La gouvernance des projets d’architecture : une typologie de la multi-organisation temporaire

Les débats éthiques sur l’architecture ont traditionnellement abordé trois thématiques récurrentes : la beauté, la solidité et l’utilité de l’œuvre architecturale. Plus récemment, les nouvelles connaissances provenant du domaine de la gestion des projets et du développement durable ont apporté d’importantes contributions à la compréhension de la gouvernance de projets. Cependant, la démarche de réalisation des projets d’architecture est tributaire des caractéristiques propres à l’industrie du bâtiment; une industrie qui fonctionne grâce à la mise en place d’équipes temporaires formées par des organisations hautement spécialisées. L’analyse systémique d’études de cas permet d’identifier la complexité des équipes qui interviennent dans les projets d’architecture. Nous examinons dans cet article trois caractéristiques de l’industrie du bâtiment : (i) la complexité organisationnelle du donneur d’ouvrage, (ii) l’influence des parties prenantes, et (iii) les divers niveaux de proximité entre l’architecte et les usagers. L’identification des diverses configurations organisationnelles met en évidence les effets de ces caractéristiques sur les relations formelles et informelles entre l’architecte et les donneurs d’ouvrage ainsi que celles entre toutes les parties prenantes. L’architecte est contraint de travailler sur un projet qui devient, de plus en plus, l’objet de négociation entre les diverses parties prenantes. Face à ce défi, il doit tenir compte de la complexité des relations entre tous les acteurs au sein du système social du projet et créer les scénarios adéquats à la participation, à la négociation et aux échanges entre eux.

Approche hybride : une approche pour une meilleure intégration des outils CAAD dans le développement du processus architecturale du projet

Avec l’usage élargi de la CAAO, ces outils ont été largement utilisés dans le processus de conception architecturale. En dépit des fonctionnalités avancées offertes par les systèmes de CAAO, l'utilisation de la CAAO est principalement concentrée dans les étapes de production, comme un support graphique pour le dessin, la modélisation, le rendu et la simulation. Par conséquent, il est raisonnable de considérer que la situation actuelle relative à l’usage de la CAAO dans la profession d'architecte appelle à de nouvelles améliorations. En d'autres termes, nous devons trouver un moyen de mieux intégrer la technologie et les outils de CAAO dans le processus de conception architecturale, qui est notre question de recherche. Nous avons besoin de savoir comment la CAAO pourrait être utilisée pour améliorer la capacité de conception de l'architecte. Il ressort des discussions et des recherches menées pour cette étude que nous voulons un soutien de la technologie pour nous aider à mieux concevoir et non pas que la technologie conçoive à notre place. Nous aimerions avoir un système de CAAO qui pourrait nous servir d’assistant à la conception. En étudiant la situation de l'intégration des outils de CAAO dans les pratiques actuelles de conception des architectes et en examinant les approches utilisées dans les premières tentatives de développement d’un outil de CAAO intégré au processus de conception, on peut conclure que l'approche exploratoire et heuristique serait une meilleure approche qui pourrait être adaptée pour développer un système CAAO en soutien au travail de l’architecte. De plus, une étude plus approfondie a démontré que les deux sous- approches des approches exploratoires et heuristiques (approches basées sur les cas et les contraintes), sont applicables, mais aucune d'elles n'est suffisante. Par conséquent, l’approche hybride qui prend en compte les avantages de chacune des deux sous- approches précitées serait la plus applicable. Elle nous permettrait de développer un outil CAAD qui pourrait vraiment être intégré dans le processus de conception architecturale. Cette conclusion a été vérifiée par une étude complémentaire basée sur des entrevues.

Story telling in sustainable development projects

This paper constitutes an attempt to find a means to represent multiple stories in the strong narrative of conventional sustainable development (SD) projects. The authors' experience of such projects in various parts of the world indicates that they have a tendency to arise from and reflect a dominant mindset, placing the SD project in what can be a working environment that is inimical to the very ideals that SD is supposed to represent. Short-termism and value for money drive project formats and objectives, whilst counter-narratives and alternative stories arising from stakeholders in such projects are often ignored. Yet these alternative threads often contain strong SD messages of their own and could, if effectively utilized, enhance the SD project process. This paper sets out the case for a new field - 'project ethnography' - allied with the growing use of meta-analysis to compare project 'stories'. The analytical model applied to compare projects is based on the Kolb learning cycle and involves a (3 X 4)-fold questioning of project conceptual ization and roll-out. Copyright @ 2oo6 John Wiley & Sons, Ltd and ERP Environment.

Análise da concepção arquitetural à luz da arquiteturologia: um estudo da produção de edifícios de uso não-residencial do arquiteto João Maurício Fernandes de Miranda, entre 1961 e 1981

This study explores the architectural conception process using the Architecturologie as an instrument of analysis, based on Enseigner la Conception Architecturale (2000), developed by Boudon - architect, lecturer and French researcher. It begins with the selection of local architect´s works, João Maurício Fernandes de Miranda, which resulted in six non residential projects developed between 1961 and 1981. Architectural readings were developed, with emphasis in the identification of architecturological scales, their functions, relationship and modality of occurrence

A computational tool to assist the analysis of the transformer behavior related to lightning

This paper proposes the application of computational intelligence techniques to assist complex problems concerning lightning in transformers. In order to estimate the currents related to lightning in a transformer, a neural tool is presented. ATP has generated the training vectors. The input variables used in Artificial Neural Networks (ANN) were the wave front time, the wave tail time, the voltage variation rate and the output variable is the maximum current in the secondary of the transformer. These parameters can define the behavior and severity of lightning. Based on these concepts and from the results obtained, it can be verified that the overvoltages at the secondary of transformer are also affected by the discharge waveform in a similar way to the primary side. By using the tool developed, the high voltage process in the distribution transformers can be mapped and estimated with more precision aiding the transformer project process, minimizing empirics and evaluation errors, and contributing to minimize the failure rate of transformers. (C) 2011 Elsevier Ltd. All rights reserved.

A neural approach to evaluate the effect of lightning in power transformers

This paper proposes the application of computational intelligence techniques to assist complex problems concerning lightning in transformers. In order to estimate the currents related to lightning in a transformer, a neural tool is presented. ATP has generated the training vectors. The input variables used in Artificial Neural Networks (ANN) were the wave front time, the wave tail time, the voltage variation rate and the output variable is the maximum current in the secondary of the transformer. These parameters can define the behavior and severity of lightning. Based on these concepts and from the results obtained, it can be verified that the overvoltages at the secondary of transformer are also affected by the discharge waveform in a similar way to the primary side. By using the tool developed, the high voltage process in the distribution transformers can be mapped and estimated with more precision aiding the transformer project process, minimizing empirics and evaluation errors, and contributing to minimize the failure rate of transformers. © 2009 The Berkeley Electronic Press. All rights reserved.

Sistematização do fluxo de informações no processo de projeto de edificações em empresas construtoras e incorporadoras

O trabalho trata do fluxo de informações no processo de desenvolvimento de projetos, de edificações comerciais e multifamiliares verticais, gerados a partir das rotinas de comunicação entre empresa construtora, arquiteto, projetistas de estrutura, de instalações elétricas e hidrosanitárias e os procedimentos por eles aplicados, para se alcançar a qualidade desejada dos projetos. São investigados a problemática das metodologias tradicionais de projeto e a aplicabilidade de conceitos de engenharia simultânea, sugerindo a realização em paralelo das varias etapas do processo, desenvolvimento integrado de projetos do produto e da produção, estabelecimento de equipes ultidisciplinares e uma maior orientação para a satisfação do cliente final. É apresentado um método de análise capaz de identificar a maturidade das empresas construtoras para a implantação da engenharia simultânea e a explicitação do fluxo de informações, fornecendo uma visão global do processo de projeto. São realizados três estudos de caso consultando três empresas construtoras e incorporadoras e seus respectivos projetistas: arquiteto, engenheiro estrutural, elétrico e hidrosanitário, os quais corroboram as hipóteses estabelecidas na pesquisa. Como conclusão recomenda-se o desenvolvimento de modelos de processo de projeto baseados nos princípios de engenharia simultânea e métodos que possam vir a oferecer uma visão global do processo, dando suporte aos intervenientes na troca sistematizada e racionalizada das informações, objetivando a introdução de ferramentas que possam contribuir para uma modelagem do processo de projeto harmonizada com os princípios de qualidade.

O vazio da união das culturas nipo-brasileira: projeto no bairro da Liberdade-SP

The work aims at an architectural project in the neighborhood of Liberdade in Sao Paulo, from analysis of the spread of Japanese culture in Brazil. Within this theme, the paper focuses on the Japanese urban space and the search for an identity of the Japanese, besides the problems that the neighborhood has. The architectural design is justified by the need for spaces of rest, meetings and green areas, where people can get away a bit of pace that the neighborhood has. The source of this research is based on bibliographic references, reviews of other projects, investigating the experience of urban space and the richest source of contributions that were the memories of living in Japan for eight months. The expected result is the visualization of the project through sketches, experiments and artistic designs for the chosen location

Quatro Desenhos de Frank Lloyd Wright

O objetivo deste trabalho é discutir aspectos do processo de projeto e sua representação gráfica, num momento em que softwares de projeto 3D vem se tornando hegemônicos na prática do arquiteto e no ensino de arquitetura, em contraponto às práticas de desenho em prancheta. Os motivos e circunstâncias não são objeto do trabalho, cujo foco está numa prática de projeto e representação gráfica 2D, mas que tem muito a contribuir para o debate do quadro acima: os desenhos de projeto de Frank Lloyd Wright. Casos de estudo: quatro pranchas desenhadas por FLLW. É importante notar que, no vasto quadro da historiografia wrightiana, análises e interpretações originais, pioneiras, da arquitetura vem surgindo nas últimas décadas, mas ainda há poucos textos sobre desenhos e representação gráfica do arquiteto. Este constitui uma primeira aproximação do autor acerca de tema que oferece abrangente potencial. São exemplos em que, na relação imagem-objeto, a representação bidimensional constrói o projeto tridimensional. A arquitetura emerge como experimentação sem cair na especulação formal. Demonstram uma prática mais lenta, reflexiva e laboriosa do que a oferecida pelos software 3D atuais – mas onde cada traço, textura e grafismo implica um significado de espaço e materialidade.

A new species of Hydrogamasellus (Acari: Mesostigmata: Ologamasidae) from Brazil, with a key to the world species of the genus

Hydrogamasellus alagoensis n. sp. is described based on the morphology of adult females and males collected from litter in the State of Alagoas, Brazil. Six new combinations are proposed, namely Acugamasus avium (Karg, 1976) n. comb., Ologamasus lanceolatus (Karg, 1976) n. comb., Ologamasus microcrinis (Karg, 1979) n. comb., Ologamasus testudinis (Karg, 1976) n. comb., Rykellus longopilus (Karg, 1976) n. comb. and Rykellus ubatubaensis (Hirschmann, 1966) n. comb., and a key for the separation of females of the eighteen recognizable world Hydrogamasellus species is provided.

L'idea di metafora nell'opera di Oswald Mathias Ungers

This research focuses on the definition of the complex relationship that exists between theory and project, which - in the architectural work by Oswald Mathias Ungers - is based on several essays and on the publications that - though they have never been collected in an organic text - make up an articulated corpus, so that it is possible to consider it as the foundations of a theory. More specifically, this thesis deals with the role of metaphor in Unger’s theory and its subsequent practical application to his projects. The path leading from theoretical analysis to architectural project is in Ungers’ view a slow and mediated path, where theory is an instrument without which it would not be possible to create the project's foundations. The metaphor is a figure of speech taken from disciplines such as philosophy, aesthetics, linguistics. Using a metaphor implies a transfer of meaning, as it is essentially based on the replacement of a real object with a figurative one. The research is articulated in three parts, each of them corresponding to a text by Ungers that is considered as crucial to understand the development of his architectural thinking. Each text marks three decades of Ungers’ work: the sixties, seventies and eighties. The first part of the research deals with the topic of Großform expressed by Ungers in his publication of 1966 Grossformen im Wohnungsbau, where he defines four criteria based on which architecture identifies with a Großform. One of the hypothesis underlying this study is that there is a relationship between the notion of Großform and the figure of metaphor. The second part of the thesis analyzes the time between the end of the sixties and the seventies, i.e. the time during which Ungers lived in the USA and taught at the Cornell University of Ithaca. The analysis focuses on the text Entwerfen und Denken in Vorstellungen, Metaphern und Analogien, written by Ungers in 1976, for the exhibition MAN transFORMS organized in the Cooper - Hewitt Museum in New York. This text, through which Ungers creates a sort of vocabulary to explain the notions of metaphor, analogy, signs, symbols and allegories, can be defined as the Manifesto of his architectural theory, the latter being strictly intertwined with the metaphor as a design instrument and which is best expressed when he introduces the 11 thesis with P. Koolhaas, P. Riemann, H. Kollhoff and A. Ovaska in Die Stadt in der Stadt in 1977. Berlin das grüne Stadtarchipel. The third part analyzes the indissoluble tie between the use of metaphor and the choice of the topic on which the project is based and, starting from Ungers’ publication in 1982 Architecture as theme, the relationship between idea/theme and image/metaphor is explained. Playing with shapes requires metaphoric thinking, i.e. taking references to create new ideas from the world of shapes and not just from architecture. The metaphor as a tool to interpret reality becomes for Ungers an inquiry method that precedes a project and makes it possible to define the theme on which the project will be based. In Ungers’ case, the architecture of ideas matches the idea of architecture; for Ungers the notions of idea and theme, image and metaphor cannot be separated from each other, the text on thematization of architecture is not a report of his projects, but it represents the need to put them in order and highlight the theme on which they are based.

La conservazione viva dell'esistente. Storia, progetto e restauro nell'opera di Josef Wiedemann

La tesi analizza, nel quadro del secondo dopoguerra, quattro casi studio scelti tra le opere di ricostruzione dell’architetto Josef Wiedemann (1910-2001) nel centro di Monaco di Baviera: Odeon (1951-1952), Alte Akademie (1951-1955), Siegestor (1956-1958) e Glyptothek (1961-1972). L’architetto si occupa di opere simbolo della città di Monaco, affrontando la loro ricostruzione come un tema fondante per la storia e l’identità del popolo bavarese, ma soprattutto come un’occasione per definire un metodo d’intervento sulle rovine della guerra. Il suo lavoro è caratterizzato infatti per la ricerca costante di una sintesi tra interesse per la conservazione dell’antico e apertura al nuovo; ispirandosi all’insegnamento del maestro Hans Döllgast, Wiedemann traccia una nuova originale strada per l’intervento sull’antico, segnata da una profonda capacità tecnico-progettuale e dall'attenzione alle nuove esigenze a cui deve rispondere un’architettura contemporanea. Partendo dai suoi scritti e dalle sue opere, si può rilevare un percorso coerente che, partendo dalla conoscenza della storia dell'edificio, ripercorrendone l’evoluzione dallo stato che potremmo definire “originario” allo stato di rovina, giunge a produrre nel progetto realizzato una sintesi tra il passato e il futuro. L'architetto, nella visione di Wiedemann, è chiamato a un compito di grande responsabilità: conoscere per progettare (o ri-progettare) un edificio che porta impressi su di sé i segni della propria storia. Nel metodo che viene messo progressivamente a punto operando nel corpo vivo dei monumenti feriti dalla guerra, è percepibile fino a distinguerlo chiaramente l’interesse e l’influenza del dibattito italiano sul restauro. La conservazione “viva” dell'esistente, così come viene definita da Wiedemann stesso, si declina in modo diverso per ogni caso particolare, approdando a risultati differenti tra loro, ma che hanno in comune alcuni principi fondamentali: conoscere, ricordare, conservare e innovare.