A landscape architectural design approach:the restoration of the Angel Tower and the Cloister of the Cathedral of Cuenca.

Este artículo trata de analizar la reciente evolución de los conceptos sobre intervención en el Patrimonio Cultural. Para ello utiliza como modelo el proyecto metodológico aplicado sobre las dos últimas actuaciones efectuadas en la Catedral de Cuenca. La Carta de Atenas, 1931, que estableció las bases de la modernidad sobre las dos trayectorias de espacio y tiempo, concuerdan hoy después de casi un siglo, recuperando su punto de encuentro. El artículo básicamente valora el potencial que los proyectos contemporáneos de intervención en el patrimonio pueden ofrecer cuando estudias su trayectoria en el paisaje. En orden a certificar sus transformaciones desde la actualidad, el singular monumento de la Catedral de Cuenca, utilizado como modelo, nos aporta a través de sus materiales y morfología la memoria secular que nos informa de sus técnicas constructivas y valores sociales. Este modelo abre un diálogo entre teoría y práctica reflejado a través de los trabajos de restauración aplicados. Después de treinta años de experiencia restauradora llevada a cabo por los autores, las dos últimas intervenciones que son minuciosamente expuestas, revelan algunas nuevas estrategias de aplicación en el proyecto de intervención.

Cathedral Square

Collaborator: Modesto Sánchez Morales

Edicto del Ilmo. Senor Obispo de Orihuela, para la observancia del Breve Apostolico : expedido por nuestro Santissimo Padre Benedicto XIV, a fin de arreglar a el Sagrado Ceremonial de Obispos todas las Funciones Eclesiasticas de su Santa Iglesia Cathedral...

Palau, 78.405

Exertacion pastoral que el Obispo de Tortosa haze a el muy Ile. Cabildo de su Santa Iglesia Cathedral, y a el venerable, y d evoto clero de su Diocesis [Texto impreso]

Juan Miquelez de Mendaña Ossoria fue Obispo de Tortosa de 1715 a 1716

Marchioness of Salisbury [Material gráfico] : proof

Resumen: Descripción: retrato de la Condesa de Salisbury de pie y de perfil; un pequeño perro le muerde el bajo del elegante vestido

Sermon predicado en la iglesia cathedral de la ciudad de Santa Maria de Albarrazin [Texto impreso]

Texto enmarcado con orla tip

Sex, sin and salvation : a case study of the narrative pictorial cycle of Saint Mary the Egyptian at Bourges Cathedral

This paper studies the narrative stained glass cycle of the Life of Saint Mary the Egyptian at Bourges Cathedral within the context of prevailing—and often conflicting--civil and ecclesiastical attitudes toward sex, sexual sin, and prostitution in early thirteenth century France. Although the Church maintained that sexual sin was mortal sin, civil records suggest the public was skeptical. Through the example of a penitent harlot, this window, both structurally and in thematic content, attempts to map a doctrinally appropriate path from sexual sin to purity of spirit—and salvation—through complete submission to the Church and its clergy.

Clarity, Light, and Logic : Parallels between Olafur Eliasson’s The weather project and the Gothic Cathedral

This Master’s Research Paper investigates Olafur Eliasson’s The weather project as a case study for the dialogue between Gothic artistic principles and prominent elements of contemporary art. A product of a post-modern mindset, weakened historicity allows us to examine these connections anew; past, present, and future blur and artists (and viewers) have the whole of time from which to gain inspiration and meaning in works of art. I demonstrate similarities through theories on phenomenology; the spatiotemporal relationship between viewer and artwork; the convergence of art and science; and the communal, quasi-liminal experience of pilgrimage. I embrace Eliasson’s belief in the self-reflexive potential of art and the importance of the viewer’s own values, memories, and methods of seeing. This new interpretive layer will hopefully offer a richer experience for future participants of both Gothic cathedrals and environments produced by Studio Olafur Eliasson.

The cathedral

In Port Louis, Mauritius, a young woman in search of her identity interacts with friends and family in a carefree manner until a stranger, a photographer, sees her dancing in front of the cathedral.

Salisbury, Amesbury, and Merrimac, Massachusetts, 1854 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Map of the towns of Salisbury & Amesbury : Essex County, Mass., surveyed & drawn by E. M. Woodford. It was published by Richard Clark in 1854. Scale [ca.1:1,000,000]. Covers the towns of Salisbury, Amesbury, and Merrimac, Massachusetts. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Massachusetts State Plane Coordinate System, Mainland Zone (in Feet) (Fipszone 2001). All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, or other information associated with the principal map. This map shows features such as roads, railroads, drainage, selected public buildings, schools, churches, cemeteries, industry locations (e.g. mills, factories, etc.), private buildings with names of property owners, town boundaries, and more. Includes engravings and inset maps of downtown areas. This layer is part of a selection of digitally scanned and georeferenced historic maps of Massachusetts from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of regions, originators, ground condition dates (1755-1922), scales, and purposes. The digitized selection includes maps of: the state, Massachusetts counties, town surveys, coastal features, real property, parks, cemeteries, railroads, roads, public works projects, etc.