The theatre of the Greeks, a series of papers relating to the history and criticism of the Greek drama.

The first 3 editions of this work appeared under the name of the original author, P.W. Buckham. cf. British Mus. General cat. of printed books.

Observations made at Paris during the peace : and remarks in a tour from London to Paris through Picardy, and to England by the route of Normandy, containing a full description of every object of curiosity in the French metropolis and its environs, a critical review of the theatres, actors, &c. and every interesting particular that may serve as a useful companion to the stranger and amuse the mind of the curious and scientific /

Includes index.

Shakespeare : his life, art, and characters : With an historical sketch of the origin and growth of the drama in England /

Mode of access: Internet.

The social teachings of the prophets and Jesus /

Includes index.

Shadows of the stage /

The 2d and 3d volumes appeared as the 2d and 3d series, respectively.

Shadows of the stage /

The 2d and 3d volumes appeared as the 2d and 3d series, respectively.

Shadows of the stage ...

The 2d and 3d vols. appeared as the 2d and 3d series, respectively.

Memoirs of Charles Macklin, comedian, with the dramatic characters, manners, anecdotes, &c., of the age in which he lived: forming an history of the stage during almost the whole of the last century.

Mode of access: Internet.

The dramatist, or, Memoirs of the stage : with the life of the authoress, prefixed, and interspersed with, a variety of anecdotes, humourous and pathetic /

Subscribers' names: 4 p. (at end).

Biographia dramatica : or, A companion to the playhouse containing historical and critical memoirs, and original anecdotes of British and Irish dramatic writers from the commencement of our theatrical exhibitions ; among whom are some of the most celebrated actors: also an alphabetical account, and chronological lists, of their works, the dates when printed and observations on their merits: together with an introductory view of the rise and progress of the British stage, originally compiled to the year 1764 /

First edition published anonymously, 1764, under the title "The companion to the playhouse"; 2d ed., by I. Reed, 1782, under present title.

The Attic theatre; a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens,

Mode of access: Internet.

From Zheng Qiang to Jiang Shuiying: The feminization of a revolutionary hero in Maoist theatre's 'Song of the Dragon River'

Since the 1980s, analysis of the representation of women in Maoist theatre has argued that the heroines of the Cultural Revolution model works (yangbanxi) were 'gender-less revolutionaries erased of anything feminine. This article challenges such a view through a case study of Song of the Dragon River in which the male hero of the 1964 spoken drama version was changed to a female in the 1972 yangbanxi adaptation. Evidence is presented that the characterization of the heroine in the latter work conforms closely not only with traditional beliefs in innate female characteristics but also with current Chinese beliefs in the characteristics of successful women in leadership. Rosemary Roberts is a lecturer in Chinese at the University of Queensland, Australia. She completed postgraduate studies at Beijing University in the early 1980s and has a PhD in Chinese literature from the Australian National University. She has published numerous articles and translations in the field of Chinese literature and culture and is currently writing a book on gender in Maoist theatre of the Cultural Revolution.

Women against Pornography demonstration at the theater showing the anti-women film called "Snuff"

General note: Title and date provided by Bettye Lane.

The Art of Change Movement: an anti-oppressive Social Work initiative

This article presents the Art of Change Movement (Movimiento Arte del Cambio), which has developed out of a project of the Association of Social Workers Without Boundaries (Asociación Trabajadores/as Sociales Sin Fronteras), with the collaboration of the Faculty of Social Work at Universidad de Granada and of education professionals, incorporating theatrical creativity and musical expression as pedagogical and social intervention tools. The aim is for the initiative to become another instrument in the fight against oppression. Through a laboratory for collective creativity involving students and professionals from social work and other social science disciplines, the movement seeks social transformation through artistic expression, based on political commitment and sustainable development that empowers participants.

Humanism is a violence typical of the beasts. Philosozing with a Hammer, using Levinas and Derrida, the Measure of the Human and the Human as a measure

Levinas’s reflections arose as a critique of traditional philosophy which, since it was based on presence and identity, leads to the exclusion of the other. Instead of an onto-logical thought the Lithuanian proposes that the ipseity of the human being be constituted by alterity, and that it be so ethically, because the subject is sub-ject, that is, that which upholds, responsibility. In an attempt to take the obligatory attention to the otherness of the other even further, Derrida would develop a radical critique of the Levinasian posture. Deconstruction of every trace of ipseity and sovereignty in the relationship with the other, the reading that we have done of the work of Derrida opts for a no definable understanding of the human. That is why every de-limitation of an ethical field as a properly human implies a brutal violence that the levinasian humanism of the other tried to exceed.