Walther von der Vogelweide : philologische und historische Forschungen /

Mode of access: Internet.

Herbort's von Fritslâr Liet von Troye,

Mode of access: Internet.

Über die Gliederung der Spruchtöne Walthers von der Vogelweide in metrische Gruppen /

"Schulnachrichten": p. 44-86.

Galaaz : a cristianização do herói do Graal

O objetivo deste trabalho é analisar e identificar a cristianização da novela de cavalaria portuguesa A Demanda do Santo Graal, na figura de sua personagem principal, Galaaz, em relação a dois outros romances: Perceval, de Chrétien de Troyes e Parsifal, de Wolfran von Eschenbach. Em nossa análise utilizamos os estudos de Mikhail Bakhtin, Walter Benjamin, Tzevetan Todorov, Arnold Hauser, Eric Auerbach e Joseph Campbell. É nosso propósito mostrar de que forma se deu a cristianização da figura do herói do Graal e de que maneira a Igreja estava ligada a esse projeto.

Catalogus bibliothecae numerosae ab incluti nominis viro Hieronymo Guilielmo Ebnero, ab Eschenbach rel. olim conlectae, nunc Norimbergae ... ann. MDCCCXIII[-MDCCCXX] publicae auctionis lege diuendendae. Quem in hunc ordinem redegit, his literarii maximam partem generis notationibus instruxit,

Vol. 1 has added t.-p. (with portrait vignette): Bibliotheca Ebneriana ...

Der Titulierungsgebrauch in den Redeszenen der Werke Gottfrieds von Strassburg und Konrads von Würzburg.

Lebenslauf.

Der infinitiv bei Chrestien.

Vita.

Ebernand von Erfurt and the Vita Heinrici.

Priest, G.M., cl. of 1894.

Gottfried's von Strassburg Tristan.

Mode of access: Internet.

Heinrich's von Freibert Tristan.

"Anmerkungen zu Heinrichs von Freiberg Tristan, von Reinhold Bechstein" in Germania, 32. jahrg., 1887, p. 1-48.

Ezzos gesang von den wundern Christi und Notkers 'Memento mori' in phototypischem facsimile der Strassburger handschrift,

Mode of access: Internet.

Die Abschrift als Schreibszene. Der ›Nuwe Parzifal‹ in der Handschrift Rom, Biblioteca Casanatense, Mss. 1409

The Codex Biblioteca Casanatense 1409 which has for a long time been neg- lected in Parzival scholarship, transmits German translations of three continuations of Chre ́tien de Troyes‘ Roman de Perceval ou Le Conte du Graal together with the last two books (XV/XVI) of Wolfram von Eschenbach’s Parzival. This article supports the for- merly casually made assumption that the Casanatense manuscript is in fact a direct copy of Codex Donaueschingen 97, the so called Rappoltsteiner Parzifal. As is to be shown, marks in the Donaueschingen codex, as well as significant copying errors in the Casanatense text and its treatment of initials suggest a direct relationship of the two witnesses. The notion of ,writing scene‘ (Schreibszene) with its implications of linguistic semantics, instrumentality, gesture and self reflection, proposed in modern literary scholarship, can help to understand peculiarities of the copying process in the Casanatensis, such as the numerous conceptual abbreviations and the adaptations in the handling of headings. In the final part of the article, the hypothesis is corroborated, that the copy of the Casa- natensis might have been produced in the surroundings of Lamprecht von Brunn (ca. 1320–1399), bishop of Strasburg and Bamberg, and counsellor of the emperor Charles IV.