Charles Lonergan Cobb Papers - Accession 11

The Charles Lonergan Cobb Papers consists mainly of correspondence but also includes photographs, biographical material, magazine and newspaper clippings, all relating to Cobb's career as a banker at People's National Bank( 1905-1949); and the People's National Bank and Trust Company(1949-1953) in Rock Hill, SC as well as his association with Winthrop College as a Board of Trustees' member(1938-1953). Subjects include, railroad cotton shipping service to South Carolina mill towns, crop loans in the early 1920s, location of the Celanese Chemical Plant in Rock Hill, the Winthrop College Board of Trustees, and a1946 article about Cobb that appeared in the Saturday Evening Post.

Na 1 Nachlass Max Horkheimer, 3 - Korrespondenzen u.a. mit Julius S. Bach (p. I 2, 1-130)

33 Briefe zwischen Julius S. Bach und Max Horkheimer, 1937-1941; 1 Brief von Julius S. Bach an Mary von Meldelsohn, 28.08.1940; 24 Briefe zwischen Richard Bach und Max Horkheimer, 1938-1940; 1 Abschrift eines Briefes von Oscar W. Gross an Emil de Leuw, 1938; 1 Brief von A. Bailer an Mr. Iggersheimer, 01.05.1940; 1 Brief von Max Horkheimer an Bailliere, Tindall & Cox London, 05.07.1949; 1 Brief von Beatrix Baird an Max Horkheimer; 5 Briefe zwischen Leonard Balet und Max Horkheimer, 1938-1949; 2 Briefe zwischen John Simon Guggenheim Memorial Foundation New York und Max Horkheimer, 22.11.1948, 05.01.1949; 1 Brief von W. H. de Graaff, Ladislaus Bálint an Max Horkheimer, 11.05.1938; 6 Briefe zwischen Bank of Manhattan Company New York und Max Horkheimer, 1934-1935; 6 Briefe zwischen Ladislaus Bálint und Max Horkheimer, 1934-1935; 2 Briefe zwischen der Bank of the Manhatten Company in New York und Max Horkheimer, 14./15.11.1934; 5 Briefe zwischen der Bankers Trust Company und Max Horkheimer, 1934; 1 Brief von R. Bárány an Max Horkheimer, 05.05.1933; 5 Briefe zwischen Hans Baron und Max Horkheimer, 1936; 3 Briefe zwischen Salo W. Baron und Max Horkheimer, 1941-1942, 16.04.1940; 1 Brief zwischen A. Barratt Brown und Max Horkheimer, 01.10.1936;

Na 1 Nachlass Max Horkheimer, 588 - Korrespondenzen mit Friedrich (Frederick) Pollock (p. VI 37, 1-180)

1 Telegramm von Leo Löwenthal an Frederick Pollock, 12.10.1953; 2 Briefe von Frederick Pollock an Frederick J. Hacker (Arzt), Oktober 1953; 1 Brief von Frederick J. Hacker (Arzt), an Theodor W. Adorno, 06.12.1950; 1 Brief von Frederick Pollock an Frederick Wild, 28.09.1953; 1 Brief von Frederick Wild an Max Horkheimer, 15.08.1953; 1 Brief von der Frankfurter Bücherstube an Frederick Pollock, 08.04.1953; 1 Brief von der Frankfurter Bücherstube an den Kurator W. Rau, 08.04.1953; 1 Brief von Frederick Pollock an die Guaranty Trust Company, 20.03.1953; 1 Brief von Germaine Krull-Ivens an Frederick Pollock, 14.01.1953;

Selecting Contexts. One Method of Selecting Contexts for Theatre Historiography

In principle, the world and life itself are the contexts of theatrical events. The term context is broad and thus seems hardly usable. It only makes sense to use the term when terminologies and methodologies determine which parts of their contexts are to be incorporated and analysed for which theatrical event. This presentation exemplifies a method which is particularly suitable for sensibly selecting the most important contexts for research in theatre history. The complexity of the representation increases continuously from The Presentation of Self in Everyday Life to Brecht’s “Street Scene” and “Everyday Theatre”, portrayals of rulers in feasts and parades to Hamlet productions by the Royal Shakespeare Company or a Wagner opera in Bayreuth. The different forms of theatre thus constitute a continuum which spans from “everyday theatre” to “art theatre”. The representation of the world in this continuum is sometimes questioned by the means of theatre, for example when Commedia dell’arte takes a critical stance towards the representative theatre of the humanists or when playful devices such as reversal, parody and fragmentation challenge the representative character of productions, which is applied by the Vice character for instance. There is a second component that has an impact on the continuum without a theatrical device: attitude, opinion, norms and bans which originate from society. As excerpts of contexts, they refer to single forms of theatre in the continuum. This results in a complex system of four components which evolves from the panorama between the antipodes “everyday theatre” and “art theatre” as well as both spheres of influence of which only one uses theatrical devices. All components interact in a specific time frame in a specific place in a specific way in each case, which can then be described as the theatricality in this time frame. This presentation will deal with what the concept is capable of doing.

Towns of New England and old England, Ireland and Scotland : connecting links between cities and towns of New England and those of the same name in England, Ireland and Scotland : containing narratives, descriptions, and many views, some done from old prints : also much matter pertaining to the founders and settlers of New England and to their memorials on both sides of the Atlantic /

"Written to commemorate the tercentenary of the landing of the Pilgrims."

Public-house reform; an explanation with an appendix,

Appendix: A. Prospectus and trust-deed of the Northumberland public-house trust company.--B. Report and rules of the people's refreshment house association.--C. Opinions of the press.

Export and import procedures.

"Second printing, with revisions, December, 1962."

Statue of liberty enlightening the world,

Mode of access: Internet.

How business with foreign countries is financed.

Mode of access: Internet.

A century of banking in New York, 1822-1922 /

A facsimile reprint of Wealth and biography of the wealthy citizens of New York City ... 6th ed. ... New York, The Sun Office, 1845: p. 151-184.

The fine arts in philanthropy.

Mode of access: Internet.

Boston's story in inscriptions : being reproductions of the markings that are or have been on historic sites.

"Compiled, arranged and printed under the direction of the Walton Advertising and Printing Company, Boston, Mass."

European War pamphlets

A collection of miscellaneous pamphlets on World War I.

State Street; a brief account of a Boston way.

Mode of access: Internet.