic layout of information influences readers' impressions of magazine contents pages. Thirteen descriptors were used in a paired comparison procedure that assessed whether participants' rhetorical impressions of a set of six controlled documents change in relation to variations in layout. The combinations of layout attributes tested were derived from the structural attributes associated with three patterns of typographic differentiation (high, moderate, and low) described in a previous study (see Moys, 2014). The content and the range of stylistic attributes applied to the test material were controlled in order to focus on layout attributes. Triangulation of the quantitative and qualitative data indicates that, even within the experimental confines of limited stylistic differentiation, the layout attributes associated with patterns of high, moderate, and low typographic differentiation do influence readers' rhetorical judgments. In addition, the findings emphasize the importance of considering inter-relationships between clusters of typographic attributes rather than testing isolated variables.

Dancing, skating and sex: action and text in the digital age

This paper explores the relationship between discourse and action in practices involved in making and consuming texts. Texts are produced through the process of ‘entextualization’ in which strips of action and discourse are extracted from their original contexts and recontextualized into other situations. Different technologies for turning actions into texts affect the kinds of social actions and social identities that are made possible both at moments of entextualization and at future moments of recontextualization. In particular, I focus on how digital technologies affect the practices and participation structures around entextualization. Digital photography and video have had a profound effect on social practices and relationships around the making of texts. Specifically, they have made processes of entextualization more immediate, more contingent and more communal. Implications of these features of digital text making are discussed in light of previous work on literacy and orality.

The role of text in televideo cybersex

Televideo cybersex provides a unique example of the ways meanings are instantiated, identities constructed, and relationships negotiated across different semiotic modes. This article explores the role of verbal messages in these multimodal exchanges, examining the specific interactional functions they perform. Text, it is argued, plays a rather unique role in this particular kind of interaction. Unlike ordinary face-to-face conversation, in which the body (posture, gestures, gaze) usually plays more of an ancillary role, in televideo cybersex, the bodily performance is primary, with verbal messages functioning to contextualize physical actions. Text is used to help increase the sense of ‘presence’ participants feel, to regulate the rhythm of the unfolding interaction, to help manage the orderly exchange of information, and to create narrative frames within which bodily displays can be interpreted and made coherent.

Collabowrighting the hyper(play)text: a postdramatic digital poetics

The aim of this research is to exhibit how literary playtexts can evoke multisensory trends prevalent in 21st century theatre. In order to do so, it explores a range of practical forms and theoretical contexts for creating participatory, site-specific and immersive theatre. With reference to literary theory, specifically to semiotics, reader-response theory, postmodernism and deconstruction, it attempts to revise dramatic theory established by Aristotle’s Poetics. Considering Gertrude Stein’s essay, Plays (1935), and relevant trends in theatre and performance, shaped by space, technology and the everchanging role of the audience member, a postdramatic poetics emerges from which to analyze the plays of Mac Wellman and Suzan-Lori Parks. Distinguishing the two textual lives of a play as the performance playtext and the literary playtext, it examines the conventions of the printed literary playtext, with reference to models of practice that radicalize the play form, including works by Mabou Mines, The Living Theatre and Fiona Templeton. The arguments of this practice-led Ph.D. developed out of direct engagement with the practice project, which explores the multisensory potential of written language when combined with hypermedia. The written thesis traces the development process of a new play, Rumi High, which is presented digitally as a ‘hyper(play)text,’ accessible through the Internet at www.RumiHigh.org. Here, ‘playwrighting’ practice is expanded spatially, collaboratively and textually. Plays are built, designed and crafted with many layers of meaning that explore both linguistic and graphic modes of poetic expression. The hyper(play)text of Rumi High establishes playwrighting practice as curatorial, where performance and literary playtexts are in a reciprocal relationship. This thesis argues that digital writing and reading spaces enable new approaches to expressing the many languages of performance, while expanding the collaborative network that produces the work. It questions how participatory forms of immersive and site-specific theatre can be presented as interactive literary playtexts, which enable the reader to have a multisensory experience. Through a reflection on process and an evaluation of the practice project, this thesis problematizes notions of authorship and text.

A complex network approach to text summarization

Automatic summarization of texts is now crucial for several information retrieval tasks owing to the huge amount of information available in digital media, which has increased the demand for simple, language-independent extractive summarization strategies. In this paper, we employ concepts and metrics of complex networks to select sentences for an extractive summary. The graph or network representing one piece of text consists of nodes corresponding to sentences, while edges connect sentences that share common meaningful nouns. Because various metrics could be used, we developed a set of 14 summarizers, generically referred to as CN-Summ, employing network concepts such as node degree, length of shortest paths, d-rings and k-cores. An additional summarizer was created which selects the highest ranked sentences in the 14 systems, as in a voting system. When applied to a corpus of Brazilian Portuguese texts, some CN-Summ versions performed better than summarizers that do not employ deep linguistic knowledge, with results comparable to state-of-the-art summarizers based on expensive linguistic resources. The use of complex networks to represent texts appears therefore as suitable for automatic summarization, consistent with the belief that the metrics of such networks may capture important text features. (c) 2008 Elsevier Inc. All rights reserved.

The illusion of creation of the text

Is it really possible to create a (literary) text? It is actually impossible as to create an authentic text we need an authentic context which is impossible to create. So all the literary txets we have are not authentic and are not created authentically.

"Att gå med det i huvudet"-vägen från text till föreställning. : En scenografs arbetsprocess

Jag har försökt att sammanställa dels en enskild scenografs; Calle von Gegerfelts arbetsprocess i successiva steg, för att se hur denne arbetar fram en scenografi, dels har jag i en tabell försökt sammanställa flera scenografers arbetsprocesser för att se om det finns steg som är lika, och som gäller för flera scenografer. I resultatet av dessa sammanställningar har jag kunnat se hur von Gegerfelt steg för steg arbetar fram sin scenografi ända fram till teaterhändelsen. Det har framkommit att han har en lång process med rent tankearbete där omedvetna processer är tydliga och hur dessa successivt övergår till mer konkret arbete med händerna, för att till sist lämna över själva byggandet av scenografin och sömnaden av kläderna till andra. Vissa av dessa steg har han gemensamt med andra scenografer, men dessa har beskrivit de stegen med andra ord och på annat sätt, men man kan se att de hör ihop.

Hur fyra lärare arbetar med textsamtal i årskurs 4-6 : En studie om hur fyra lärare arbetar med textsamtal i syfte att bearbeta en text, samt vilka förmågor som kan utvecklas hos eleverna.

Syfte: Syftet med denna studie var att undersöka hur fyra lärare i grundskolan årskurs 4-6 arbetar med textsamtal i svenskundervisningen. Syftet var också att lyfta fram de förmågor som elever kan utveckla vid textsamtal samt pedagogens betydelse för textsamtalets genomförande. Utifrån syftet har följande frågeställningar formulerats. Dessa är: 1. Hur arbetar fyra lärare med textsamtal i svenskundervisningen i årskurs 4-6? 2. Vilken kunskap bör pedagogen ha för att kunna genomföra samtal om texter enligt de deltagande lärarna? 3. Hur vanligt förekommande är samtal om texter i grundskolan årskurs 4-6 rent generellt enligt de deltagande lärarna? 4. Vilka förmågor anser de intervjuade lärarna att elever kan utveckla vid samtal om texter? Metod: Den metod som har använts för att genomföra denna empiriska studie är observation och intervju. Urvalet som gjordes var att begränsa observationerna till fyra lektionstillfällen med fyra olika lärare. Den intervjuform som kändes mest lämplig att använda för detta ändamål var en halvstrukturerad ansats med ett kvalitativt utgångsläge. Resultat och analys: Resultatet visar att de fyra deltagande lärarna har en medvetenhet kring vad ett textsamtal innebär. Denna kunskap är en följd av att lärarna helt eller delvis använder sig av ett färdigt arbetsmaterial i undervisningen. I materialet ingår strukturerade textsamtal. Den slutsats som kan göras efter att ha genomfört både observationer och intervjuer, är att endast en lärare säger sig arbeta medvetet, regelbundet och strukturerat med textsamtal i undervisningen. Det var dock inget som observerades under lektionen jag deltog i. En av lärarna säger också att hon arbetar medvetet och strukturerat med aktiviteten men menar att det är svårt att få tiden att räcka till. De övriga två arbetar inte med textsamtal i undervisningen men den ena läraren uppger att hon använder sig av öppna frågor rent generellt i undervisningen. Ett tryggt klassrumsklimat, goda ämneskunskaper, kunskap i att ställa rätt frågor samt att vara förberedd är förmågor som benämns som betydelsefulla för att textsamtal ska kunna äga rum. Ingen av lärarna uppger att de tror att textsamtal är vanligt förekommande i skolan. Samtliga intervjuade lärare uppger ett antal förmågor som de menar att eleverna kan utveckla vid samtal om texter. Dessa är förmågan att kommunicera, förmågan att lyssna på andra, förmågan att uttrycka egna åsikter samt att kunna reflektera, analysera och bygga vidare på resonemang.