Twelve sonatas for two violins : with a bass for the violoncello or harpsichord /

Mode of access: Internet.

4 works for wind instruments.

Opus 24, Ouvertüre für Harmoniemusik.--(Opus) 103, Trauermarsch, in memory of Norberg Burgmüller, for military band.--(Opus) 113, Concertstück no. 1, F minor, for clarinet, basset horn and piano.--(Opus) 114, Concertstück no. 2, D minor, for clarinet, basset horn and piano.

Konzertante für zwei violinen mit orchester.

Arrangement for violins 1-2 with piano accompaniment.

THE DISTINCTIVE VOICE OF PAUL HINDEMITH THROUGH THE VIOLA

Paul Hindemith has made numerous contributions to the viola, both as a composer and performer. As a composer, he has written 7 sonatas for the viola, as well as a number of chamber and orchestral works which feature the viola as a solo instrument. As a violist, Hindemith was one of the only virtuoso soloists of his lifetime, and premiered virtually all of his solo compositions. Many of his pieces remain an integral part of the viola repertoire; Der Schwanendreher is one of the three major Twentieth-Century concertos for the viola. While some of his pieces are well-known, there are many others which are not performed with much frequency, due in part to the sheer output of this prolific composer. In this dissertation project, I performed Hindemith's compositions for the viola as a solo instrument. Consideration was given to exclusively performing his 4 solo sonatas and 3 sonatas for viola and piano. His only viola duet, his only non-sonata written for viola and piano, and 2 of his viola concertos (Der Schwanendreher and Trauermusik) were included in this dissertation project to provide contrast and supplement the three recital programs. Through this dissertation project I have been able to gain a deeper understanding of the complex language of Hindemith and interpret his music in an approach that is accessible to both the performer and the audience. All performances took place in the Gildenhom Recital Hall and Ulrich Recital Hall at the University of Maryland. All collaborations with piano were performed with Eliza Ching. The Duett for Viola and Violoncello was performed with Daniel Shomper, and the assisting musicians performing in the Trauermusik were Joel Ciaccio, Daniel Sender, Daniel Shomper, Cassandra Stephenson and Dana Weiderhold.

Troisième sextuor (ut) pour deux violons, deux altos et violoncelles. Op. 11.

Pl. no. 2639.

Modern music and musicians ... /

[pt. 1] Compositions for piano -- [pt. 2] Encyclopedic. v.2-3 The great composers: critical and biographical sketches.

Quintette für Streichinstrumente.

Contains the Quintets for 2 violins, 2 violas and violoncello, K. 174, 516b (406), 515, 516, 593, and 614; Quintet for violin, 2 violas, violoncello and horn, K. 386c (407); Quintet for clarinet, 2 violins, viola and violoncello, K. 581; Eine kleine Nachtmusik, K. 525.

Serenade, in E dur, für Streich-Orchester; praeludium, air, intermezzo, romanze, gavotte ... Op. 25.

Mode of access: Internet.

Divertimento Nr. 15, B dur.

For 2 violins, viola, violoncello and 2 horns.

Orchester-trio in E dur, Op. 5, Nr. 3 /

Originally for string orchestra (violin I, II and continuo); includes realization of continuo part.

Concertos for stringed or wind instruments and orchestra. [music] /

[v.1.] B flat major, K. 207; D major, K. 211; G major, K. 216; D major, K. 218 -- [v.2.] Concerto, A major, K. 219; Adagio for violin, K. 261; Rondo concertante, K. 269; Rondo, K. 373; Concertante for 2 solo violins, K. 186e (190).

Konzert, C moll, für Violine und Oboe oder für zwei Violinen mit Klavierbegleitung /

Publisher's no.: Edition Peters no. 3722.

Sonaten für Pianoforte und Violine, op. 105 & 121 /

Publisher's no.: Edition Peters No. 2367.

Introduction et allegro pour harpe avec accpagnement de quatuor à cordes, flûte et clarinette /

For harp, flute, clarinet, and string quartet.

Quintuor pour deux violons, alto et deux violoncelles, op. 16 /

Cover title in Russian and German.