Todo nordeste que couber a gente publica: o The New York Times e as representa����es do nordeste brasileiro na era da pol��tica da boa vizinhan��a (1933-1945)

The Brazilian Northeast has been a constant subject for journalists of one of the world's leading media companies - The New York Times - between 1933 and 1945. This time, the US government implemented a new foreign policy for Latin America - known as the Good Neighbor Policy. It preached, various points including more respect and attention to the countries south of U.S. borders. Because of her geostrategic importance, Brazil was one of the countries that received the most attention of the bureaucracy and American press. This study investigates the multiple Northeast representations formulated in The New York Times' pages when the Americans were spotlight is on the region. It delineates similarities and differences between the NYT, the press and the governments of the United States and Brazil from the ways of conceiving this particular part of Brazil. Through the analysis of texts, photographs and maps, it is dedicated to establish connections between spaces, press and politics of the 1930s and 1940s. These decades there were relevant changes in the political landscape of both countries that permeated the news, reports and articles of NYT. Circumstances such as the 1935 armed uprisings - known as Communist Conspiracy - the installation and operation of the New State, and especially the Brazilian and US participation in World War II and the bilateral negotiations on the installation of US bases in Brazil were cardinal for the various Northeast images that circulated in the publication. The region was repeatedly subject of correspondent of the New York newspaper in Brazil, Frank M. Garcia, but also present on matters of professionals responsible for various sections: review of books, publishing, tourism, foreign affairs, etc. Along the investigated period, the visions of the region made in the articles published in the newspaper that suffered major metamorphoses. Starting with Northeast of the drought, famine and death recurrent in Brazilian literature to the most dangerous point for hemispheric defense, passing through representations of the American West lawless nineteenth century and the Latin America marked by the dominance of exotic nature and stagnation, a space to be transformed by the US technical knowledge.

Atua����es e pap��is femininos: o corpo a corpo da atriz no teatro pernambucano durante a ditadura militar

This research investigated the female performance in Pernambuco theater during the Brazilian military dictator ship in the 1970s, analyzing the works of four actresses of theater groups Hermilo Borba Filho, Experiential and Expression, who acted in the period. Launches a look at the female body in the theater from a body scenic transgression: the conscience of a body insubordination in response to a given context. However, before delineated an overview of the artistic and socio - cultural position of women in the theater, in the periods prior to the dictatorship in Brazil and Pernambuco, covering theatrical and historical references, in order to reflect on how these settings interfered in the picture Social actr ess under the dictatorship. The groups are revisited by the looks of interpreters, which was perceived that female targeted search relationships, and in this context, relations with other theater groups of the time, with other artists of the groups that we re inserted with the dictatorial context with censorship, with the offender engaged and theater, with the body. In parallel, it develops a reflection on the scenic body that opposed the dictatorship, a body that violates the established norms, the Transgre ssor Body. The research also discusses an analogy between the work of the actresses who opposed the military regime and militant women. Starting from analyzes with interviews with the actresses from the methodologies of Oral History and Discourse Analysis, the study is developed by building up connections between the testimonies of the artists and the philosophical assumptions of Henri Bergson, on the body and memory. It is also designed to reflect on the changes of the female body in the theater in history , also in line with the philosophical concept of Becoming Woman Felix Guattari. It was found, therefore, that the actresses from the nineteenth century, were a group of female social actors who changed the position of women in history; the stigmatization o f the actress by profession, considered indecent in previous centuries, left traces in some areas today and the idea of the liberation of the female body propagated by feminism in the 1970s, was configured at the time as the best way to protest and will influence, in some contexts, the representation of women in their theatrical make.

"Do alto da colina" - a prov��ncia do Rio Grande do Norte, o com��rcio, os rios Potengi e Jundia�� e o complexo comercial do Guarapes 1850 - 1900

The commercial complex Guarapes was during the second half of the nineteenth century most commercial street of Rio Grande do Norte province. In that time frame, you can see its flourishing as one of the central places of trade in the province in 1850, and its subsequent abandonment in 1900. This thesis aims to investigate, in its first part, the paths that help to understand, as the context of the expansion of global markets in the second half of the nineteenth century enabled the conditions for the emergence of the commercial complex. However, trade relations established in this province through the commercial complex, even participating in this global environment, reserved particular characteristics in their social and trade relations, as if dealing with a peripheral province, we look at the uniqueness of the relationship occurred in this space. In the second part, we seek to understand the importance that the rivers Potengi and Jundia�� had to install the commercial complex Guarapes in the second half of the nineteenth century. As the geographical position in relation to rivers, enabled this space became flow zone and confluence of goods distributed to the various parts of the interior of the province. We also monitor the process that made these rivers leave the role of mobility and transport relations in this space, giving way the railways and roads shooting. In the third part, we seek to understand the commercial complex Guarapes in focus. Analyzing their spatial distribution on the landscape, and how the spatial organization held at the same time traces of the Brazilian patriarchy exposed by Gilberto Freyre, but also "modern" features, due to the increase of a new culture inserted material in the province. We also seek to understand elements of material culture that was the environment of the complex, and how these materials are important sources for understanding this society under study. We treat from the biggest to the smallest fragments without hierarchize them. Understanding that, the study associated the written sources and materials provide a gain in understanding of everyday these people who lived in that area of the complex in the second half of the nineteenth century.

Do ancoradouro �� sala de espera: as obras de melhoramento do porto e a constru����o de uma Natal moderna (1893-1913)

Through the nineteenth century, it was constant in the discourse of the local norte-rio-grandenses (Natal city, Brazil) administrators, the appeal for subsidy to the central government for the works of the port of Natal upgrade. The port in the capital, the main route of the Rio Grande do Norte communication, because of the limitations attached to it, as the dunes surrounding the city spreading sand in the riverbed, and several reefs located along the coast, did not allow the entry in his berth larger ships. These difficulties brought major problems the province, who could not hold the flow of production coming from the inside, resulting in the north of Rio Grande political scene, questioning the centrality of Christmas position in the province. Only Republican scheme had been approved credit by the federal government for the improvement works of the port. The port became the Republican political discourse Potiguar one of the main promises to bring "progress" the Potiguar land, being placed as a central issue of which depend on the "future" of the state. The objective of this study is to analyse the emergence of a new port concept in speeches and interventions of the local ruling groups in the early twentieth century. We analyse the emergence of a modern notion of port, marked by the organizing effort, rationalization and regulation of port activities by the state, and the new relationship assumed by the harbour front to the city resulting from this new perception. The port has become for local leaders to groups of capital "waiting room", requiring change of the composition of urban space for integrating the port to the city. The Port of Natal became endowed with a pedagogical function, incorporating the urban fabric, codes, values and practices considered by local managers as modern and civilized. This new city space, considered a "waiting room", caused conflicts between the local ruling groups and influential figures in the Potiguar political field, which sought to encourage with the process of organizing the harbour front undesirable regarded figures in the city views as an impediment to the image of progress and modernity that the dominant groups intended to expose the port.

Uma leitura de g��nero nos contos "Prel��dio", "Na ba��a" e "A casa de bonecas", de Katherine Mansfield

This work aims to analyze the short stories ���Prelude���, ���At the Bay��� and ���The Doll���s House���, by Katherine Mansfield under the prism of the gender studies (mainly on the works of Joan Scott and Elisabeth Badinter). To reach such objective, and based on the feminist criticism works (especially those of Elaine Showalter and Toril Moi), we analyzed the three stories, which are from the writer���s so-called ���family phase���. The present work contains a bibliographical contextualization of Mansfield���s modernist work under three main aspects: modernism, the short story and women���s writing/writings on women. From the analysis of the three short stories, we observed that questions of gender, representation and identity were depicted by means of the preponderance of female characters from all ages, marital statuses and classes. At the end it was possible to verify how Mansfield works contributed to a reflection about places and roles occupied by women in turn of the XIX and XX Centuries, whereas how this author was also in search for her own identity as a woman and as a writer, exactly in a context when women writers and women���s writings started to become more visible face to a predominantly masculine literary canon.

Desde una arqueolog��a inclusiva, por un pasado mejor. Un ensayo epistemol��gico y axiol��gico

En este trabajo se reflexiona sobre la necesidad de un marco epistemol��gico inclusivo que aborde la multivocalidad de los procesos hist��ricos objeto de estudio y permita crear relatos hist��ricos m��s plurales y representativos. Pero el relato sobre el pasado ser�� mejor si, adem��s de ser inclusivo a nivel epistemol��gico, tambi��n contribuye de alguna manera a mejorar la sociedad actual. Por ello se reclama una arqueolog��a que incluya una preocupaci��n axiol��gica y busque posibles ��mbitos de aplicaci��n para los resultados de sus investigaciones. Ejemplificamos esta reivindicaci��n con un caso de estudio sobre cer��mica, que subraya que los objetos cotidianos fueron y son utilizados en las estrategias de construcci��n social de la desigualdad. En este contexto se reclama la toma de consciencia de esta pr��ctica en la actualidad y la renuncia a determinados recursos discursivos. Por ejemplo, se propone retomar el concepto inclusivo, este vez para oponerlo a la significaci��n social del adjetivo exclusivo. Aunque todas estas reflexiones derivan de casos de estudio de arqueolog��a hist��rica, pueden ser ��tiles a la arqueolog��a en general, sin sesgo cronol��gico alguno.

Gibiteca escolar: um instrumento para o aprendizado

OLIVEIRA, Marta Raquel Santos de; SOUZA, Patr��cia Severiano Barbosa de. Gibiteca escolar: um recurso para o aprendizado. In: SEMIN��RIO DE PESQUISA DO CCSA, XVI., 2010, Natal. Anais eletr��nicos... Natal: UFRN, 2010. Dispon��vel em: <http://www.ccsa.ufrn.br/seminario2010/anais/artigos/gt3-12.pdf>.

A Revue Des Deux Mondes

Originalmente tese de doutorado da autora, defendida na Universidade de S��o Paulo, a obra discorre acerca do papel dos peri��dicos recreativos, cient��ficos e liter��rios na sociedade brasileira do século Xix e in��cio do século XX. Demonstrando amplo dom��nio bibliogr��fico a respeito das discuss��es mais recentes sobre o assunto, a autora preenche uma lacuna sobre a revista francesa, que logo caiu no gosto das elites brasileiras a partir do Segundo Reinado.

Gibiteca escolar: um instrumento para o aprendizado

OLIVEIRA, Marta Raquel Santos de; SOUZA, Patr��cia Severiano Barbosa de. Gibiteca escolar: um recurso para o aprendizado. In: SEMIN��RIO DE PESQUISA DO CCSA, XVI., 2010, Natal. Anais eletr��nicos... Natal: UFRN, 2010. Dispon��vel em: <http://www.ccsa.ufrn.br/seminario2010/anais/artigos/gt3-12.pdf>.

Francisco Xavier Ferreira: prim��rdios da imprensa Rio-Grandina

O presente trabalho tem por objetivo contribuir com a historiografia liter��ria sul-rio-grandense e seu sistema liter��rio, atrav��s do resgate da obra impressa por Francisco Xavier Ferreira em sua tipografia e dos registros liter��rios da primeira metade do século XIX publicados no jornal O Noticiador. Ao coletar e analisar esses dados, pode-se divulgar melhor os autores, poemas e outros textos pouco conhecidos da regi��o sul do Rio Grande do Sul. Tamb��m �� poss��vel certificar a veracidade dos dados biogr��ficos referentes aos autores que publicaram nesse peri��dico. Reunir os dados esparsos sobre Francisco Xavier Ferreira e seus contempor��neos permite igualmente conhecer melhor a história da imprensa no Rio Grande do Sul, j�� que esse fundou a primeira tipografia e o primeiro jornal da cidade de Rio Grande. Al��m dos impressos de 1831 e 1834, o conte��do liter��rio existente no jornal O Noticiador, publicado de 1831 a 1836, �� a fonte primordial para o para entender a inser����o da literatura no contexto intelectual da ��poca. Desta forma, busca-se entender a literatura produzida na d��cada de 1830, bem como resgatar o contexto liter��rio da ��poca em que foi produzida.

Consequences of intercultural practices in Miguel Sousa Tavares' Equator

This article involves the analysis of a case-study, so I have chosen Equador by the Portuguese author Miguel Sousa Tavares. His book recreates the story of Sao Tome and Principe's people living under strict circumstances, while belonging to the Portuguese empire as one of its overseas' province. The forthcoming lines contain an approach to interculturality by analyzing these concrete circumstances. These lines also describe and study the differences between cultures - the Portuguese, as a European culture, and the Equatorial, as a colonized people's culture. The theme is old, but always relevant: the clash of value systems and the impossibility of forcibly overlaying one society on another. Slavery has existed as a common practice in most civilizations throughout history, based upon the superiority of a human being towards another. In socially hierarchized communities slavery was a major principle, almost a need. That way, some would benefit from exuberating privileges but many others only from hard working and giving their freedom up to be mistreated instead. In order to have a socially structured community, they were to be seriously and consciously neglected.

Palavra, a heran��a de um povo ��� o encontro Intergeracional atrav��s da Literatura Popular

Trabalho de Projeto apresentado para cumprimento dos requisitos necess��rios �� obten����o do grau de Mestre em Ci��ncias da Educa����o: ��rea de especializa����o em Anima����o da Leitura RENATES TID 201003139

Metamorfoses musicais em concerto

Uma transcri����o musical consiste numa composi����o adaptada de uma obra original para outra instrumenta����o, que n��o a inicialmente definida pelo compositor. Nestas, o conte��do original tende a permanecer o mais fiel poss��vel (De Vente, 2005). A partir do século XIX esta pr��tica tornou-se corrente e prol��fica. Atualmente, o uso de transcri����es �� bastante comum, especialmente quando destinado a instrumentos musicais com uma história recente devido �� sua falta de repert��rio can��nico. Um instrumento caracter��stico deste ��ltimo grupo �� o saxofone para o qual se tem transcrito uma grande quantidade de obras com especial ��nfase nos per��odos barroco e rom��ntico. Nesta monografia detalho uma abordagem metodol��gica �� transcri����o musical que visa expandir o repert��rio para saxofone para al��m dos per��odos barroco e rom��ntico, assim como instrumenta����es e desafios diversos no processo de adapta����o tais como: adaptar obras polif��nicas para um instrumento monof��nico, transcrever gestos t��cnicos e espec��ficos de um instrumento de corda e criar continuidades sonoras t��picas do uso do pedal no piano no saxofone. O processo de transcri����o descrito nesta monografia imp��e uma metamorfose timbrica ��s obras originais e oferece ao ouvinte uma perspectiva diferente sobre o conte��do musical assim como questiona conceitos de autenticidade e autoria. Quatro composi����es que seguem a atual proposta de transcri����o s��o apresentadas e documentadas. De ressaltar a diversidade de escolhas do repert��rio transcrito em termos de estilo, e instrumenta����o que se traduzem num grande desafio na adapta����o ao saxofone, entre estas: Dream, John Cage, Chaccone em Sol menor, Tomaso Vitali, Fratres, Arvo P��rt e o Inverno das Quatro Esta����es, Antonio Vivaldi.

A educa����o hist��rica e as m��dias digitais construindo o conhecimento hist��rico em sala de aula

O presente trabalho tem como objetivo investigar se o uso de m��dias digitais pode ou n��o contribuir para a progress��o das ideias hist��ricas dos jovens em idade de escolariza����o. A pesquisa tem seus pressupostos te��ricos e metodol��gicos pautados na Educa����o Hist��rica, linha de pesquisa do Ensino de História que se preocupa com a busca de respostas concernentes ao desenvolvimento do pensamento hist��rico e a forma����o da consci��ncia hist��rica de crian��as e jovens. A disserta����o �� composta de tr��s cap��tulos, o primeiro intitulado O Ensino de História em sua historicidade aborda a História do Ensino de História no Brasil desde seu surgimento no século XIX,at�� a primeira d��cada do século XXI, e o modo como est�� estruturado enquanto disciplina escolar no ensino b��sico brasileiro, o surgimento e incorpora����o das m��dias digitais no cotidiano dos sujeitos e a consequente produ����o de novos sentidos, e tamb��m a forma como a Educa����o Hist��rica se prop��e enquanto campo te��rico e metodol��gico para a aprendizagem de História intermediada por essas recentes tecnologias. No segundo cap��tulo denominado Ideias t��citas dos jovens a respeito do modo de vida e origem dos primeiros homens e mulheres foi investigado as ideias iniciais das duas turmas de 6�� ano do ensino fundamental analisadas nesta pesquisa, com base na ideia substantiva, a origem e modo de vida dos primeiros homens e mulheres, o sentido que os jovens atribuem ��s experi��ncias humanas ocorridas ao longo do tempo, bem como, a aplica����o da Unidade Tem��tica Investigativa a partir dos conhecimentos pr��vios dos educandos. O terceiro cap��tulo intitulado A constru����o do conhecimento hist��rico intermediado pelas m��dias digitais, trata da an��lise dos dados da pesquisa de modo a investigara progress��o das ideias hist��ricas dos jovens, com base na compara����o de suas narrativas iniciais e finais, elaboradas ao longo da aplica����o da pesquisa.

El reconocimiento social de los curanderos y la construcci��n de una identidad m��dica en el siglo XIX en Brasil

El art��culo intenta discutir la formaci��n de la identidad m��dica a partir del an��lisis del proceso de descalificaci��n oficial de los curanderos y de los esfuerzos por diferenciar el conocimiento m��dico de la llamada charlataner��a en R��o de Janeiro de la primera mitad del siglo XIX. En este sentido, se trata de se��alar la diferencia entre el per��odo en que las actividades de los curanderos eran legitimadas por la Fisicatura-mor (��rgano del gobierno responsable por la normatividad de las pr��cticas de cura) a partir de la concesi��n de licencias a los mismos y luego para el momento en que los m��dicos organizados en instituciones y articulados pol��ticamente comienzan el proceso de descalificaci��n de los curanderos populares y tambi��n en la apropiaci��n de sus conocimientos. El art��culo analiza las licencias y peticiones as�� como discursos de pol��ticos del per��odo para demostrar la b��squeda de la hegemon��a social del conocimiento m��dico, principalmente por la asociaci��n del conocimiento de las plantas dominadas por los curanderos populares y la legitimidad de la poblaci��n hacia ellos.