Die Satire in der jüdischen Literatur

Heinrich Gross

Salomon Bonfed's Satire

Jakob Egers

Die Satire in der jüdischen Literatur

Heinrich Gross

Die Satire in der jüdischen Literatur

Heinrich Gross

Römer-Maske : eine Festschrift phantastischer Satire und satirischer Phantasie ; [heiterer Begleiter der Gegenwart, der Zukunft ; angenehme Memoria farbiger Vergangenheit] ; aus Anlass und zur Erinnerung an den Maskenball der Farbe veranstaltet vom Bunde Tätiger Altstadtfreunde und unter dem löblichen Präsidium des Stadtkämmerers Doctor Heinrich Anastasius Langer in sämtlichen Räumen des ehrwürdigsten Tanzhauses Germaniae im Römer der Stadt Frankfurt am Main am 21. Februar 1925

hrsg. von Benno Elkan

Satire

di Vittorio Alfieri

The Caustic Pen Is Mightiest: A Tradition of Female Satire in the Novels of Jane Austen, Ivy Compton-Burnett, and Muriel Spark

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate the problems they have with society more through presentation than judgment in their satire, which places them on the fringes of a society they wish to educate, distinguishing their satire from that written by male satirists who are judging from a privileged height above the society they are attempting to correct. All three women create heroines and secondary female characters who find ways to survive, and occasionally thrive, within the confines of a polite society that has a streak of savagery running just beneath its polished surface.

Satire, odie lettere di Salvator Rosa;

"Vita di Salvator Rosa" signed Giosuè Carducci.

The satire of Jonathan Swift /

"Three lectures delivered at Smith College in May, 1946."

Modern benevolence: a satire, delivered before the Associated alumni of Union College. July 25th, 1860.

In verse.

Symbol and satire in the French Revolution,

Mode of access: Internet.

Humour, wit, & satire of the seventeenth century /

"Some of the tunes noted in this book": p. [449]-454

Satire on Art Criticism

Rembrandt van Rijn; 6 7/64 in.x 7 29/32 in.; pen and brown ink corrected with white