975 resultados para Songs (High voice) with piano.


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Reprinted from Rouart, Lerolle plates: R.L. 5060 et Cie.

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English and French words ; English words printed also as text on verso of violin part.

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Cover title.

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Mode of access: Internet.

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Arranged by T. Cooke.

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For high voice, violin, and piano.

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Soprano version by publisher attributed to Michael Arne.

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Pl. no.: 15528 (v. 1).

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Mode of access: Internet.

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Feuille d'automne (Mme E. Tinel)--Comme une fleur (G. Mussely)--Petit enfant (A. Carteret)--Tout n'est qu'images fugitives (J. Reboul)--Plainte (Mme A. Tastu)--Le chant du cygne (poésie d'après l'allemand de E. Geibel, par Mme E. Tinel)

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Vol. 1: edited by Alfred Einstein and Adolf Sandberger; continuo realized by Franz Bennat. Vols. 2-3 (Bd. 1-2 of the opera) edited by Hugo Riemann.

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Text in English and French.

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As Flora slept / John Hilton -- A shepherd in a shade ; Come again / John Dowland -- Come, Phillis / Thomas Ford -- Deare, if you change / John Dowland -- Deare, though you mind / WIlliam Corkine -- Diaphenia / Francis Pilkington -- Fain would I change that note / Tobias Hume -- Faire, sweet, cruell / Thomas Ford -- Fine knacks for ladies ; Flow not so fast, ye fountains / John Dowland -- Go to bed, sweet muse / Robert Jones -- Here she her sacred bower adornes / Thomas Campion -- If I urge my kind desires ; If she forsake me / Philip Rosseter -- On a time / John Attey -- Phillis was a faire maide / Giles Earle's ms. -- Shaded with olive trees / Thomas Greaves -- Shall I come, sweet love, to thee? / Thomas Campion -- Sleepe, sleepe / Giles Earle's ms. -- Sweet cupid, ripen her desire / William Corkine -- Sweet Kate / Robert Jones -- Sweet nymph, come to thy lover / Thomas Morley -- There is a garden in her face / Thomas Campion -- Underneath a cypress tree / Francis Pilington -- What if I seek for love / Robert Jones -- When Laura smiles / Philip Rosseter -- When lo! by breake of morning / Thomas Morley -- Why dost thou turn away? / Giles Earl's ms. -- Woeful heart with grief oppressed / John Dowland.

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"These exercises form a transition from the grand style to the extreme difficulties of vocalisation."--T.p.