953 resultados para Saroyan, William, 1908-


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Mode of access: Internet.

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Back Row: Manager Clancy, Tom Riley, Albert Benbrook, Samuel Davison, David Allerdice, Keene Fitzpatrick

2nd Row: William Embs, Maurice Crumpacker, Captain Adolph "Germany" Schultz, William Casey, Prentiss Douglas

Front Row: Frank Linthicum, William Wasmund, Leroy Ranney

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Ink on linen; location, type of planatings; signed. 88 x 80 cm. No scale. [from photographic copy by Lance Burgharrdt]

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Top Row: George Kelly, William Donahue, Edward F. Dunne, Clarence Enzenroth, Mahlon? Olsen

Middle Row: George Wheeler, Ralph Mellon, coach L.W. McAllister, captain John T. Sullivan, Alan Giddings, Henry Taft, David Barr

Front Row: Shirley C. Snow, Maxwell Emerman, Frank Linthicum, Herbert Sincock

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L-R: Roe D. Watson, Hugh Gamble, Harold Green, David Allerdice, Maurice Crumpacker, LeRoy Ranney, William Kuhr, Fred Lawton, Stanfield Wells, William Embs, Ernest Primeau, Leo Lillie, Wilbur Davison, Prentiss Douglas, Hubert Brennan, William Casey, William Wasmund

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Mode of access: Internet.

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v. 1. On the principles and character of American institutions, and the duties of American citizens, 1856-1891.--v. 2. Addresses and reports on the reform of the civil service of the United States.--v. 3. Historical and memorial addresses.

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William St building-Riverside Expressway building junction.

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Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".