1.° Jacobi Alexandri le Taneur disputatio physico-mathematica de aequabili motus acceleratione, et de motu telluris : in qua Galilaei decreta de motu gravium perpendiculariter cadentium confirmantur ; et ostenditur vulgarem seu Ptolemaïcam de motu solis opinionem non minùs esse contrariam sacris litteris, quam Copernicanam de motu terrae : ac proinde nihil certi ex iis, quoad illam quaestionem, posse deduci : ad Petrum Cazraeum, societatis Jesu. — 2.° Ejusdem epistolae duae ad eundem, de descensu gravium. — 3.° Petri Cazraei, societatis Jesu, ad Alexandrum le Taneur epistola, qua sententiam Galilaei de descensu gravium impugnat. — 4.° Lettre de monsieur le Taneur au Pere Mersenne, Minime, sur la chûte des corps. — 5.° Ejusdem ad eundem epistola contra Fabrianam de incremento motus accelerati opinionem.

Melchisedechi Thevenotii

1.° Commentarius in librum nonum Almanzoris. — 2.° Arnaldi de Villanova areolae, sive tractatus de simplicibus. — 3.° Petri de Ebano tractatus de venenis. — 4.° Henrici de Amondavilla practica chirurgiae. — 5.° Guidonis de Cauliaco collectorium chirurgicum.

Mazarinaeus

1.° M. T. Ciceronis rhetoricorum ad Herennium libri quatuor. — 2.° Joannis Boni Andreae, civis Bononiensis, ars dictaminis. — 3.° Joannis Candidi, Secretarii Imperialis, liber artis novae epistolarum. — 4.° Forma appellationis Raymundi de Oppeda, Sistarciensis Episcopi. — 5.° Ars memoriae secundùm Aristotelem et S. Thomam de Aquino. — 6.° Tractatus de baculo Jacob : authore anonymo. — 7.° Exordia secundùm Cassiodorum, de pace facienda inter Imperatorem et Regem. — 8.° Petri Blesensis epistolae nonnullae. — 9.° Guidonis de Columna historiae Trojanae libri decem priores.

Colbertinus

Using petri nets to specify and execute missions for autonomous underwater vehicles

This paper presents the design and implementation of a mission control system (MCS) for an autonomous underwater vehicle (AUV) based on Petri nets. In the proposed approach the Petri nets are used to specify as well as to execute the desired autonomous vehicle mission. The mission is easily described using an imperative programming language called mission control language (MCL) that formally describes the mission execution thread. A mission control language compiler (MCL-C) able to automatically translate the MCL into a Petri net is described and a real-time Petri net player that allows to execute the resulting Petri net onboard an AUV are also presented

1.° Summa dictaminis, sive summa epistolandi, libris decem : authore Thoma de Capua, Diacono Cardinali. — 2.° Magistri Petri de Vineis epistolae.

Colbertinus

[Petri de Riga Aurora].

Acquis le 8-12 floréal an VIII (28 avril-2 mai 1804), envoyé de la ville de Sens et remis au département des Manuscrits par le conservateur Millin, et placé dans le grenier du Levant à la suite des mss. venus de Compiègne; cf. B.n.F., département des Manuscrits, Archives Modernes 492, registre des acquisitions du département des Manuscrits an II-an XIV (1793-1805), f. 107 "Biblia sacra metrica a Petro de Riga, cod. memb. s. XIV exaratus in fol."; Delisle, Cab. des mss., II, 15; — ne provient pas de l'abbaye d'Orval (dioc. de Trèves), contrairement à l'avis de Delisle qui a confondu ce ms. et le latin 9749, cf. Cab. des mss., II, 389; A.-C. Fraeijs de Veubeke, Scriptorium, 31, 1977, 348 et 27, 1973, 106 (catalogue des mss. subsistants d'Orval) mais de l'abbaye de Vaux-Luisant, cf. latin 9562

Mielikuvien luominen traileroinnilla : tutkimuskohteena Big Brother Suomi

The thesis studies the launch campaign of Big Brother Finland, especially from the viewpoint of on-air promotion. Interest to the subject arose when participating in the campaign as an on-air promotion planner together with Subtv's marketing director, on-air promotion editor and the channel's advertising agency. The launch of the campaign was a challenge due to the format, since not a lot of information can be revealed before the start of the program. When the planning started, all the material consisted of two logos. The first season of the Finnish version of Big Brother begun on Subtv August 2005. The goal of the program was to become a topic of discussion on TV on the fall 2005 and to raise the profile of the channel. The goal of the launch was to get good ratings for the first episode. The launch campaign was also supposed to open up the format to the viewers and to arouse interest in the show. Secrecy and the size of the program were set to be the marketing tones of the launch. Although partly different messages were told via on-air promotion and external media, the campaign was congruent in visual design. In the study, interviews of Subtv's staff, campaign plans and notes were used as research material. From the aspect of affecting images and emotions, the finished campaign promos and other on-air elements were analyzed. In on-air promotion, all choices in audio and visual design affect the outcome and therefore the images that the viewer constructs. The two promo series were made to affect emotions and to awaken curiosity. Other on-air elements were merely used to present program information. The campaign and the series were accepted with enthusiasm. The launch of the second season was even more massive than the first. Participation in the launch campaign of Big Brother Finland was an essential experience in the development of professional identity. When one has taken part in the creation of a massive campaign from scarce materials, tools are given to future assignments in the field of on-air promotion.

Dokumenttielokuva - journalismia vai taidetta? : tutkimuskohteena Lapinlahden Arvo

Opinnäytetyöni on monimuototyö, joka koostuu Lapinlahden sairaalasta kertovasta dokumenttielokuvasta ja kirjallisesta tutkielmasta, jossa perehdyn taiteen ja journalismin väliseen maastoon selvittääkseni, mikä audiovisuaalisesta tuotteesta tekee journalismia, mikä taas rakentaa siitä teoksen eli taidetta. Koko dokumentin ja dokumenttielokuvan käsite on monimerkityksellinen ja sitä käytetään monessa yhteydessä. Ainoastaan televisiolevitykseen tuotetut dokumentit rinnastetaan usein journalismiin, kun taas elokuvateattereissa esitettävät teokset luokitellaan usein taiteeksi. Opinnäytetyössäni yritän selvittää tämän rajanvedon syitä ja valottaa dokumentin suhdetta sekä taiteeseen että journalismiin. Tutkimuksessani paneudun lähinnä dokumenttielokuvan sisällöllisiin ominaisuuksiin, en vertaile niinkään tuotantoprosessin teknillisiä eroja, enkä elokuvaopin lainalaisuuksien toteutumista tai toteutumatta jäämistä. Pohdin dokumenttielokuvan dokumentaarista ulottuvuutta ja ristiriitaa journalistisen todellisuuspyrkimyksen ja taiteelle tyypillisen tulkinnan vapauden välillä. Lähestyn kysymystä ensin teoreettisesta näkökulmasta. Tutkin sen jälkeen omaa työtäni ohjaajana ja oman työni tulosta, Lapinlahden Arvo -dokumenttielokuvaa, peilaten selvittämiäni lainalaisuuksia. Onko Lapinlahden Arvo - dokumenttielokuva journalismia vai taidetta? Muuttuuko teos taiteeksi, jos sitä voi katsella valkokankaalta? Mikä teoksesta tekee taidetta, ja kuka voi määrittää muut tai itsenä taiteilijaksi?