Tradução e adaptação transcultural do domínio função física do Patient-Reported Outcomes Measurement Information System – PROMIS® - versão para a língua portuguesa

In 2004, the National Institutes of Health made available the Patient-Reported Outcomes Measurement Information System – PROMIS®, which is constituted of innovative item banks for health assessment. It is based on classical, reliable Patient-Reported Outcomes (PROs) and includes advanced statistical methods, such as Item Response Theory and Computerized Adaptive Test. One of PROMIS® Domain Frameworks is the Physical Function, whose item bank need to be translated and culturally adapted so it can be used in Portuguese speaking countries. This work aimed to translate and culturally adapt the PROMIS® Physical Function item bank into Portuguese. FACIT (Functional Assessment of Chronic Illness Therapy) translation methodology, which is constituted of eight stages for translation and cultural adaptation, was used. Fifty subjects above the age of 18 years participated in the pre-test (seventh stage). The questionnaire was answered by the participants (self-reported questionnaires) by using think aloud protocol, and cognitive and retrospective interviews. In FACIT methodology, adaptations can be done since the beginning of the translation and cultural adaption process, ensuring semantic, conceptual, cultural, and operational equivalences of the Physical Function Domain. During the pre-test, 24% of the subjects had difficulties understanding the items, 22% of the subjects suggested changes to improve understanding. The terms and concepts of the items were totally understood (100%) in 87% of the items. Only four items had less than 80% of understanding; for this reason, it was necessary to chance them so they could have correspondence with the original item and be understood by the subjects, after retesting. The process of translation and cultural adaptation of the PROMIS® Physical Function item bank into Portuguese was successful. This version of the assessment tool must have its psychometric properties validated before being made available for clinical use.

Qualidade de vida na demência – adaptação transcultural dos questionários DEMQOL e DEMQOL-Proxy para a população portuguesa: equivalência semântica, conceptual e de conteúdo

Objetivo - Adaptar e realizar a transculturação dos questionários DEMQOL e DEMQOL-Proxy para a população portuguesa, construídas por Smith et al, em 2005, que pretendem colmatar as lacunas existentes aos dados relacionados com a qualidade de vida no que remete a esta em utentes com demência leve, moderada e severa. Metodologia – A metodologia inclui a parte de revisão da literatura (problemática em questão) e o processo de adaptação dos questionários. O processo implica tradução, retroversão, revisão e adaptação cultural à nossa cultura. Foram recolhidos alguns dados demográficos, com o intuito de melhor caracterização da população. Resultados – Os questionários DEMQOL e DEMQOL_Proxy versão portuguesa demostraram muito boa consistência interna α = 0,747 e 0,812, respetivamente. Apresentam excelente reprodutibilidade entre itens (ICC= 0,845 (-0,484 – 0,984; IC 95%) para o DEMQOL e 0,812 (0,636 – 0,928; IC 95%) para o DEMQOL-Proxy. Conclusões – Foi conseguida a equivalência semântica, conceptual e de conteúdo dos questionários que mostraram ser indicados para a população portuguesa, com bons indicadores em algumas das suas propriedades psicométricas, nomeadamente: consistência interna e reprodutibilidade entre itens.

Transcultural satire in German fiction of Turkish migration: Self-deprecation, ethnic impersonation, intertexuality

My dissertation presents a study of satire in contemporary German Fiction of Turkish migration. Engaging with a body of works hitherto neglected in scholarship, I examine how satirical texts, films, and plays intervene critically in discourses on post-unification German national identity. Drawing on the seminal work of scholars such as Leslie Adelson, Tom Cheesman, B. Venkat Mani, Petra Fachinger, and Deniz Göktürk, my dissertation expands the scholarship of Turkish German Studies by linking a discussion of satire as a critical rhetoric to the question of how we talk about what it means to be German.

Chapter one offers a novel framework of the satirical vis-à-vis standard conceptions of satire and deconstructionist theories of reading. I understand satire as a form of rhetoric that creates moments of ambiguity by bringing together intersectional categories like gender, ethnicity, race, religion, in order to challenge the audience’s practices of interpreting cultural otherness. Chapter two examines the use of ethnic self-deprecation as one such strategy in Osman Engin’s short stories and his first novel, Kanaken-Ghandi through the lens of Bakhtinian polyphony and Judith Butler’s work on hate speech. Engin, I argue, employs ethnic selfdeprecation as a narrative strategy to straddle the line between deconstructing and re-affirming cultural stereotypes. Investigating the role of ethnic impersonation in Hussi Kutlucan’s film Ich Chef, Du Turnshuh, the third chapter turns to the question of ethnicity as a visual signifier for the negotiation of cultural inclusion and exclusion in post-1990 film. In dialogue with Katrin Sieg’s work on ethnic drag and Amy Robinson’s theory of passing, I show how the film challenges ethnically-coded narratives of Germanness. In the final chapter on Nurkan Erpulat and Jens Hillje’s play Verrücktes Blut, I discuss how intertextuality and adaptation (Hutcheon, Genette) of different story and character worlds are used to create moments of ambiguity and overdeterminacy in the play, in order to challenge the audience’s perception of what an inclusive German society might look like.

Culture in Transfer: Translation and Transcultural Communication International Conference

It is widely acknowledged that interpreters need to have knowledge of the cultures represented by the languages they work with (e.g. Roy 2002, Angelelli 2004, Wadensjŏ 2008). However, it is not clear what interpreters are expected to do with this knowledge. Some scholars recommend that interpreters be cultural mediators (e.g. Katan 2004 & 2014). As an attempt to examine existing guidelines on interpreters’ roles in the face of cultures/cultural issues, the research reported in this paper compares and contrasts the codes of conduct for interpreters from a number of associations and institutions in the UK, the US and China. The research has collected three different sets of data and has sought to investigate (1) in what ways interpreters are expected to do with their knowledge of cultures; (2) to what extent interpreters’ role as cultural mediators is referred to or defined in these codes of conduct; and (3) whether or not relevant guidelines are practically helpful for interpreters to deal with the range of cultural issues they may encounter in interpreting. Data analysis suggests that while cultural knowledge is a requisite for interpreters, the expectation for them to be cultural mediators may depend on the types of interpreting setting they work with and further guidelines are needed so that interpreters are clear on what they are required to do in dealing with cultural issues. The paper then discusses the implications of these findings and points to some directions for future research. Key references Brunette, L., G Bastin, I. Hemlin and H. Clarke (ed.). The Critical Link 3: Interpreters in the Community. Amsterdam/Philadephia: John Benjamins. Hale, S. 2007. Community Interpreting. Hampshire, New York: Palgrave Macmillan. The International Association of Conference Interpreting, 2015. Interpreting Explained. Available from: http://aiic.net/; accessed on 24 June 2015 Katan, David, --- 2004. Translating Cultures: An Introduction for Translators, Interpreters and Mediators. St Jerome. --- 2014. Workshop: Translation at the cross-roads: time for the transcreational turn? University College London. Martín, Mayte C. & Mary Phelan, 2009. Interpreters and Cultural Mediators – different but complementary roles. In: Translocations: Migration and Social Change. ISSN Number: 2009-0420 (online) McDonough Dolmaya, Julie, (2011. Moral ambiguity: Some shortcomings of professional codes of ethics for translators. In: The Journal of Specialised Translation. Issue 15, January 2011 (online). Pöchhacker, F., 2008. Interpreting as Mediation. In: (ed.) Valero Garcés, C. and Martin, A, Crossing Borders in Community Interpreting: definitions and dilemmas, pp. 9-26. John Benjamins Amsterdam and Philadelphia. Roy, Cynthia B., 2002. The Problem with Definitions, Descriptions, and the Role Metaphors of Interpreters. In: (ed.) Pöchhacker, Franz & Miriam Shlesinger, The Interpreting Studies Reader. Routledge. Wadensjö 1998. Interpreting as Interaction. New York: Addison Wesley Longman Inc.

Validação Transcultural das Escalas ZKPQ-50-CC (Personalidade), BAS (Imagem Corporal) e AS (Ambivalência na Decisão de Ter Relações Sexuais) para Adolescentes

Introdução: A adolescência é um período onde se operam muitas mudanças tanto físicas como psíquicas. É comum o surgimento de algumas perturbações que devem ser convenientemente avaliadas pelo Psicólogo. É assim, muito importante o rigor na avaliação em Psicologia sendo essencial a utilização de instrumentos que sejam válidos e fiáveis. Metodologia: O principal objetivo deste estudo foi traduzir e validar, para a população portuguesa, três instrumentos de avaliação de adolescentes: O Zuckerman Kuhlman Personality Questionnaire Cross-cultural 50 items version (ZKPQ-50-CC) (Aluja, Rossier, García, Angleitner, Kuhlman, & Zuckerman, 2006), para avaliação da personalidade; a Body Appreciation Scale (BAS) (Avalos, Tylka & Wood-Barcalow, 2005), para avaliação da apreciação corporal positiva e; a Ambivalence Scale (AS) (Pinquart, 2009) para avaliação da ambivalência na decisão de ter relações sexuais. Este estudo metodológico incidiu sobre 877 a adolescentes das escolas secundárias em Leiria e Porto de Mós sendo maioritariamente (64,08%) do sexo feminino e com média de 16,70 anos (DP = 1,21) de idade. Na validação seguiu-se a mesma metodologia dos autores das escalas originais a quem foi solicitada autorização, assim como às direções das instituições onde recolhemos os dados. Solicitou-se igualmente consentimento aos pais e aos adolescentes. Resultados: A Body Appreciation Scale (BAS) e a Ambivalence Scale (AS) constituídas por 7 itens, permitem obter uma pontuação global e apenas um fator. Por seu lado, a determinação das caraterísticas psicométricas do ZKPQ-50-CC permite manter as 5 escalas da estrutura do original. Conclusão: Os três instrumentos apresentam valores de consistência interna e validade que permitem que sejam considerados rigorosos e fiáveis podendo ser utilizados futuramente em avaliação e investigação. / Introduction: Adolescence is a period of a lot of changes both physical and psychic. It´s common the emergence of some disorders that should be properly evaluated by the Psychologist. It is thus very important the rigor of Psychological Evaluation and it´s essential to use instruments that are valid and reliable. Metodology: The main objective of this study was to translate and validate, for the Portuguese population, three assessment instruments in adolescence: The Zuckerman Kuhlman Personality Questionnaire Cross-cultural 50 items version (ZKPQ-50-CC) (Aluja, Rossier, García, Angleitner, Kuhlman , & Zuckerman, 2006) for personality assessment, the Body Appreciation Scale (BAS) (Avalos, Tylka, & Wood Barcalow, 2005), to evaluate the positive body assessment; and the Ambivalence Scale (AS) (Pinquart, 2009) for assessment of ambivalence in the decision about having sexual intercourse. This methodological study focused on 877 adolescents from high schools in Leiria and Porto de Mós, mostly females (64,08%), mean age of 16,70 years old (SD = 1,21). The validation followed the same methodology the authors of the scale, to whom consent was requested, as well as to directors of the institutions where we collect data. We also asked for consent to parents and adolescents. Results: The Body Appreciation Scale (BAS) and the Ambivalence Scale (AS), both with seven items, allow to obtain an overall score and only one factor. For its part, the determination of the psychometric features of QPZK-50-CC allows to maintain the five scales of the original structure. Conclusion: The three instruments show internal consistency and validity that allow them to be considered accurate and reliable and used in future evaluation and research.

Adaptação transcultural da Infiltration Scale para o português

Objetivo: Traduzir, adaptar e avaliar as propriedades psicométricas da Infiltration Scale para a cultura portuguesa. Métodos: Estudo metodológico de adaptação transcultural com avaliação das propriedades psicométricas da Infiltration Scale em uma coorte com 110 adultos submetidos à terapia intravenosa. Resultados: Na tradução e adaptação cultural, as adequações linguísticas foram discutidas pelos investigadores e um painel de especialistas, havendo concordância em 85,71% dos critérios clínicos, exceto "Possible numbness". A escala captou infiltração em 48 pacientes (prevalência de 60%). O edema foi o principal sinal evidenciado na inserção e áreas adjacentes ao cateter venoso. A consistência interna, determinada pelo alfa de Cronbach, foi de 0,85. Conclusão: A escala adaptada para a cultura portuguesa apresentou equivalência linguística em relação à original, mostrou-se válida e fidedigna, com boa consistência interna para avaliar a infiltração. A avaliação sistemática da infiltração com recurso a escala poderá subsidiar a tomada de decisão e implementação de medidas preventivas.

Implicaciones de la edad y el país de pertenencia en la relación entre apoyo emocional percibido y depresión: un estudio transcultural

En el presente trabajo nos proponemos profundizar en el estudio de las implicaciones que la edad y los factores de tipo cultural asociados a la nacionalidad, puedan presentar respecto a la relación entre apoyo social y depresión. Con este objetivo, se ha entrevistado a una muestra total de 1503 personas de edad adulta (jóvenes, adultos y personas de edad avanzada) pertenecientes a España, Cuba y México. Para la evaluación de la depresión, se ha empleado el cuestionario CES-D, mientras que para la evaluación del apoyo emocional percibido y la satisfacción con el mismo, se aplicó un modelo estructurado de autoinforme elaborado por nosotros en el que se recoge la percepción de disponibilidad de apoyo emocional en diferentes fuentes (pareja, familiares, amigos, compañeros, vecinos) y la satisfacción con el mismo. Los resultados obtenidos indican que la relación obtenida entre apoyo emocional percibido según distintas fuentes y los valores en sintomatología depresiva está sujeta a variaciones en función de las influencias culturales asociadas al país de pertenencia de los sujetos entrevistados, y a su edad, así como a la interacción entre ambas variables.

Transcultural adaptation and validation of the Celiac Dietary Adherence Test: a simple questionnaire to measure adherence to a gluten-free diet

Background and aims: A gluten-free diet is to date the only treatment available to celiac disease sufferers. However, systematic reviews indicate that, depending on the method of evaluation used, only 42% to 91% of patients adhere to the diet strictly. Transculturally adapted tools that evaluate adherence beyond simple self-informed questions or invasive analyses are, therefore, of importance. The aim is to obtain a Spanish transcultural adaption and validation of Leffler's Celiac Dietary Adherence Test. Methods: A two-stage observational transversal study: translation and back translation by four qualified translators followed by a validation stage in which the questionnaire was administered to 306 celiac disease patients aged between 12 and 72 years and resident in Aragon. Factorial structure, criteria validity and internal consistency were evaluated. Results: The Spanish version maintained the 7 items in a 3-factor structure. Feasibility was very high in all the questions answered and the floor and ceiling effects were very low (4.3% and 1%, respectively). The Spearman correlation with the self-efficacy and life quality scales and the self-informed question were statistically significant (p < 0.01). According to the questionnaire criteria, adherence was 72.3%. Conclusion: The Spanish version of the Celiac Dietary Adherence Test shows appropriate psychometric properties and is, therefore, suitable for studying adherence to a gluten-free diet in clinical and research environments.

Convivencia escolar en instituciones de educación secundaria: un estudio transcultural desde la perspectiva estudiantil

La convivencia escolar es uno de los componentes de la educación acerca del cual se ha desarrollado un extenso debate, por más de cincuenta años. La idea de establecer una definición operacional del constructo, acentúa la necesidad de desarrollar estudios comparativos transculturales que faciliten su entendimiento. De igual forma, se enfatiza en la escasez de instrumentos con propiedades psicométricas que permitan analizar las variables que definen la convivencia escolar. Por tanto, el presente estudio utilizó la metodología cuantitativa con un diseño de investigación transversal descriptivo de tipo no experimental (i.e., ex post facto) para analizar la convivencia en centros escolares en los países de Argentina, España, México y Puerto Rico, desde la perspectiva de las comunidades estudiantiles, con el fin de conocer sus diferencias, similitudes e identificar perfiles. Además, se empleó un instrumento cuyas características técnicas también se analizaron como parte de la investigación. Los resultados que se obtuvieron a través de los distintos análisis demostraron que, de manera general, los estudiantes valoran positivamente la convivencia en sus respectivos centros. Sin embargo, al comparar los tipos de agresiones entre los países, se encontró diferencia más alta, estadísticamente significativa, en las agresiones físicas que se cometieron en los centros escolares mexicanos. Asimismo, los estudiantes puertorriqueños fueron principalmente víctimas de agresiones verbales y psicológicas, mientras que los españoles se declararon mayoritariamente agresores verbales. Por otro lado, la variable normas para la convivencia escolar fue la que más influyó en el nivel de victimización y agresión. Las propiedades psicométricas que presentó el Cuestionario de Alumnos lo hacen un instrumento que podría ayudar al personal de los centros escolares a recopilar evidencias acerca de sus situaciones y, en consecuencia, desarrollar estrategias para mejorar la convivencia.

Dance dialogues : conversations across cultures, artforms and practices

These Proceedings, arising from the 2008 World Dance Alliance Global Summit, reflect both its spirit and diversity, re-appraising what dance is and might be in the 21st century. Through 53 papers from 14 countries in the Americas, Europe and the Asia-Pacific region, the authors — ranging from seasoned scholars to emerging artists publishing for the first time — span the perspectives of academics, educators, performance and community artists, health professionals and cognitive scientists; predominantly from dance but also from film, visual arts, science, performance and philosophy. The papers are grouped under the five Summit themes: Re-thinking the way we make Dance; Re-thinking the way we teach Dance; Mind/body connections; Transcultural conversations and Sustainability

Introduction : the global flow of creative ideas

In the era of late modernism, various pressures play a decisive role in shaping the texture and meaning of the world around us. Population, work, transportation, new technologies of information and communication, lifestyle cultures and other forces are increasingly mobile, and this in turn helps make for a new set of public and personal surroundings. Social life everywhere now appears to share more and more in an international (if not a global) order, even if inequality and stratification remain common inside territories and across territories. Still, the perception is that a particular cultural life is increasingly universal. More and more consumers come to share in its practices and products, with those products becoming more and more homogeneous. This standardization argument finds much support in the apparent internationalization of many elements of media, entertainment, leisure and lifestyle cultures, with cultural conglomerates determined to maximize their global market reach. Once upon a time, in order to understand the economic, political and cultural forces affecting citizens and society, it was mostly deemed sufficient to look within the boundaries of the nation-state. Over the past two decades, these same pressures of globalization have impacted on critical research, highlighting the methodological need to adopt an optic that is more cross-border and transcultural as a means of gaining greater understanding of cultural life.

Fa'afaletui : a framework for the promotion of kidney health in an Australian Samoan community

Purpose Samoan communities in Australia exhibit a disproportionate rate of kidney disease compared with other Australians. This article describes a research project that used a culturally sensitive framework, Fa’afaletui, to help reduce the barriers of language and culture and increase our understanding of the factors contributing to kidney disease, in one Samoan community in Australia. Design Semistructured group interviews were undertaken with Samoan community families and groups. The interviews were analyzed according to key concepts embedded in the Fa’afaletui framework. Findings Four factors associated with health risks in this Samoan community emerged—diet and exercise; issues related to the collective (incorporating the village, church, and family); tapu or cultural protocols; and the importance of language. Conclusions The findings suggest that future kidney health promotion initiatives within this Samoan community will be more effective if they are sensitive to Samoan cultural norms, language, and context.

From ethnocentrism to transculturalism : a film studies pedagogical journey

This study reviews the exploratory implementation of an ‘internationalising the curriculum’ policy in relation to a cultural studies unit within a Creative Industries Faculty at an Australian university. Charting certain pedagogical practices in the delivery of transnational film studies, this case study involves a critical, contextual examination of student feedback as well as current theories about transcultural curricula in general and film studies curricula in particular. The study shows that tertiary students can be provided with an extraordinarily rich range of differing, sometimes conflicting, but always engaging transcultural insights and understandings. It is further argued that transnational competencies may be developed and enabled through the innovative realisation of a type of ‘border crossing’ pedagogical model, largely by foregrounding transcultural ‘affective’ issues around social justice.

‘Wide Atlantic Ocean’ : acting methods and cultural translation in mainstream theatre

A recent production of Nicholson’s Shadowlands at the Brisbane Powerhouse could have included two advertising lines: “Outspoken American-Jewish poet meets conservative British Oxford scholar” and “Emotive American Method trained actor meets contained British trained actor.” While the fusion of acting methodologies in intercultural acting has been discussed at length, little discussion has focussed on the juxtaposition of diverse acting styles in production in mainstream theatre. This paper explores how the permutation of American Method acting and a more traditional British conservatory acting in Crossbow’s August 2010 production of Shadowlands worked to add extra layers of meaning to the performance text. This sometimes inimical relationship between two acting styles had its beginnings in the rehearsal room and continued onstage. Audience reception to the play in post-performance discussions revealed the audience’s acute awareness of the transatlantic cultural tensions on stage. On one occasion, this resulted in a heated debate on cultural expression, continuing well after the event, during which audience members became co-performers in the cultural discourses of the play.